Master and Magician

~ Release by Franz Liszt (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#	Title	Rating	Length
1	Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: I. Allegro maestoso. Tempo giusto recording engineer: Lewis Layton (engineer) (on 1956-02-12) producer: John Pfeiffer (producer and engineer) piano: Arthur Rubinstein (pianist) (on 1956-02-12) orchestra: RCA Victor Symphony Orchestra (on 1956-02-12) conductor: Alfred Wallenstein (conductor and cellist) (on 1956-02-12) recorded at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Manhattan, New York, New York, United States (on 1956-02-12) recording of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso (on 1956-02-12) composer: Franz Liszt (from 1830 until 1856) part of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124		5:09
2	Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: II (1). Quasi Adagio recording engineer: Lewis Layton (engineer) (on 1956-02-12) producer: John Pfeiffer (producer and engineer) piano: Arthur Rubinstein (pianist) (on 1956-02-12) orchestra: RCA Victor Symphony Orchestra (on 1956-02-12) conductor: Alfred Wallenstein (conductor and cellist) (on 1956-02-12) recorded at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Manhattan, New York, New York, United States (on 1956-02-12) recording of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio (on 1956-02-12) composer: Franz Liszt (from 1830 until 1856) part of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124		4:17
3	Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: II (2). Allegro vivace - Allegro animato recording engineer: Lewis Layton (engineer) (on 1956-02-12) producer: John Pfeiffer (producer and engineer) piano: Arthur Rubinstein (pianist) (on 1956-02-12) orchestra: RCA Victor Symphony Orchestra (on 1956-02-12) conductor: Alfred Wallenstein (conductor and cellist) (on 1956-02-12) recorded at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Manhattan, New York, New York, United States (on 1956-02-12) recording of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato (on 1956-02-12) composer: Franz Liszt (from 1830 until 1856) part of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124		3:47
4	Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: III. Allegro marziale animato - Presto recording engineer: Lewis Layton (engineer) (on 1956-02-12) producer: John Pfeiffer (producer and engineer) piano: Arthur Rubinstein (pianist) (on 1956-02-12) orchestra: RCA Victor Symphony Orchestra (on 1956-02-12) conductor: Alfred Wallenstein (conductor and cellist) (on 1956-02-12) recorded at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Manhattan, New York, New York, United States (on 1956-02-12) recording of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato (on 1956-02-12) composer: Franz Liszt (from 1830 until 1856) part of: Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124		4:09
5	Concerto for Piano and Orchestra No. 2 in A major, S 125: (1) Adagio sostenuto assai piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		5:10
6	Concerto for Piano and Orchestra No. 2 in A major, S 125: (2) Allegro agitato assai piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		2:00
7	Concerto for Piano and Orchestra No. 2 in A major, S 125: (3) Allegro moderato piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		5:10
8	Concerto for Piano and Orchestra No. 2 in A major, S 125: (4) Allegro deciso piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		3:08
9	Concerto for Piano and Orchestra No. 2 in A major, S 125: (5) Marziale un poco meno allegro piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		3:53
10	Concerto for Piano and Orchestra No. 2 in A major, S 125: (6) Allegro animato - Stretto (molto accelerando) piano: Van Cliburn (pianist) (on 1970-05-07) orchestra: The Philadelphia Orchestra (on 1970-05-07) conductor: Eugene Ormandy (conductor) (on 1970-05-07) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07) composer: Franz Liszt (from 1839 until 1861) dedicated to: Hans Bronsart Von Schellendorff premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a		1:58
