Best of the Best: Roy Orbison, Elvis Presley, Buddy Holly

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Only the Lonely
recording of:
Only the Lonely (Know the Way I Feel)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison2:28
2Here Comes That Song Again
recording of:
Here Comes That Song Again
lyricist and composer:
Dick Flood
Roy Orbison2:45
3Rock House
recording of:
Rock House
lyricist and composer:
Harold Lloyd Jenkins
Roy Orbison2:06
4You Tell Me
recording of:
You Tell Me
lyricist and composer:
Roy Orbison
Roy Orbison1:33
5Blue Angel
recording of:
Blue Angel
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI)
Roy Orbison2:54
6Bye Bye Love
recording of:
Bye Bye Love
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Roy Orbison2:15
7Chicken Hearted
recording of:
Chicken Hearted
writer:
Bill Justis
Roy Orbison2:17
8Problem Child
recording of:
Problem Child
lyricist and composer:
Sam Phillips (founder of Sun Records)
Roy Orbison2:20
9Lovestruck
Roy Orbison1:24
10I’ll Say It’s My Fault
recording of:
I’ll Say It’s My Fault
writer:
Fred Foster and Roy Orbison
Roy Orbison2:25
11Raindrops
recording of:
Raindrops
lyricist and composer:
Joe Melson
Roy Orbison1:55
12Seems to Me
recording of:
Seems to Me
writer:
Boudleaux Bryant and Felice Bryant
Roy Orbison2:17
13Almost Eighteen
recording of:
Almost Eighteen
lyricist and composer:
Roy Orbison
Roy Orbison2:06
14Pretty One
recording of:
Pretty One
lyricist and composer:
Roy Orbison
Roy Orbison2:17
15Uptown
recording of:
Up Town
writer:
Joe Melson and Roy Orbison
Roy Orbison2:06
16Trying to Get to You
recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
Roy Orbison2:47
17A True Love Goodbye
recording of:
A True Love Goodbye
writer:
Roy Orbison and Norman Petty
Roy Orbison2:22
18The Clown
Roy Orbison1:55
19I Was a Fool
recording of:
I Was a Fool
writer:
Roy Orbison and Norman Petty
Roy Orbison2:26
20Come Back to Me (My Love)
Roy Orbison2:29
21Devil Doll
recording of:
Devil Doll
lyricist and composer:
Sam Phillips (founder of Sun Records)
Roy Orbison2:11
22Mean Little Mama
recording of:
Mean Little Mama
lyricist and composer:
Sam Phillips (founder of Sun Records)
Roy Orbison1:57
23I Give Up
recording of:
Give Up
writer:
Bill Dees and Roy Orbison
Roy Orbison1:57
24Paper Boy
recording of:
Paper Boy
lyricist and composer:
Roy Orbison
Roy Orbison2:16
25Today's Teardrops
cover recording of:
Today’s Teardrops
lyricist and composer:
Gene Pitney and Aaron Schroeder (1950s~1960s US songwriter)
Roy Orbison2:13
▼CD 2
#TitleArtistRatingLength
1Jailhouse Rock
Elvis Presley2:30
2Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley3.82:16
3Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Unichappell Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Elvis Presley3.82:08
4Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley4.52:01
5Rip It Up
Elvis Presley1:53
6All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
lyrics quoted on:
Cyprus Avenue
Elvis Presley3.651:59
7That’s Alright (Mama)
Elvis Presley1:57
8Ready Teddy
cover recording of:
Ready Teddy (on 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
Elvis Presley1:55
9Baby Let’s Play House
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-01-30 until 1955-02-04, from 1955-02 until 1955-03)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-11-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-01-30 until 1955-02-04)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-11-16, from 1955-02 until 1955-03) and Elvis Presley (“The King of Rock and Roll”) (on 1954-11-16, from 1955-01-30 until 1955-02-04, from 1955-02 until 1955-03)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-11-16, from 1955-01-30 until 1955-02-04)
phonographic copyright (℗) by:
BMG Music (in 1953, in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
cover recording of:
Baby Let’s Play House (from 1954-07 until 1955-07)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
cover recording of:
Baby Let’s Play House (on 1954-11-16)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
cover recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
cover recording of:
Baby Let’s Play House (on 1955-02-05)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
cover recording of:
Baby Let’s Play House (in 1955-02)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
cover recording of:
Baby Let’s Play House (from 1955-02 until 1955-03)
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
lyrics quoted on:
Run for Your Life
Elvis Presley3.52:18
10Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher) and Trio Music Co., Inc.
