Das Vermächtnis (The Legacy)

~ Release by Wilhelm Furtwängler (see all versions of this release, 2 available)

Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
CD 6
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
CD 13
CD 14
CD 15
CD 16
CD 17
#TitleArtistRatingLength
1Fidelia, op. 72: Overture
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:35
2Fidelia, op. 72: Act I: Jetzt, Schaetzchen, jetzt sind wir allein
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:09
3Fidelia, op. 72: Act I: O waer ich schon mit dir vereint
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:39
4Fidelia, op. 72: Act I: Mir ist so wunderbar
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:44
5Fidelia, op. 72: Act I: Hat man nicht auch Gold beineben
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:57
6Fidelia, op. 72: Act I: Gut Soehnchen, gut, hab immer Mut
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:20
7Fidelia, op. 72: Act I: Marsch
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:14
8Fidelia, op. 72: Act I: Ha! Welch ein Augenblick!
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:22
9Fidelia, op. 72: Act I: Jetzt, Alter, jetzt hat es Eile!
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:57
10Fidelia, op. 72: Act I: Abscheulicher! Wo eilst du hin?
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:57
11Fidelia, op. 72: Act I: O welche Lust!
producer:
Lawrance Collingwood
baritone vocals and bass vocals [Second Prisoner]:
Franz Bierbach (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
tenor vocals:
Alwin Hendricks (from 1953-10-13 until 1953-10-19) and Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
tenor vocals [First Prisoner]:
Alwin Hendricks (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:25
12Fidelia, op. 72: Act I: Nun sprecht, wie ging's?
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:59
13Fidelia, op. 72: Act I: Ach! Vater, Vater, eilt!
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:29
CD 18
CD 19
CD 20
CD 21
CD 22
CD 99