11	Totentanz, S 126: Andante - Cadenza. Presto - Allegro - Var. I. Allegro moderato - Var. II - Var. III. Molto vivace - Var. IV. Lento - Variation V. Vivace. Fugato - Var. VI. Sempre allegro (ma non troppo) - Allegro animato recording engineer: Lewis Layton (engineer) (on 1959-02-23) producer: Richard Mohr (producer) piano: Byron Janis (pianist) (on 1959-02-23) orchestra: Chicago Symphony Orchestra (on 1959-02-23) conductor: Fritz Reiner (conductor) (on 1959-02-23) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1959-02-23) recording of: Totentanz, S. 126 (for piano and orchestra) (on 1959-02-23) composer: Franz Liszt		15:34
12	Fantasy on Hungarian Folk Melodies, S123: Andante mesto - Adagio - Cadenza. Allegro molto - Allegro eroico - Molto adagio, quasi fantasia - Moderato - Vivace assai engineer: Bob Auger (audio) (from 1971-10-04 until 1971-10-05) and Mike Fritzhenry (from 1971-10-04 until 1971-10-05) producer: Paul Myers (classical record producer) piano: Philippe Entremont (French pianist/conductor) (from 1971-10-04 until 1971-10-05) orchestra: New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1971-10-04) conductor: Seiji Ozawa (conductor and composer) (from 1971-10-04 until 1971-10-05) recorded at: Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1971-10-04 until 1971-10-05) recording of: Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (from 1971-10-04 until 1971-10-05) composer: Franz Liszt (from 1846 until 1852) dedicated to: Hans von Bülow premiered at: [concert] (1853-06-01) publisher: Gustav Heinze (in 1864) part of: The Music of Liszt (number: S. 123) is based on: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14		16:41

▼CD 2
#	Title	Rating	Length
1	Études d'exécution transcendante S 139, No. 1 in C major: Preludio piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: I. Preludio in C major composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		1:03
2	Études d'exécution transcendante S 139, No. 2 in A minor piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		2:07
3	Études d'exécution transcendante S 139, No. 3 in F major "Paysage" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: III. "Paysage" in F major. Poco adagio composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		4:41
4	Études d'exécution transcendante S 139, No. 4 in D minor "Mazeppa" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: IV. "Mazeppa" in D minor. Allegro composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		7:31
5	Études d'exécution transcendante S 139, No. 5 in B-flat major "Feux follets" piano: 横山幸雄 recording of: Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B-flat major. Allegretto composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		3:20
6	Études d'exécution transcendante S 139, No. 6 in G minor "Vision" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: VI. "Vision" in G minor. Lento composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		5:20
7	Études d'exécution transcendante S 139, No. 7 in E-flat major "Eroica" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: VII. "Eroica" in E-flat major. Allegro composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		4:54
8	Études d'exécution transcendante S 139, No. 8 in C minor "Wilde Jagd" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: VIII. "Wilde Jagd" in C minor. Presto furioso composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		5:11
9	Études d'exécution transcendante S 139, No. 9 in A-flat major "Ricordanza" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: IX. "Ricordanza" in A-flat major. Andantino, improvisato composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		10:22
10	Études d'exécution transcendante S 139, No. 10 in F minor piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: X. Étude in F minor. Allegro agitato molto composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		4:20
