New Jazz Conceptions

~ Release by Bill Evans (see all versions of this release, 9 available)

Tracklist

▼CD 1
#TitleRatingLength
1I Love You
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Love You (Mexican Hayride musical) (from 1956-09-18 until 1956-09-27)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:56
2Five
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Five (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
4:02
3I Got It Bad (and That Ain't Good)
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1956-09-18 until 1956-09-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:39
4Conception
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Conception (from 1956-09-18 until 1956-09-27)
composer:
George Shearing
4:48
5Easy Living
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Easy Living (from 1956-09-18 until 1956-09-27)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:54
6Displacement
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Displacement (from 1956-09-18 until 1956-09-27)
writer:
Bill Evans (pianist)
2:34
7Speak Low
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Speak Low (One Touch of Venus) (from 1956-09-18 until 1956-09-27)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
5:11
8Waltz for Debby
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recording of:
Waltz for Debby (instrumental) (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:20
9Our Delight
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Our Delight (from 1956-09-18 until 1956-09-27)
composer:
Tadd Dameron
4:45
10My Romance
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
My Romance (from 1956-09-18 until 1956-09-27)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Jumbo
1:59
11No Cover, No Minimum (take 1)
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (in 1956-09)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1956-09)
piano:
Bill Evans (pianist) (in 1956-09)
recording of:
No Cover, No Minimum
composer:
Bill Evans (pianist)
8:10
12No Cover, No Minimum
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recording of:
No Cover, No Minimum (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
7:30

Credits

Release

manufactured in:Germany
photography:Hank Parker
liner notes:Orrin Keepnews
remastering:Danny Kopelson
design:Paul Bacon (American book and album cover designer and jazz musician)
Fran Scott
copyrighted (©) by and phonographic copyright (℗) by:Fantasy, Inc. (not for release label use!) (in 1987)
remastered at:Fantasy Studios (Berkeley) in Berkeley, California, United States