The Emotion Collection: Forever Yours

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaging is not on list. It's used by Time-Life Music for their 'The Emotions Collection'. It holds 2 CDs it's black plastic with a front cover and a back cover both of which open to reveal one of the discs. It needs a photo.

Annotation last modified on 2017-08-14 10:33 UTC.

Tracklist

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▼CD 1
#TitleArtistRatingLength
1You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing Germany (GmbH & Co. KG), Mother Bertha Music Inc., Screen Gems-Columbia Music Ltd., Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Righteous Brothers3:41
2If You Think You Know How to Love Me
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
If You Think You Know How to Love Me
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Smokie3:26
3Every Day Hurts
recording of:
Every Day Hurts
writer:
Vic Emerson, John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and St. Anne’s Music Ltd.
Sad Café4:00
4Lyin’ Eyes
recording engineer and mixer:
Allan Blazek and Bill Szymczyk
producer:
Bill Szymczyk
acoustic guitar:
Don Felder and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
bass guitar:
Randy Meisner
drums (drum set), percussion and background vocals [& harmony]:
Don Henley
guitar [lead] and mandolin:
Bernie Leadon
piano:
Jim Ed Norman
background vocals:
Bernie Leadon and Randy Meisner
lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1975)
recording of:
Lyin’ Eyes
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eagles4.16:26
5Reason to Believe
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., Hudson Bay Music Inc., Robbins Music Corp. and Trio Music Co., Inc.
Rod Stewart3.154:07
6Love Hurts
Jim Capaldi3:31
7When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
8You’ve Made Me So Very Happy
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears)
drums (drum set) and percussion:
Bobby Colomby
flugelhorn and trumpet:
Lew Soloff and Chuck Winfield
flute, organ, piano and trombone:
Dick Halligan
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears)
recorder and trombone:
Jerry Hyman (trombone player)
lead vocals:
David Clayton‐Thomas
vocals:
Bobby Colomby, Dick Halligan and Steve Katz (guitarist for Blood, Sweat & Tears)
arranger:
Blood, Sweat & Tears, Al Kooper and Fred Lipsius
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:14
9Going Back
producer:
John Franz
cover recording of:
Goin’ Back (on 1966-06-15)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Dusty Springfield3:33
10Joanna
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent
publisher:
ATV Music Ltd.
Scott Walker33:52
11Baby I’m a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Baby I’m-a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd.
Bread42:25
12(Sittin’ On) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:39
▼CD 2
#TitleArtistRatingLength
1You’re the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), Little A Music, My Baby's Music Company, Sa‐Vette Music, Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3.653:26
2More Than in Love
recording of:
More Than in Love
writer:
Barry Leng and Simon May
publisher:
ATV Music Ltd. and Barry Leng Productions Ltd.
Kate Robbins & Beyond3:30
3How Long
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Minder Records (in 1974) and Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
part of:
The Downloader’s Music Source Book (number: 121)
recording of:
How Long?
lyricist and composer:
Paul Carrack
publisher:
Minder Music Ltd.
Ace3.653:19
459th Street Bridge Song (Feeling Groovy)
Harpers Bizarre2:33
5You Make Me Feel Brand New
The Stylistics5:29
6Love Me
producer:
Freddie Perren
recording of:
Love Me
writer:
Barry Gibb and Robin Gibb
publisher:
Gibb Brothers Music
Yvonne Elliman3:22
7Fire and Rain
engineer:
Bill Lazerus
producer:
Peter Asher
lead vocals:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227)
recording of:
Fire and Rain (in 1969-12)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ended), EMI Blackwood Music Inc. (1989-07-24–present) and フジパシフィックミュージック SBK事業部
James Taylor4.53:20
8Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:46
9Say You Don’t Mind
Colin Blunstone3:20
10Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Mama Cass4.153:13
11Bridge to Your Heart
recording of:
Bridge to Your Heart
writer:
Andrew Gold and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Sluggogsongs
Wax3:52
12Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:10

Credits

Release

manufactured in:Netherlands, Kingdom of the Netherlands
copyrighted (©) by and phonographic copyright (℗) by:Time‐Life Books B.V. (from 1992 to present)
Discogs:https://www.discogs.com/release/15198722 [info]

Release Group

part of:The Emotion Collection (Time-Life) (number: 2) (order: 2)
Discogs:https://www.discogs.com/master/2033245 [info]