11	Études d'exécution transcendante S 139, No. 11 in D-flat major "Harmonies du soir" piano: 横山幸雄 recording of: Études d'exécution transcendante, S. 139, R. 2b: XI. "Harmonies du soir" in D-flat major. Andantino composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		9:09
12	Études d'exécution transcendante S 139, No. 12 in B-flat minor "Chasse-neige" piano: 横山幸雄 recording of: Études d’exécution transcendante, S. 139, R. 2b: XII. “Chasse-neige” in B-flat minor. Andante con moto composer: Franz Liszt (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b		5:25

▼CD 3
#	Title	Rating	Length
1	Études d'exécution transcendante d'après Paganini S 140, Preludio - No. 1 in G minor piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor composer: Franz Liszt (from 1838 until 1840) is based on: 24 Caprices for Solo Violin, op. 1: No. 6 in G minor: Adagio part of: Études d’exécution transcendante d’après Paganini, S. 140		4:48
2	Études d'exécution transcendante d'après Paganini S 140, No. 2 in E-flat major piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major composer: Franz Liszt (from 1838 until 1840) is based on: 24 Caprices for Solo Violin, op. 1: No. 17 in E-flat major: Sostenuto – Andante part of: Études d’exécution transcendante d’après Paganini, S. 140		4:27
3	Études d'exécution transcendante d'après Paganini S 140, No. 3 in A-flat minor "La Campanella" piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella” composer: Franz Liszt (from 1838 until 1840) is based on: Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” part of: Études d’exécution transcendante d’après Paganini, S. 140		4:12
4	Études d'exécution transcendante d'après Paganini S 140, No. 4 in E major piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major composer: Franz Liszt (from 1838 until 1840) is based on: 24 Caprices for Solo Violin, op. 1: No. 1 in E major: Andante “l’Arpeggio” part of: Études d’exécution transcendante d’après Paganini, S. 140	3	1:50
5	Études d'exécution transcendante d'après Paganini S 140, No. 5 in E major "La Chasse" piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse” composer: Franz Liszt (from 1838 until 1840) is based on: 24 Caprices for Solo Violin, op. 1: No. 9 in E major: Allegretto “La Chasse” part of: Études d’exécution transcendante d’après Paganini, S. 140		3:06
6	Études d'exécution transcendante d'après Paganini S 140, No. 6 in A minor. Tema con variazioni piano: Gary Graffman (pianist) recording of: Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor composer: Franz Liszt (from 1838 until 1840) is based on: 24 Caprices for Solo Violin, op. 1: No. 24 in A minor: Tema con variazioni. Quasi presto part of: Études d’exécution transcendante d’après Paganini, S. 140	1	5:00
7	Grandes Études de Paganini S 141, No. 1 in G minor piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 1. Tremolo in G minor composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor		5:06
8	Grandes Études de Paganini S 141, No. 2 in E-fleat major piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 2. Octave in E-flat major composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major		5:31
9	Grandes Études de Paganini S 141, No. 3 in G-sharp minor "La Campanella" piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 3. La campanella in G-sharp minor composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”		4:37
10	Grandes Études de Paganini S 141, No. 4 in E major piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 4. Arpeggio in E major composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major		2:07
11	Grandes Études de Paganini S 141, No. 5 in E major "La Chasse" piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 5. La Chasse in E major composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”		2:48
12	Grandes Études de Paganini S 141, No. 6 in A minor. Tema con variazioni piano: Stanisław Drzewiecki (pianist) recording of: Grandes études de Paganini, S. 141: No. 6. Variations in A minor composer: Franz Liszt part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor		5:41
