Blue Valentine

~ Release by Tom Waits (see all versions of this release, 10 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
1 1Somewhere (from “West Side Story”)
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (from 1978-07 until 1978-08)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
lyrics quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale
music quoted on:
West Side Story: Finale (2021 motion picture version)
part of:
West Side Story: Ballet Sequence
53:50
1 2Red Shoes by the Drugstore
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Byron Miller (bass guitarist) (from 1978-07 until 1978-08)
drums (drum set):
Ricky Lawson (from 1978-07 until 1978-08)
electric guitar:
Roland Bautista (from 1978-07 until 1978-08)
electric piano:
George Duke (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Red Shoes by the Drugstore (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
3.53:11
1 3Christmas Card From a Hooker in Minneapolis
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric piano:
George Duke (from 1978-07 until 1978-08)
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Christmas Card From a Hooker in Minneapolis (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
44:30
1 4Romeo Is Bleeding
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
congas:
Bobbye Hall (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Romeo Is Bleeding (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
44:50
1 5$29.00
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Byron Miller (bass guitarist) (from 1978-07 until 1978-08)
drums (drum set):
Ricky Lawson (from 1978-07 until 1978-08)
electric guitar:
Roland Bautista (from 1978-07 until 1978-08) and Tom Waits (from 1978-07 until 1978-08)
electric piano:
George Duke (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
$29.00 (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
48:12
2 1Wrong Side of the Road
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Wrong Side of the Road (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
45:11
2 2Whistlin’ Past the Graveyard
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Scott Edwards (bassist) (from 1978-07 until 1978-08)
drums (drum set):
Earl Palmer (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Alvin Robinson (from 1978-07 until 1978-08)
piano:
Harold Battiste (from 1978-07 until 1978-08)
tenor saxophone:
Herb Hardesty (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Whistlin’ Past the Graveyard (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4.53:14
2 3Kentucky Avenue
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Kentucky Avenue (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
54:47
2 4A Sweet Little Bullet From a Pretty Blue Gun
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Scott Edwards (bassist) (from 1978-07 until 1978-08)
drums (drum set):
Earl Palmer (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Alvin Robinson (from 1978-07 until 1978-08)
piano:
Harold Battiste (from 1978-07 until 1978-08)
tenor saxophone:
Herb Hardesty (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
A Sweet Little Bullet From a Pretty Blue Gun (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
45:34
2 5Blue Valentines
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Blue Valentines (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
45:50

Credits

Release

manufactured in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
WEA Musik GmbH (company, not a label)
copyrighted (©) by:Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
Discogs:https://www.discogs.com/release/1813803 [info]