Joseph Haydn: Missa in tempore belli ("Paukenmesse" Hob. XXII:9) / Michael Haydn: Requiem B-dur ("Opus Ultimum" Fragment)

~ Release by Joseph Haydn, Michael Haydn; Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Stuttgarter Kammerorchester (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Missa in tempore belli „Paukenmesse” Hob. XXII:9: 1. Kyrie eleison
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
solo soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": I. Kyrie (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn4:43
2Missa in tempore belli „Paukenmesse” Hob. XXII:9: 2. Gloria: Gloria in excelsis
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:46
3Missa in tempore belli „Paukenmesse” Hob. XXII:9: 2. Gloria: Qui tollis
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn5:05
4Missa in tempore belli „Paukenmesse” Hob. XXII:9: 2. Gloria: Quoniam
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:26
5Missa in tempore belli „Paukenmesse” Hob. XXII:9: 3. Credo: Credo in unum Deum
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn1:15
6Missa in tempore belli „Paukenmesse” Hob. XXII:9: 3. Credo: Et incarnatus est
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
solo soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn3:51
7Missa in tempore belli „Paukenmesse” Hob. XXII:9: 3. Credo: Et resurrexit
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:05
8Missa in tempore belli „Paukenmesse” Hob. XXII:9: 3. Credo: Et vitam venturi
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
solo soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:30
9Missa in tempore belli „Paukenmesse” Hob. XXII:9: 4. Sanctus –Pleni sunt coeli
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": IV. Sanctus (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:30
10Missa in tempore belli „Paukenmesse” Hob. XXII:9: 5. Benedictus
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
solo soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn5:37
11Missa in tempore belli „Paukenmesse” Hob. XXII:9: 6. Agnus Dei
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:38
12Missa in tempore belli „Paukenmesse” Hob. XXII:9: 6. Agnus Dei: Dona nobis pacem
sound engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
solo bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
solo soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
solo tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1992)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei (in 1992-01)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn3:04
13Requiem B-Dur „Opus ultimum” (fragment): 1. Introitus
sound engineer:
Ulrich Henschel (engineer)
producer and editor:
Richard Hauck (engineer/producer) and Andreas Priemer
choir vocals:
Gächinger Kantorei Stuttgart (from 1991-05-28 until 1991-05-29)
solo soprano vocals:
Pamela Coburn (soprano) (from 1991-05-28 until 1991-05-29)
orchestra:
Bach‐Collegium Stuttgart (from 1991-05-28 until 1991-05-29)
conductor:
Helmuth Rilling (conductor) (from 1991-05-28 until 1991-05-29)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1991)
recorded at:
Kaiserdom Speyer in Speyer, Rheinland-Pfalz, Germany (from 1991-05-28 until 1991-05-29)
partial recording of:
Missa pro defunctis no. 2: I. Introitus & Kyrie (from 1991-05-28 until 1991-05-29)
composer:
Michael Haydn (composer)
part of:
Missa pro defunctis no. 2 (MH 838; fragment)
Michael Haydn5:07
14Requiem B-Dur „Opus ultimum” (fragment): 2. Kyrie
sound engineer:
Ulrich Henschel (engineer)
producer and editor:
Richard Hauck (engineer/producer) and Andreas Priemer
choir vocals:
Gächinger Kantorei Stuttgart (from 1991-05-28 until 1991-05-29)
orchestra:
Bach‐Collegium Stuttgart (from 1991-05-28 until 1991-05-29)
conductor:
Helmuth Rilling (conductor) (from 1991-05-28 until 1991-05-29)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1991)
recorded at:
Kaiserdom Speyer in Speyer, Rheinland-Pfalz, Germany (from 1991-05-28 until 1991-05-29)
partial recording of:
Missa pro defunctis no. 2: I. Introitus & Kyrie (from 1991-05-28 until 1991-05-29)
composer:
Michael Haydn (composer)
part of:
Missa pro defunctis no. 2 (MH 838; fragment)
Michael Haydn5:20
15Requiem B-Dur „Opus ultimum” (fragment): 3a. Sequenz: Dies irae
sound engineer:
Ulrich Henschel (engineer)
producer and editor:
Richard Hauck (engineer/producer) and Andreas Priemer
choir vocals:
Gächinger Kantorei Stuttgart (from 1991-05-28 until 1991-05-29)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (from 1991-05-28 until 1991-05-29)
solo soprano vocals:
Pamela Coburn (soprano) (from 1991-05-28 until 1991-05-29)
orchestra:
Bach‐Collegium Stuttgart (from 1991-05-28 until 1991-05-29)
conductor:
Helmuth Rilling (conductor) (from 1991-05-28 until 1991-05-29)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1991)
recorded at:
Kaiserdom Speyer in Speyer, Rheinland-Pfalz, Germany (from 1991-05-28 until 1991-05-29)
partial recording of:
Missa pro defunctis no. 2: II. Sequentia (from 1991-05-28 until 1991-05-29)
composer:
Michael Haydn (composer)
part of:
Missa pro defunctis no. 2 (MH 838; fragment)
Michael Haydn1:53
16Requiem B-Dur „Opus ultimum” (fragment): 3b. Sequenz: Liber scriptus
sound engineer:
Ulrich Henschel (engineer)
producer and editor:
Richard Hauck (engineer/producer) and Andreas Priemer
solo bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1991-05-28 until 1991-05-29)
orchestra:
Bach‐Collegium Stuttgart (from 1991-05-28 until 1991-05-29)
conductor:
Helmuth Rilling (conductor) (from 1991-05-28 until 1991-05-29)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1991)
recorded at:
Kaiserdom Speyer in Speyer, Rheinland-Pfalz, Germany (from 1991-05-28 until 1991-05-29)
recording of:
Missa pro defunctis no. 2: II. Sequentia (from 1991-05-28 until 1991-05-29)
composer:
Michael Haydn (composer)
part of:
Missa pro defunctis no. 2 (MH 838; fragment)
Michael Haydn0:56

Credits

Release

manufactured in:Germany
liner notes:Laszlo Molnar
Holger Schneider (Classical bass vocalist, also photography, liner notes & translation)
liner notes translator:Roger Clément (translator)
Sylvie Gomez (liner notes translator)
illustration:Robert Delaunay (French graphic artist (Orphism mvt.))
rights society:GEMA (German rights society; do not use this as a label or work publisher!)