13	Trois Études de concert S 144, No. 1 in A-flat major "Il lamento" piano: Kathryn Stott (pianist) recording of: Trois études de concert, S. 144: I. "Il lamento" in A-flat minor composer: Franz Liszt part of: Trois études de concert, S. 144		10:13
14	Trois Études de concert S 144, No. 2 in F minor "La leggierezza" piano: Евгений Игоревич Кисин recording of: Trois études de concert, S. 144: II. "La leggierezza" in F minor composer: Franz Liszt part of: Trois études de concert, S. 144		4:53
15	Trois Études de concert S 144, No. 3 in D-flat major "Un sospiro" piano: Jorge Bolet (Cuban-born American virtuoso pianist and teacher, 1914–1990) recording of: Trois études de concert, S. 144: III. "Un sospiro" in D-flat major composer: Franz Liszt part of: Trois études de concert, S. 144		5:39

▼CD 4
#	Title	Rating	Length
1	Années de pèlerinage - 1re année: Suisse S 160, No. 4: Au bord d'une source engineer: Masaki Ohno (from 1972-06-11 until 1972-06-12) producer: Masamitsu Kurokawa piano: John Ogdon (pianist and composer) (from 1972-06-11 until 1972-06-12) recorded at: 青山タワーホール in Minami-Aoyama, Minato, Tokyo, Japan (from 1972-06-11 until 1972-06-12) recording of: Au bord d'une source, S. 160 no. 4 (version from Années) (from 1972-06-11 until 1972-06-12) composer: Franz Liszt part of: Années de pèlerinage : Première année : Suisse, S. 160 revision of: Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source	1	3:07
2	Années de pèlerinage - 1re année: Suisse S 160, No. 6: Vallée d'Obermann piano: Vladimir Horowitz (American pianist and composer) recording of: Vallée d'Obermann, S. 160 no. 6 composer: Franz Liszt part of: Années de pèlerinage : Première année : Suisse, S. 160 revision of: Album d'un voyageur, S. 156: I. Impressions et poésies: 4. Vallée d'Obermann		13:16
3	Années de pèlerinage - 2e année: Italie S 161, No. 1: Sposalizio piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Sposalizio, S. 161 no. 1 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Sposalizio, S. 157a		7:29
4	Années de pèlerinage - 2e année: Italie S 161, No. 2: Il Pensieroso piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Il penseroso, S. 157b		4:07
5	Années de pèlerinage - 2e année: Italie S 161, No. 3: Canzonetta del Salvator Rosa piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Canzonetta del Salvator Rosa, S. 157c		2:36
6	Années de pèlerinage - 2e année: Italie S 161, No. 4: Sonetto 47 del Petrarca piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Tre sonetti di Petrarca, S. 158: No. 1. Sonetto XLVII. Benedetto sia il giorno (for solo piano)		5:30
7	Années de pèlerinage - 2e année: Italie S 161, No. 5: Sonetto 104 del Petrarca piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Tre sonetti di Petrarca, S. 158: No. 2. Sonetto CIV. Pace non trovo (for solo piano)		5:43
8	Années de pèlerinage - 2e année: Italie S 161, No. 6: Sonetto 123 del Petrarca piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 123 del Petrarca, S. 161 no. 6 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161 revision of: Tre sonetti di Petrarca, S. 158: No. 3. Sonetto CXXIII. I' vidi in terra angelici costumi (for solo piano)		6:05
9	Années de pèlerinage - 2e année: Italie S 161, No. 7: Après une lecture de Dante. Fantasia quasi Sonata piano: Angela Brownridge (pianist) recording of: Années de pèlerinage, Deuxième année; Italie, S. 161: Après une lecture de Dante: Fantasia quasi sonata, S. 161 no. 7 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Italie, S. 161		14:30
10	Années de pèlerinage - 3e année S 163, No. 4: Les jeux d'eau à la Villa d'Este piano: 小山実稚恵 recording of: Les Jeux d'eaux à la Villa d'Este, S. 163 no. 4 composer: Franz Liszt (in 1877) part of: Années de pèlerinage : Troisième année, S. 163		8:02

▼CD 5
#	Title	Rating	Length
1	Zwei Konzertetüden S 145 No. 1: Waldesrauschen piano: Jorge Bolet (Cuban-born American virtuoso pianist and teacher, 1914–1990) recording of: Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen composer: Franz Liszt (from 1862 until 1863) part of: Zwei Konzertetüden, S. 145		4:04
