AA302: From Composition to Performance: Musicians at Work (block 2: tan)

~ Release by The Open University (see all versions of this release, 3 available)

Tracklist

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CD 6
#TitleArtistRatingLength
1Missa Solemnis: Kyrie
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
organ:
Alastair Ross (organist and harpsichordist) (in 1989-11)
choir vocals:
Monteverdi Choir (in 1989-11)
solo bass vocals:
Alastair Miles (operatic bass) (in 1989-11)
solo mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1989-11)
solo soprano vocals:
Charlotte Margiono (soprano) (in 1989-11)
solo tenor vocals:
William Kendall (tenor) (in 1989-11)
orchestra:
English Baroque Soloists (in 1989-11)
conductor:
Sir John Eliot Gardiner (in 1989-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1990)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Missa Solemnis D-Dur, op. 123: I. Kyrie (in 1989-11)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven8:51
2Symphony no. 2: I.
engineer:
Mike Clements (engineer)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar17:34
3Symphony no. 2: II.
engineer:
Mike Clements (engineer)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar13:40
4Symphony no. 2: III.
engineer:
Mike Clements (engineer)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar8:19
5Symphony no. 2: IV.
engineer:
Mike Clements (engineer)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar14:41
6Symphony no. 2, sketch relating to ‘Ghost’ theme
Sir Edward Elgar0:23
7Symphony no. 2, sketch relating to ‘Ghost’ theme
Sir Edward Elgar0:29
8Symphony no. 2, sketch: later version of ‘Ghost’ theme
Sir Edward Elgar0:26
CD 7
#TitleArtistRatingLength
1Orfeo ed Euridice, Act 2, Scene 1: Bars 1–20 Ballo in E-flatChristoph Willibald Gluck1:13
2Orfeo ed Euridice, Act 2, Scene 1: Bars 21–23 Harp preludeChristoph Willibald Gluck0:10
3Orfeo ed Euridice, Act 2, Scene 1: Bars 24–33 Coro ‘Chi mai dell’Erebo’Christoph Willibald Gluck0:15
4Orfeo ed Euridice, Act 2, Scene 1: Bars 34–50 Ballo in C minorChristoph Willibald Gluck0:41
5Orfeo ed Euridice, Act 2, Scene 1: Bars 51–90 Coro ‘Chi mai dell’Erebo’Christoph Willibald Gluck1:01
6Orfeo ed Euridice, Act 2, Scene 1: Bars 91–109 Ballo in E-flatChristoph Willibald Gluck1:12
7Orfeo ed Euridice, Act 2, Scene 1: Bars 110–152 Solo and chorus ‘Deh placatevi’Christoph Willibald Gluck2:21
8Orfeo ed Euridice, Act 2, Scene 1: Bars 153–184 Coro ‘Misero giovane’Christoph Willibald Gluck0:55
9Orfeo ed Euridice, Act 2, Scene 1: Bars 185–208 Solo ‘Mille pene’Christoph Willibald Gluck0:49
10Orfeo ed Euridice, Act 2, Scene 1: Bars 209–229 Coro ‘Ah, quale incognito’Christoph Willibald Gluck0:49
11Orfeo ed Euridice, Act 2, Scene 1: Bars 230–244 Solo ‘Men tiranne’Christoph Willibald Gluck0:35
12Orfeo ed Euridice, Act 2, Scene 1: Bars 245–292 Coro ‘Ah, quale incognito’Christoph Willibald Gluck1:22
13Orfeo ed Euridice, Act 2, Scene 2: Bars 1–28 Ballo in F major
choir vocals:
Monteverdi Choir
orchestra and performer:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
Christoph Willibald Gluck1:53
14Orfeo ed Euridice, Act 2, Scene 2: Bars 29–96 Solo ‘Che puro ciel’
choir vocals:
Monteverdi Choir
countertenor vocals [Orfeo]:
Derek Lee Ragin (countertenor)
orchestra and performer:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck6:07
15Orfeo ed Euridice, Act 2, Scene 2: Bars 97–151 Coro ‘Vieni a’ regni’
choir vocals:
Monteverdi Choir
orchestra and performer:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
Christoph Willibald Gluck1:55
16Orfeo ed Euridice, Act 2, Scene 2: Bars 152–199 Ballo in B-flat
choir vocals:
Monteverdi Choir
orchestra and performer:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
Christoph Willibald Gluck2:42
17Orfeo ed Euridice, Act 2, Scene 2: Bars 200–214 Recitative ‘Anime avventurose’Christoph Willibald Gluck0:44
