Four in One (Jazz Edition series)

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleRatingLength
1Off Minor
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Off Minor (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:02
2Round Midnight
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:11
3Thelonious
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Thelonious (on 1947-10-15)
composer:
Thelonious Monk
3:02
4Well, You Needn’t
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Well, You Needn’t (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:00
5Ruby My Dear
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Ruby, My Dear (on 1947-10-24)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
3:09
6Epistrophy
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Epistrophy (on 1948-07-02)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:07
7Evidence
recorded in:
New York, New York, United States (on 1948-07-02)
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recording of:
Evidence (on 1948-07-02)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
2:36
8Nice Work
recorded in:
New York, New York, United States (on 1947-11-21)
bass:
Gene Ramey (on 1947-10-24, on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-10-24, on 1947-11-21)
piano:
Thelonious Monk (on 1947-10-24, on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
Nice Work If You Can Get It (on 1947-10-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway Musical)
3:02
9Mysterioso
recorded in:
New York, New York, United States (on 1948-07-02)
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone and vibraphone [vibes]:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
2:46
10Who Knows
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Who Knows (on 1947-11-21)
composer:
Thelonious Monk
2:42
11Monk’s Mood
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Monk’s Mood (on 1947-11-21)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:08
12Suburban Eyes
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Suburban Eyes (on 1947-10-15)
composer:
Ike Quebec
3:02
13Evonce
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Eugene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone [tenor sax]:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Evonce (on 1947-10-15)
composer:
Ike Quebec and Idrees Sulieman
3:04
14Ask Me Now
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Ask Me Now (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (Publisher, affiliated to BMI.)
3:17
15Criss Cross
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Criss-Cross (on 1951-07-23)
composer:
Thelonious Monk
2:57
16Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
2:55
CD 2
#TitleRatingLength
1Four in One
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:29
2Eronel
alto saxophone:
Lou Donaldson and Sahib Shihab (American jazz musician) (on 1951-07-23)
bass:
Percy Heath
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Kenny Clarke and Art Blakey (on 1951-07-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Eronel (on 1951-07-23)
composer:
Thelonious Monk
3:03
3Willow Weep for Me
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
instrumental recording of:
Willow Weep for Me (on 1951-07-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
3:02
4Skippy
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:00
5Sixteen (first take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Sixteen (on 1952-05-30)
composer:
Thelonious Monk
3:30
6Sixteen (second take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Sixteen (on 1952-05-30)
composer:
Thelonious Monk
3:39
7Carolina Moon
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
3:27
8I’ll Follow You
recorded in:
New York, New York, United States (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
I’ll Follow You (on 1952-05-30)
lyricist:
Roy Turk
composer:
Fred Ahlert
3:47
9Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13) and Willie Jones III (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:33
10Work
recorded in:
New York, New York, United States (on 1954-09-22)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
recording of:
Work (on 1954-09-22)
composer:
Thelonious Monk
5:17
11Nutty
recorded in:
New York, New York, United States (on 1954-09-22)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-09-22)
recording of:
Nutty (on 1954-09-22)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
5:16
12The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:12
13I Want to Be Happy
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
bass and double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental cover recording of:
I Want to Be Happy (on 1954-10-25)
lyricist:
Irving Caesar
composer:
Irving Caesar and Vincent Youmans
part of:
No, No, Nanette
cover recording of:
I Want to Be Happy
lyricist:
Irving Caesar
composer:
Irving Caesar and Vincent Youmans
part of:
No, No, Nanette
7:41
CD 3
#TitleRatingLength
1Four in One (alternate take)
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:29
2Criss Cross (alternate take)
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Criss-Cross (on 1951-07-23)
composer:
Thelonious Monk
2:50
3Ask Me Now (alternate take)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Ask Me Now (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (Publisher, affiliated to BMI.)
4:28
4Skippy (alternate take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:09
5Hornin’ In
recording of:
Hornin’ In
composer:
Thelonious Monk
3:08
6Round About Midnight
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
instrumental recording of:
’Round Midnight (on 1954-06-07)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
5:13
7Evidence
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
piano:
Thelonious Monk (on 1954-06-07)
recording of:
Evidence (on 1954-06-07)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
3:05
8Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
instrumental recording of:
Smoke Gets in Your Eyes (on 1954-06-07)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:24
9Well You Needn’t
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
recording of:
Well, You Needn’t (on 1954-06-07)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:25
10Reflections
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
recording of:
Reflections (on 1954-06-07)
composer:
Thelonious Monk
5:00
11Wee See
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
piano:
Thelonious Monk (on 1954-06-07)
recording of:
We See (on 1954-06-07)
composer:
Thelonious Monk
2:35
12Eronel
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
recording of:
Eronel (on 1954-06-07)
composer:
Thelonious Monk
2:32
13Off Minor
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
recording of:
Off Minor (on 1954-06-07)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:32
14Hackensack
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940-60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
recording of:
Hackensack (on 1954-06-07)
composer:
Thelonious Monk
3:01
15Bag’s Groove (take one)
recorded in:
New York, New York, United States (on 1954-12-24)
bass and double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
11:14
16Bag’s Groove (take two)
recording of:
Bags’ Groove
composer:
Milt Jackson
9:19
CD 4
#TitleRatingLength
1Hornin’ In
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
3:16
2Let’s Cool One
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Let’s Cool One (on 1952-05-30)
composer:
Thelonious Monk
3:47
3Little Rootie Tootie
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Little Rootie Tootie (on 1952-10-15)
composer:
Thelonious Monk
3:06
4Monk’s Dream
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Monk’s Dream (on 1952-10-15)
composer:
Thelonious Monk
3:07
5Bemsha Swing
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-12-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Bemsha Swing (instrumental) (on 1952-12-18)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
3:11
6Reflections
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (Jazz double bassist) (on 1952-12-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Reflections (on 1952-12-18)
composer:
Thelonious Monk
2:48
7Let’s Call This
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Let’s Call This (on 1953-11-13)
composer:
Thelonious Monk
5:08
8Off Minor
recorded in:
New York, New York, United States
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:13
9Epistrophy
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
11:00
10Well You Needn’t
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland (on 1957-06-26)
recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
11:38
11Ruby My Dear
recorded in:
New York, New York, United States (on 1957-06-26)
bass and double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:34

Credits