2	Zwei Konzertetüden S 145 No. 1: Gnomenreigen piano: Jorge Bolet (Cuban-born American virtuoso pianist and teacher, 1914–1990) recording of: Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen composer: Franz Liszt (from 1862 until 1863) part of: Zwei Konzertetüden, S. 145		3:15
3	Harmonies poétiques es religieuses S173, No. 7: Funérailles piano: Jorge Bolet (Cuban-born American virtuoso pianist and teacher, 1914–1990) recording of: Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles composer: Franz Liszt part of: Harmonies poétiques et religieuses, S. 173		11:35
4	Ballade No. 2 in B minor S 172 piano: Vladimir Horowitz (American pianist and composer) recording of: Ballade no. 2, S. 171 composer: Franz Liszt (in 1853) part of: The Music of Liszt (number: S. 171) revision of: Ballade no. 2, S. 170a (first version)		15:23
5	Consolations (Pensées poétiques) S 172, No. 1 in E major piano: Gerhard Oppitz (pianist) recording of: Consolation in E major, S. 172 no. 1: Andante con moto composer: Franz Liszt part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)		1:54
6	Consolations (Pensées poétiques) S 172, No. 2 in E major piano: Vladimir Horowitz (American pianist and composer) recording of: Consolation in E major, S. 172 no. 2: Un poco più mosso composer: Franz Liszt part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)		3:34
7	Consolations (Pensées poétiques) S 172, No. 3 in D-flat major piano: Van Cliburn (pianist) recording of: Consolation in D-flat major, S. 172 no. 3: Lento placido composer: Franz Liszt part of: Consolations, S. 172		4:13
8	Consolations (Pensées poétiques) S 172, No. 4 in D-flat major piano: Gerhard Oppitz (pianist) recording of: Consolation in D-flat major, S. 172 no. 4: Quasi adagio composer: Franz Liszt part of: Consolations, S. 172 revision of: Consolation in D-flat major, S. 171a no. 4: Quasi adagio (first, less common version)		2:57
9	Consolations (Pensées poétiques) S 172, No. 5 in E major piano: Van Cliburn (pianist) recording of: Consolation in E major, S. 172 no. 5: Andantino composer: Franz Liszt part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 5: Andantino (first, less common version)		3:15
10	Consolations (Pensées poétiques) S 172, No. 6 in E major piano: Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) recording of: Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile composer: Franz Liszt part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)		2:48

▼CD 6
#	Title	Rating	Length
1	Venezia e Napoli S 162, No. 1: Gondoliera piano: 小菅優 (classical pianist) recording of: Gondoliera, S. 162 no. 1 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162 revision of: Venezia e Napoli, S. 159: No. 3. Andante placido		5:51
2	Venezia e Napoli S 162, No. 2: Canzone piano: 小菅優 (classical pianist) recording of: Canzone, S. 162 no. 2 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162		3:45
3	Venezia e Napoli S 162, No. 3: Tarantella piano: 小菅優 (classical pianist) recording of: Tarantella, S. 162 no. 3 composer: Franz Liszt part of: Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162 revision of: Venezia e Napoli, S. 159: No. 4. Tarantelles napolitaines		9:38
4	2 Légendes S 175, No. 1: Saint Francois d'Assise. La prédication aux oiseaux piano: Gerhard Oppitz (pianist) recording of: Deux légendes, S. 175: St. François d'Assise: la prédication aux oiseaux (for piano) composer: Franz Liszt (from 1862 until 1863) part of: Deux légendes, S. 175 (for piano)		10:20
5	2 Légendes S 175, No. 2: Saint Francois de Paule marchant sur les flots piano: Gerhard Oppitz (pianist) recording of: Deux légendes, S. 175: St. François de Paule: marchant sur les flots (for piano) composer: Franz Liszt (from 1862 until 1863) part of: Deux légendes, S. 175 (for piano)		8:09
6	Scherzo & March S 177 piano: Vladimir Horowitz (American pianist and composer) recording of: Scherzo und Marsch, S. 177 composer: Franz Liszt part of: The Music of Liszt (number: S. 177) revision of: Wilde Jagd: Scherzo, S. 176a		10:40