18Orfeo ed Euridice, Act 2, Scene 2: Bars 213–267 Coro ‘Torna, O bella’Christoph Willibald Gluck2:00
19Ezio: ‘Se povero il ruscello’
Christoph Willibald Gluck9:30
20Orphée et Eurydice, Act 2, ‘Quel nouveau ciel’
conductor:
Hans Rosbaud (conductor)
Christoph Willibald Gluck5:27
21Mazurka in A minor, op. 7 no. 2 (Chopin Institute edition 1953)
Fryderyk Chopin2:36
22Mazurka in A minor, op. 7 no. 2 (autograph version)
Fryderyk Chopin1:57
23Sequenza
flute:
Kathryn Lukas (flautist)
recording of:
Sequenza I for Flute
composer:
Luciano Berio (Italian composer) (in 1958)
Luciano Berio6:30
24The development of the solo flute repertoire
spoken vocals:
Kathryn Lukas (flautist)
[dialogue]18:13
CD 8
#TitleArtistRatingLength
1The two editions of Berio’s ‘Sequenza’
spoken vocals:
Kathryn Lukas (flautist)
[dialogue]5:23
2Sequenza VI (extract)
viola:
Walter Trampler (violist)
partial recording of:
Sequenza VI for Viola
composer:
Luciano Berio (Italian composer) (in 1967)
Luciano Berio3:45
3Chemins II
instruments:
Ensemble intercontemporain
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Chemins II
composer:
Luciano Berio (Italian composer) (in 1967)
Luciano Berio3:49
4Il Ri torno d’Ulisse in Patria, Act 1, Scene 7, ‘Dormo ancora o son desto?’
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
partial recording of:
Il Ritorno d'Ulisse in Patria, Atto I
part of:
Il ritorno d'Ulisse in patria, SV 325
Claudio Monteverdi4:14
5Ulysses Awakes
viola:
Jane Atkins
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
John Woolrich7:29
6John Woolrich and Jane Atkins talk to Fiona Richards
[dialogue]15:47
7Rag Rageshree
Veena Sahasrabuddhe25:41
CD 9
#TitleArtistRatingLength
1Lohengrin, Act 2: Prelude
orchestra:
Wiener Philharmoniker
conductor:
Rudolf Kempe (conductor)
Richard Wagner1:05
2Götterdämmerung: Siegfried’s Funeral March
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Adrian Boult (conductor)
Richard Wagner1:30
3Siegfried, Act 2: Prelude (extract - The Dragon Motif)Richard Wagner1:17
4Rigoletto: Act 1 (extract)
choir vocals:
Coro del Teatro alla Scala di Milano
vocals:
Renato Bruson (baritone) and Andrea Rost (Hungarian lyric soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Muti (conductor)
Giuseppe Verdi1:28
5Taste the Blood of Dracula: Ride to the ruined church
James Bernard2:12
6Putty Tat Trouble (recording session)
Carl Stalling7:35
7Two Crows from Tacos (recording session)
Carl Stalling4:41
8Laura
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
David Raksin
David Raksin5:56
9Spellbound: The Dream
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
Miklós Rózsa3:05
10Sorcerer: Search
recording of:
Search (Sorcerer) (in 1977)
composer:
Peter Baumann (Member of Berlin Express & Tangerine Dream), Christopher Franke (German musician, formerly with Tangerine Dream) and Edgar Froese
Tangerine Dream2:58
11Koyaanisqatsi: Fruit Igoe
recording engineer:
Rod Hui, Joe Lopes (engineer) and Dominick Maita
co-producer:
Philip Glass (composer) and Kurt Munkacsi
producer:
Kurt Munkacsi
mixer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
guest bass:
John Beal (American Broadway bassist) and John Bongiorno
guest bass trombone:
George Flynn (trombone)
guest basset clarinet:
Bob Mintzer
guest cello:
Seymour Barab, Beverly Lauridsen (cellist), Kermit Moore and Frederick Zlotkin (cellist)
guest clarinet, flute and saxophone:
Jack Kripl
guest flute and piccolo:
Tom Nyfenger
guest French horn:
Albert Richmond
guest keyboard:
Michael Riesman (American composer, conductor, keyboardist)
guest choir vocals:
Western Wind
conductor:
Michael Riesman (American composer, conductor, keyboardist)
recording of:
Pruit Igoe
composer:
Philip Glass (composer)
part of:
Koyaanisqatsi (full soundtrack)
Philip Glass7:08
12Ben Hur: PreludeMiklós Rózsa3:28
13Music from 'Casablanca'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
