Beat of the 80’s, Volume 2: Trendsetter eines jahrzehnts

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1True Faith
producer:
Stephen Hague and New Order (UK synth pop band)
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Notting Hill Music (publisher)
part of:
American Psycho
New Order3.755:55
2Strangelove
engineer:
David Bascombe
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
David Bascombe and Depeche Mode
lead vocals:
Dave Gahan
recorded at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
mixed at:
Puk Recording Studios in Randers Municipality, Central Denmark Region, Denmark
recording of:
Strangelove
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!), Grabbing Hands Ltd. and Sonet Publishing
Depeche Mode4.454:56
3Hold Me Now (maxi version)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
editor:
Tuta Aquino
remixer:
Phil Thornalley
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Point Music (publisher)
part of:
50 First Dates
Thompson Twins7:06
4Street Cafe
recording of:
Street Cafe
lyricist and composer:
Iva Davies
Icehouse4:22
5Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
part of:
50 First Dates
The Cars4.053:55
6Our House
recording of:
Our House
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman, Graham McPherson, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Madness43:13
7Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Texas City Music Inc., Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats42:44
8Oh l'amour
assistant mixer:
Phil Legg
mixer:
Flood (British producer Mark Ellis) and Daniel Miller (British music producer and founder of Mute Records)
recording of:
Oh l’amour
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.653:04
9Rapture
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980, in 1981, in 2002)
recording of:
Rapture
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie4.25:35
10Souvenir
producer:
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
recording of:
Souvenir
writer:
Martin Cooper (OMD and The Listening Pool) and Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark33:39
11Sleeper in Metropolis
recording of:
Sleeper in Metropolis
writer:
Anne Clark (English poet, songwriter and electronic musician) and David Harrow (English record producer, DJ, and multimedia artist)
composer:
David Harrow (English record producer, DJ, and multimedia artist)
publisher:
Red Flame Music Ltd. and Virgin Music (Publishers) Ltd.
Anne Clark3:47
12Human
music videos:
Human by The Human League
recording of:
Human
writer:
James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The Human League33:45
▼CD 2
#TitleArtistRatingLength
1Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Nile Rodgers and Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider and Cindy Wilson
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and Skyline Studios in New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider, Keith Strickland and Cindy Wilson
The B‐52s4.45:21
2Big Bubbles, No Troubles
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987-1996) (from 1988 to present)
recording of:
Big Bubbles No Troubles
writer:
Nick Beggs, Simon Ellis (producer) and Austin Howard
Ellis, Beggs and Howard3:30
3Time (Clock of the Heart)
assistant engineer:
Gordon Milne (engineer)
engineer:
Steve Levine and Mike Ross (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
additional keyboard:
Phil Pickett (songwriter, producer, keyboard player)
bass and Moog [Moog bass]:
Michael Craig (Culture Club bassist)
drums (drum set) and tambourine:
Jon Moss
guitar and tubular bells:
Roy Hay (Member of Culture Club and composer for film and television)
saxophone:
Steve Grainger (saxophonist)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
strings arranger:
Trevor Bastow
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1982)
produced for:
Do Not Erase Productions Ltd.
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
engineered at:
Red Bus Studios in London (Greater London), England, United Kingdom
music videos:
Time (Clock of the Heart) by Culture Club
recording of:
Time (Clock of the Heart)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. (in 1982)
Culture Club53:44
4Dancing With Tears in My Eyes
recording engineer:
Rick Walton
producer:
Ultravox
mixer:
John Hudson (producer, recording and mixing engineer)
lead vocals:
Midge Ure
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox4.54:39
5True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
music quoted on:
It’s True
Spandau Ballet3.655:40
6Half a Minute
engineer and mixer:
Phil Harding (engineer, producer and remixer)
producer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
keyboard:
Danny White (keyboardist)
percussion:
Robin Jones (Brazilian percussion)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
writer:
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco3.353:49
725 Years (maxi version)
recording of:
25 Years
lyricist and composer:
Don Snow
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1983)
The Catch feat. Don Snow6:40
8Look Mama
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
instruments:
Howard Jones (English singer, songwriter)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
recording of:
Look Mama
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:03
9Celebrate Youth
recording of:
Celebrate Youth
lyricist and composer:
Rick Springfield
Rick Springfield3:51
10The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.353:51
11Axel F.
producer:
Harold Faltermeyer
synthesizer:
William Goldstein
arranger:
Louis Febre, William Goldstein and Peter Rotter (score composer)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recorded at:
New Gold Studios in Los Angeles, California, United States (from 1988-02-01 until 1988-07-15)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer43:00
12Ella, elle l'a
phonographic copyright (℗) by:
Apache (SARL) (in 1987)
recording of:
Ella, elle l’a
lyricist and composer:
Michel Berger
France Gall4:49

Credits

Release Group

part of:Beat of the 80's (Eurostar) (number: 2) (order: 2)