7	Piano Sonata in B Minor S 178 piano: Vladimir Horowitz (American pianist and composer) recording of: Sonata for Piano in B minor, S. 178 composer: Franz Liszt (from 1852 until 1853-02-02) dedicated to: Robert Schumann (German classical composer) premiered at: [concert] (1857-01-27) publisher: Breitkopf & Härtel (in 1854-06) part of: The Music of Liszt (number: S. 178)		30:04

▼CD 7
#	Title	Rating	Length
1	Weinen, Klagen, Sorgen, Zagen (J.S. Bach) S 179 piano: Vladimir Horowitz (American pianist and composer) recording of: Weinen, Klagen, Sorgen, Zagen, Präludium nach Johann Sebastian Bach, S. 179 composer: Franz Liszt (until 1854) part of: The Music of Liszt (number: S. 179) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"		5:23
2	Elegy No. 2 S 197 piano: Barry Douglas (classical pianist and conductor) recording of: Elegy no. 2, S. 197 (for solo piano) composer: Franz Liszt (in 1877) part of: The Music of Liszt (number: S. 197) revision of: Entwurf der Ramann-Elegie, S. 196a		4:38
3	Nuages gris S 199 piano: Barry Douglas (classical pianist and conductor) recording of: Trübe Wolken (Nuages gris), S. 199, R. 78 composer: Franz Liszt (in 1881) part of: The Music of Liszt (number: S. 199)		2:15
4	La lugubre gondola S 200/2 piano: Arcadi Volodos (pianist) recording of: La lugubre gondola, S. 200/2 (for piano solo, La lugubre gondola II in 4/4) composer: Franz Liszt (in 1883-01) revised by: Franz Liszt (in 1885) part of: The Music of Liszt (number: S. 200/2) revision of: La lugubre gondola, S. 199a/1 (for piano solo, first version)		9:23
5	Richard Wagner - Venezia S 201 piano: Gerhard Oppitz (pianist) recording of: R. W. - Venezia, S. 201 composer: Franz Liszt (in 1883) part of: The Music of Liszt (number: S. 201)		3:17
6	Am Grabe Richard Wagners S 202 piano: Gerhard Oppitz (pianist) recording of: Am Grabe Richard Wagners, S. 202 (for solo piano) composer and arranger: Franz Liszt (in 1883) part of: The Music of Liszt (number: S. 202) arrangement of: Am Grabe Richard Wagners, S. 135 (for string quartet and harp ad lib)		3:45
7	Schlaflos! Frage und Antwort piano: Barry Douglas (classical pianist and conductor) recording of: Schlaflos! Frage und Antwort, S. 203 composer: Franz Liszt (in 1883)		2:22
8	Valse-impromptu in A-flat major S 213 piano: Arthur Rubinstein (pianist) recording of: Valse-Impromptu, S. 213 composer: Franz Liszt		5:31
9	Valse oubliée No. 1 S 215/1 piano: Arthur Rubinstein (pianist) recording of: Valse oubliée no. 1, S. 215 no. 1 composer: Franz Liszt part of: Valses oubliées, S. 215		3:07
10	Bagatelle sans tonalité S 216a piano: Arcadi Volodos (pianist) recording of: Bagatelle sans tonalité, S. 216a composer: Franz Liszt part of: The Music of Liszt (number: S. 216a)		3:04
11	Grand Galop chromatique S 219 piano: Jorge Bolet (Cuban-born American virtuoso pianist and teacher, 1914–1990) recording of: Grand galop chromatique en mi bémol majeur, S. 219 composer: Franz Liszt part of: The Music of Liszt (number: S. 219)		4:18

▼CD 8
#	Title	Rating	Length
1	Hungarian Rhapsodies S 244, No. 6 in D-flat major piano: Ivan Davis (pianist) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		7:29
2	Hungarian Rhapsodies S 244, No. 7 in D minor piano: Олександр Браіловський recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 7 in D minor, S. 244 no. 7 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		5:07
3	Hungarian Rhapsodies S 244, No. 8 in F-sharp minor "Capriccio" piano: Claudio Arrau (pianist) (on 1951-10-18) recorded at: Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 8 in F-sharp minor, S. 244 no. 8 (on 1951-10-18) composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		6:25
4	Hungarian Rhapsodies S 244, No. 9 in E-flat major "The Carnival of Pest" piano: Claudio Arrau (pianist) (on 1951-10-18) recorded at: Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 9 in E-flat major, S. 244 no. 9 "Carnival in Pest" (on 1951-10-18) composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		11:02
5	Hungarian Rhapsodies S 244, No. 10 in E major piano: Charles Rosen recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		5:00
