Tracklist

CD 1: 1933 - 1940
CD 2: 1941 - 1950
CD 3: 1951 - 1960
CD 4: 1961 - 1976
CD 5: 1977 - 1984
CD 6: 1984 - 1992
#TitleArtistRatingLength
1Beverly Hills Cop: Axel F
producer:
Harold Faltermeyer
synthesizer:
William Goldstein
arranger:
Louis Febre, William Goldstein and Peter Rotter (score composer)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recorded at:
New Gold Studios in Los Angeles, California, United States (from 1988-02-01 until 1988-07-15)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer43:05
2This Is Spinal Tap: Stonehenge
Spinal Tap4:41
3Back to the Future: Main Theme
producer:
Alan Silvestri (American score composer)
violin:
Jeanne E. Aiken (Session Musician) (from 1985-05-16 until 1985-06-11), Patricia Aiken (from 1985-05-16 until 1985-06-11), Judith Aller (from 1985-05-16 until 1985-06-11), Mark Baranov (Session Musician) (from 1985-05-16 until 1985-06-11) and Jackie Brand (from 1985-05-16 until 1985-06-11)
orchestra:
The Outatime Orchestra (from 1985-05-16 until 1985-06-11)
conductor:
Alan Silvestri (American score composer) (from 1985-05-16 until 1985-06-11)
recorded at:
Clint Eastwood Scoring Stage in Burbank, California, United States (from 1985-05-16 until 1985-06-11)
recording of:
Back to the Future (title theme from the 1985 film of the same name) (from 1985-05-16 until 1985-06-11)
composer:
Alan Silvestri (American score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
recording of:
Back to the Future (End Credits) (from 1985-05-16 until 1985-06-11)
orchestrator:
James Campbell (orchestrator)
composer:
Alan Silvestri (American score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
Alan Silvestri3:21
4Out of Africa: Main Title (I Had a Farm in Africa)
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:15
5Hannah and Her Sisters: Harpsichord concerto in F minor, BWV 1056: II. Largo
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1981-02)
orchestra:
The English Concert (in 1981-02)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1981-02)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:55
6A Room With a View: “O mio babbino caro” From “Gianni Schicchi”
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:31
7Platoon: Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
recorded at:
Joseph Meyerhoff Symphony Hall in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Georges Delerue8:47
8Good Morning Vietnam: What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
performer:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:20
9Moonstruck: That's Amore
Harry Warren & Jack Brooks3:11
10The Untouchables: The Untouchables
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
The Untouchables
composer:
Ennio Morricone (Italian classical and score composer)
Ennio Morricone3:15
11Cinema Paradiso: Cinema Paradiso
orchestra:
Prague Philharmonia
conductor:
Nick Ingman
recording of:
Nuovo Cinema Paradiso: Nuovo Cinema Paradiso
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
Ennio Morricone3:13
12Batman: The Batman Theme
orchestra:
Sinfonia of London Orchestra (John Wilson’s session orchestra)
conductor:
Shirley Walker
recording of:
Main Theme (Batman, 1989)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Batman
Danny Elfman2:42
13Dances With Wolves: John Dunbar Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
part of:
Dances With Wolves
John Barry2:32
14Silence of the Lambs: Goldberg Variations: Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (Engineer of classical recordings)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Howard Shore4:51
15The Crying Game: The Crying Game
programming:
Pete Gleadall
engineer:
Pete Schwier (producer, mixing and recording engineer)
producer:
Pet Shop Boys
vocals and performer:
Boy George
phonographic copyright (℗) by:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:25
16Strictly Ballroom: Love Is in the Air (Ballroom mix)
David Hirschfelder3:31
17Reservoir Dogs: Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel43:27
CD 7: 1993 - 2002