Elvis Presley52:14
11Mystery Train
recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
Elvis Presley2:29
12Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley
publisher:
Westpar Music
Elvis Presley54:10
13Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
recording of:
Loving You (on 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
Elvis Presley42:15
14I Got a Woman
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Elvis Presley2:26
15Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (on 1956-08-24)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
recording of:
Love Me Tender (on 1956-09-01)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
Elvis Presley42:46
16(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
Elvis Presley31:48
17Blue Moon of Kentucky
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-07)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-07)
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic) and ピアーミュージック (Japan, subsidiary of Nichion)
Elvis Presley3.52:04
18Don’t Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Elvis Presley3.752:03
19True Love
cover recording of:
True Love (High Society) (on 1957-02-23)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
High Society (1956 film)
part of:
High Society (stage musical)
Elvis Presley2:07
20Let Me
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Let Me (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. and R&H Music
Elvis Presley42:10
21Young and Beautiful
recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
Elvis Presley2:05
22I Want to Be Free
recording of:
I Want to Be Free (on 1957-04-30)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
Elvis Presley2:15
23My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
cover recording of:
My Baby Left Me (in 1956-01)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
Elvis Presley42:12
24Treat Me Nice
recording of:
Treat Me Nice
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
Elvis Presley2:12
25Playing for Keeps
recording of:
Playing for Keeps (on 1956-09-01)
lyricist and composer:
Stan Kesler
Elvis Presley2:53
▼CD 3
#TitleArtistRatingLength
1Rave On
recording of:
Rave On
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Buddy Holly1:51
2Oh, Boy!
recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Buddy Holly2:09
3Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:09
4Little Baby
recording of:
Little Baby
writer:
Buddy Holly (1950s rock & roll singer-songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Buddy Holly1:57
5Not Fade Away
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (publishing and company credits), MPL Communications Inc. (Paul McCartney-related, NYC-based company), Peermusic (UK) Limited and Wren Music
Buddy Holly2:23
6It Doesn’t Matter Anymore
recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS-affiliated)
Buddy Holly2:05
7Peggy Sue Got Married
recording of:
Peggy Sue Got Married
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
Buddy Holly2:04
8Brown Eyed Handsome Man
recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly2:05
9True Love Ways
recording of:
True Love Ways
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:50
10Raining in My Heart
recording of:
Raining in My Heart
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly2:50
11It’s Too Late
recording of:
It’s Too Late
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Corp., Tideland Music Publishing Corp. and Unichappell Music, Inc.
Buddy Holly2:24
12Rock Me My Baby
recording of:
Rock Me My Baby
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
Buddy Holly1:50
13Peggy Sue
recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney-related, NYC-based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly2:31
14Maybe Baby
recording of:
Maybe Baby
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
Buddy Holly2:03
15Heartbeat
recording of:
Heartbeat
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc.
Buddy Holly2:10
16Love Me
recording of:
Love Me (Buddy Holly Song)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
Buddy Holly2:08
17Ready Teddy
recording of:
Ready Teddy
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
Buddy Holly1:33
18Tell Me How
recording of:
Tell Me How
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Buddy Holly2:01
19Listen to Me
recording of:
Listen to Me
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly2:22
20Think It Over
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
Buddy Holly1:47
21You Are My One Desire
recording of:
You Are My One Desire
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
Buddy Holly2:25
22I’m Gonna Love You Too
recording of:
I’m Gonna Love You Too
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney-related, NYC-based company) (in 1957, in 1958)
Buddy Holly2:14
23(You’re So Square) Baby I Don’t Care
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-12-19)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Buddy Holly51:37
24I’m Changing All Those Changes
recording of:
I'm Changing All These Changes
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
Buddy Holly2:13
25You’ve Got Love
recording of:
You’ve Got Love
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
Buddy Holly2:09