The Emotion Collection: Forever Yours

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging is not on list. It's used by Time-Life Music for their 'The Emotions Collection'. It holds 2 CDs it's black plastic with a front cover and a back cover both of which open to reveal one of the discs. It needs a photo.

Anmerkung zuletzt geändert am 2017-08-14 10:33 UTC.

Titelliste

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▼CD 1
Nr.TitelKünstlerBewertungLänge
1You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing Germany (GmbH & Co. KG), Mother Bertha Music Inc., Screen Gems-Columbia Music Ltd., Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
The Righteous Brothers3:41
2If You Think You Know How to Love Me
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
If You Think You Know How to Love Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Universal Music–MGB Songs, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Smokie3:26
3Every Day Hurts
recording of:
Every Day Hurts
Verfasser(in):
Vic Emerson, John Stimpson und Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und St. Anne’s Music Ltd.
Sad Café4:00
4Lyin’ Eyes
recording engineer und Mix:
Allan Blazek und Bill Szymczyk
Produzent(in):
Bill Szymczyk
Akustikgitarre:
Don Felder und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bassgitarre:
Randy Meisner
Gitarre [lead] und Mandoline:
Bernie Leadon
Klavier:
Jim Ed Norman
Perkussion, Schlagzeug und Hintergrundgesang [& harmony]:
Don Henley
Hintergrundgesang:
Bernie Leadon und Randy Meisner
Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1975)
recording of:
Lyin’ Eyes
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eagles4.16:26
5Reason to Believe
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., Hudson Bay Music Inc., Robbins Music Corp. und Trio Music Co., Inc.
Rod Stewart3.154:07
6Love Hurts
Jim Capaldi3:31
7When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
Produzent(in):
Marlin Greene ('60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene ('60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54)
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
8You’ve Made Me So Very Happy
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears)
Flöte, Orgel, Klavier und Posaune:
Dick Halligan
Flügelhorn und Trompete:
Lew Soloff und Chuck Winfield
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears)
recorder und Posaune:
Jerry Hyman (trombone player)
Schlagzeug und Perkussion:
Bobby Colomby
Sologesang:
David Clayton‐Thomas
vocals:
Bobby Colomby, Dick Halligan und Steve Katz (guitarist for Blood, Sweat & Tears)
arranger:
Blood, Sweat & Tears, Al Kooper und Fred Lipsius
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:14
9Going Back
Produzent(in):
John Franz
cover recording of:
Goin’ Back (am 1966-06-15)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
Dusty Springfield3:33
10Joanna
recording of:
Joanna
Verfasser(in):
Tony Hatch und Jackie Trent
publisher:
ATV Music Ltd.
Scott Walker33:52
11Baby I’m a Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Baby I’m-a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd.
Bread42:25
12(Sittin’ On) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (vom 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (vom 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (vom 1967-11-22 bis 1967-12-07) und Booker T. Jones (vom 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (vom 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (vom 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 38) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (vom 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:39
▼CD 2
Nr.TitelKünstlerBewertungLänge
1You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page und Barry White
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), Little A Music, My Baby's Music Company, Sa‐Vette Music, Unichappell Music, Inc. und World Song Publishing Inc.
Barry White3.653:26
2More Than in Love
recording of:
More Than in Love
Verfasser(in):
Barry Leng und Simon May
publisher:
ATV Music Ltd. und Barry Leng Productions Ltd.
Kate Robbins & Beyond3:30
3How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Minder Music Ltd.
Ace3.653:19
459th Street Bridge Song (Feeling Groovy)
Harpers Bizarre2:33
5You Make Me Feel Brand New
The Stylistics5:29
6Love Me
Produzent(in):
Freddie Perren
recording of:
Love Me
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Gibb Brothers Music
Yvonne Elliman3:22
7Fire and Rain
Techniker(in):
Bill Lazerus
Produzent(in):
Peter Asher
Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1969-12)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (beendet), EMI Blackwood Music Inc. (1989-07-24–present) und フジパシフィックミュージック SBK事業部
James Taylor4.53:20
8Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:46
9Say You Don’t Mind
Colin Blunstone3:20
10Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部
Teil von:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Mama Cass4.153:13
11Bridge to Your Heart
recording of:
Bridge to Your Heart
Verfasser(in):
Andrew Gold und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Sluggogsongs
Wax3:52
12Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:10

Nennungen

Veröffentlichung

hergestellt in:Niederlande, Kingdom of the Netherlands
copyrighted (©) by und phonographic copyright (℗) by:Time‐Life Books B.V. (vom 1992 bis heute)
Discogs:https://www.discogs.com/release/15198722 [Info]

Veröffentlichungsgruppe

Teil von:The Emotion Collection (Time-Life) (Nummer: 2) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/2033245 [Info]