6	Hungarian Rhapsodies S 244, No. 11 in A minor piano: Gary Graffman (pianist) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 11 in A minor, S. 244 no. 11 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		5:40

▼CD 9
#	Title	Rating	Length
1	Hungarian Rhapsodies S 244, No. 13 in A minor piano: Arcadi Volodos (pianist) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		8:32
2	Hungarian Rhapsodies S 244, No. 15 in A minor "Rákóczy March" piano: Arcadi Volodos (pianist) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 15 in A minor, S. 244 no. 15 "Rákóczi March" composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		5:34
3	Hungarian Rhapsodies S 244, No. 17 in D minor piano: Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 17 in D minor, S. 244 no. 17 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		2:52
4	Hungarian Rhapsodies S 244, No. 19 in D minor piano: Vladimir Horowitz (American pianist and composer) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 19 in D minor, S. 244 no. 19 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106		9:50
5	Rhapsodie espagnole S 254 piano: Евгений Игоревич Кисин recording of: Rhapsodie espagnole, S. 254, R. 90 composer: Franz Liszt (in 1863)		13:52
6	Hexaméron S 392: Introduction (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: I. Introduction composer: Franz Liszt part of: Hexaméron, S. 392		3:45
7	Hexaméron S 392: Theme. (Bellini/Liszt) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: II. Tema. Allegro marziale composer: Vincenzo Bellini (Sicilian opera composer) piano arranger: Franz Liszt arrangement of: I puritani: Atto II. N°17d “Suoni la tromba, e intrepido” (Giorgio, Riccardo) part of: Hexaméron, S. 392		1:19
8	Hexaméron S 392: Variation I (Thalberg) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: III. Variation I. Ben marcato composer: Sigismond Thalberg (composer) part of: Hexaméron, S. 392		0:57
9	Hexaméron S 392: Variation II (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: IV. Variation II. Moderato composer: Franz Liszt part of: Hexaméron, S. 392		2:14
10	Hexaméron S 392: Variation III (Pixis) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: V. Variation III di bravura - Ritornello composer: Franz Liszt and Johann Peter Pixis part of: Hexaméron, S. 392		1:36
11	Hexaméron S 392: Interlude (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: V. Variation III di bravura - Ritornello composer: Franz Liszt and Johann Peter Pixis part of: Hexaméron, S. 392		0:21
12	Hexaméron S 392: Variation IV (Herz) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: VI. Variation IV. Legato e grazioso composer: Henri Herz part of: Hexaméron, S. 392		1:24
13	Hexaméron S 392: Variation V (Czerny) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo composer: Carl Czerny (composer) and Franz Liszt part of: Hexaméron, S. 392		1:11
14	Hexaméron S 392: Interlude (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo composer: Carl Czerny (composer) and Franz Liszt part of: Hexaméron, S. 392		1:47
15	Hexaméron S 392: Variation VI (Chopin) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: VIIIa. Variation VI. Largo composer: Fryderyk Chopin (composer) part of: Hexaméron, S. 392 recording of: Hexaméron, S. 392: VIIIa. Variation VI. Largo composer: Fryderyk Chopin (composer) part of: Hexaméron, S. 392		1:21
16	Hexaméron S 392: Interlude (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) partial recording of: Hexaméron, S. 392: VIIIa. Variation VI. Largo composer: Fryderyk Chopin (composer) part of: Hexaméron, S. 392 recording of: Hexaméron, S. 392: VIIIb. Coda composer: Franz Liszt part of: Hexaméron, S. 392		0:47
17	Hexaméron S 392: Finale (Liszt) piano: Raymond Lewenthal (from 1965 until 1966) recording of: Hexaméron, S. 392: IX. Finale. Molto vivace quasi prestissimo composer: Franz Liszt part of: Hexaméron, S. 392 recording of: Hexaméron, S. 392: VIIIb. Coda composer: Franz Liszt part of: Hexaméron, S. 392		2:44

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Credits

Release

ASIN:	DE: B004TVVZI2 [info]
other databases:	https://www.muziekweb.nl/Link/ECX1007/ [info]