Het beste uit radio1 classics 100 volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Smoke on the Water
recording of:
Smoke on the Water
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
lyrics quoted on:
Hungry Daze
music quoted on:
LED Storm (Tune 1)
music quoted on:
Lifetime Enlightenment
music quoted on:
Шальная ночь
Deep Purple5:17
2Ashes to Ashes
producer:
David Bowie and Tony Visconti
mixer:
Tony Visconti
recording of:
Ashes to Ashes
lyricist and composer:
David Bowie
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.43:35
3Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Bob Dylan4.456:07
4Piano Man
producer:
Phil Ramone and Michael Stewart (US producer/guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1973)
recording of:
Piano Man
lyricist and composer:
Billy Joel
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4:33
5Perfect Day
producer:
David Bowie and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed4.43:42
6Man on the Moon
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.255:10
7Instant Street
engineer:
Ben Findley (US engineer)
producer and mixer:
David Bottrill (producer / mixer)
guest percussion:
Piet Jorens
guest strings:
Browndog (string quartet)
strings arranger:
Klaas Janzoons (Belgian musician)
recording of:
Instant Street
lyricist:
Tom Barman (Belgian musician) and Craig Ward (Scottish musician, former dEUS guitarist)
composer:
Tom Barman (Belgian musician), Danny Mommens (Belgian bass player) and Craig Ward (Scottish musician, former dEUS guitarist)
dEUS46:12
8Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:51
9Once in a Lifetime
live recording of:
Once in a Lifetime
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
publisher:
Bleu Disque Music Co., Careers‐BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) and Index Music
Talking Heads5:25
10Paranoid Android
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Philip Selway (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use it’s imprint XL Recordings instead) (in 2017)
music videos:
Paranoid Android by Radiohead
part of:
Indie 88: Top 500 Indie Rock Songs (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 256)
recording of:
Paranoid Android (from 1996-07 until 1997-03)
writer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway and Thom Yorke
Radiohead4.46:22
11Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
bass guitar:
Ken Forssi
drums (drum set):
Michael Stuart-Ware (US drummer for Love)
lead vocals:
Bryan MacLean
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-09 until 1967-09-25)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or
lyricist and composer:
Bryan MacLean
Love4.253:12
12Sweet Home Alabama
Lynyrd Skynyrd4:37
13Cocaine
recording of:
Cocaine
lyricist and composer:
J.J. Cale
publisher:
Audigram Songs, Inc., BMG Platinum Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:44
14Tin Soldier
Small Faces3:21
15The Scientist
additional recording engineer and additional producer:
Mark Phythian
recording engineer and engineer:
Ken Nelson (UK record producer ('98-active))
additional engineer:
Rik Simpson
producer:
Coldplay and Ken Nelson (UK record producer ('98-active))
mixer:
Coldplay, Ken Nelson (UK record producer ('98-active)) and Mark Phythian
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
music videos:
The Scientist by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 172)
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.25:06
16I Hope That I Don't Fall in Love With You
Tom Waits3:54
17Formidable
producer:
Stromae
mixer:
Lionel Capouillez
lead vocals:
Stromae
arranger:
Lionel Capouillez and Stromae
mixed at:
Studio Air (Brussels) in Brussels, Belgium
part of:
MIA Award: Song of the Year (number: 2013)
recording of:
Formidable
lyricist and composer:
Stromae
part of:
Prix Rolf Marbot de la chanson de l’année (number: 2013)
Stromae43:32
18Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen
publisher:
Bad Monk Publishing, Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
Jeff Buckley54:16
CD 2
#TitleArtistRatingLength
1Good Vibrations
producer:
Brian Wilson (Beach Boys co-founder)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country-specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:36
2The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
Iggy Pop4.64:39
3Don't Stop
assistant engineer:
Chris Morris (LA engineer & producer (late '70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
4Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:56
5Blauw
engineer:
Hans Bedeker
producer:
Rick de Leeuw (Dutch singer, songwriter, author)
mixer:
Frank Reinke (Germany based Engineer)
performer:
The Scene (Dutch rock band)
phonographic copyright (℗) by:
Phonogram B.V. (in 1990)
mixed at:
Peerstudio in Hamburg, Germany
engineered at:
Studio 88 in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Blauw
lyricist and composer:
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music and Warner Basart Publ. Group
The Scene4:36
6Blue MondayNew Order6:16
7Suspicious Minds
engineer:
Al Pachucki
assistant producer:
Hugo "Wedge Montecristo" Bombardier
producer:
Felton Jarvis, Chips Moman and Erich Van Tourneau
mixer:
Brendan O’Brien (engineer)
bass:
Erich Van Tourneau, Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
electric guitar:
Martin Bachand, JS "The Flash" Chouinard, Steve Nadeau and Mike Plant
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
guest vocals:
Stacie Tabb
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
additional arranger:
Hugo "Wedge Montecristo" Bombardier
arranger:
Mike Leech, Glen Spreen and Erich Van Tourneau
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23), United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07), Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
live cover recording of:
Suspicious Minds (on 1973-01-14)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley44:30
8I Heard It Through the Grapevine
producer:
Norman Whitfield
drums (drum set):
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
organ:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 119)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (on 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:14
9Gloria
assistant engineer:
Frank D'Augusta
engineer:
Bernie Kirsh
producer:
John Cale (Velvet Underground founder)
engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
cover recording of:
Gloria (Van Morrison/Them song)
lyricist and composer:
Van Morrison
publisher:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (in 1965) and Unichappell Music, Inc. (in 1965)
Patti Smith5:50
10Sweet Jane
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:04
11O La La La
phonographic copyright (℗) by:
EMI (EMI Records, since 1972) (in 1981)
recording of:
O la la la
writer:
A. Hintjens (Belgian rock vocalist Arno Hintjens), F. Baelen and R. Cloet (Belgian drummer)
T.C. Matic3:16
12The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.054:28
13Nothing Compares 2 U
vocals:
Sinéad O’Connor
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor34:38
14Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
mellotron, organ and piano:
John Evan (on 1971-02-12)
vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer (Jethro Tull)) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer (Jethro Tull))
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.354:21
15The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:44
16A Whiter Shade of PaleProcol Harum4.14:00
17Into My Arms
assistant recording engineer:
Paul Hicks and Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
producer:
Nick Cave & the Bad Seeds and Flood (British producer Mark Ellis)
assistant mixer:
Chris Scard
mixer:
Flood (British producer Mark Ellis)
bass:
Martyn P. Casey
piano:
Nick Cave (Australian singer-songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer-songwriter, musician and score composer)
recording of:
Into My Arms
lyricist and composer:
Nick Cave (Australian singer-songwriter, musician and score composer)
publisher:
Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:12
18Mia
Gorki5:32