Franz Waxman3:49
CD 10
#TitleArtistRatingLength
1Ingcagca
Mazinyo Mavuso1:34
2Le Mantyi Ekhoyo Igweba Kanzima
[unknown]2:38
3Izitombi Ziyasishiya
Mkakwa Mugomezengu3:30
4Tom Hark
recording of:
Tom Hark (Original instrumental)
composer:
Rupert Bopape
Elias & His Zig‐Zag Jive Flutes32:21
5Preaching Blues
producer:
Frank Driggs and John Hammond (producer)
steel guitar and lead vocals:
Son House (from 1965-04-12 until 1965-04-14)
recording of:
Preachin’ Blues (from 1965-04-12 until 1965-04-14)
writer:
Son House
Son House5:47
6Lonesome Home Blues
recorded in:
Memphis, Tennessee, United States (on 1928-08-31)
guitar:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
vocals:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
Tommy Johnson3:17
7Shake Rattle and RollBig Joe Turner53:03
8Sweet Little Angel
recording of:
Sweet Little Angel
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
B.B. King3:16
9Hey Joe
engineer:
Dave Siddle (engineer) (from 1966-10-23 until 1966-11)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1966-10-23 until 1966-11)
electric bass guitar:
Noel Redding (from 1966-10-23 until 1966-11)
electric guitar:
Jimi Hendrix (from 1966-10-23 until 1966-11)
background vocals:
The Breakaways (60s UK all girl group) (from 1966-10-23 until 1966-11)
vocals:
Jimi Hendrix (from 1966-10-23 until 1966-11)
arranger:
Jimi Hendrix
phonographic copyright (℗) by:
Experience Hendrix, L.L.C. (company, not a label) (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1966-10-23 until 1966-11), Pye Studios in London (Greater London), England, United Kingdom (in 1966-11) and Regent Sound Studios in London (Greater London), England, United Kingdom (in 1966-11)
produced at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-10-23)
cover recording of:
Hey Joe (from 1966-10-23 until 1966-11)
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
Jimi Hendrix4.23:27
10Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Universal International Music B.V. (company, do not use as label) (in 1967) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65)
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.34:17
11Superbad
recording of:
Super Bad
lyricist and composer:
James Brown (“The Godfather of Soul”)
James Brown4:30
12Colonial Mentality (extract)
Fela Kuti8:47
13The Entertainer
piano:
Dick Hyman (jazz pianist)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell and Multimood Music (publisher)
Scott Joplin4:32
14New Orleans Blues (1923): Intro and Chorus 1
Jelly Roll Morton0:33
15New Orleans Blues (1923): Chorus 2
Jelly Roll Morton0:20
16New Orleans Blues (1923): Chorus 3 and Chorus 4
Jelly Roll Morton0:43
17New Orleans Blues (1923): Chorus 5
Jelly Roll Morton0:21
18New Orleans Blues (1923): Chorus 6 and Chorus 7
Jelly Roll Morton0:54
19New Orleans Blues (1938)
recording of:
New Orleans Blues (in 1938-06)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton3:27
20Dipper Mouth Blues (1923-06-23)
King Oliver's Jazz Band2:19
21Parker's Mood: Intro
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:16
22Parker's Mood: Chorus 1
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:35
23Parker's Mood: Chorus 2
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:37
24Parker's Mood: Chorus 3
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:37
25Parker's Mood: Chorus 4
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:40
26Parker's Mood: Coda
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:20
27I Got Rhythm: Intro and Head
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin1:08
28I Got Rhythm: Chorus 1
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin0:43
29I Got Rhythm: Chorus 2
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin0:44
30I Got Rhythm: Head and Coda
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin1:27
CD 11