Early Cantatas, Volume 2: Weimar Cantatas

~ Release by Johann Sebastian Bach; Emma Kirkby, Michael Chance, Charles Daniels, Peter Harvey, The Purcell Quartet (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: I. Sinfonia
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:28
2Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: II. Weinen, Klagen, Sorgen, Zagen
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach7:31
3Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: III. Wir mussen durch viel Trubsal
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:37
4Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: IV. Kreuz und Krone sind verbunden
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:46
5Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: V. Ich folge Christo nach
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
bass vocals:
Peter Harvey (bass-baritone)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:13
6Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: VI. Sei getreu, alle Pein
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:30
7Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: VII. Was Gott tut, das ist wohlgetan
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:04
8Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: I. Sinfonia
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach3:01
9Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: II. Gleichwie der Regen und Schnee vom Himmel fällt
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:04
10Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: III. Mein Gott, hier wird mein Herze sein
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach5:42
11Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: IV. Mein Seelenschatz ist Gottes Wort
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
soprano vocals:
Emma Kirkby (soprano)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach2:50
12Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: V. Ich bitt, o Herr, aus Herzens Grund
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund"
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:12
13Cantata "Nun komm, der Heiden Heiland", BWV61: I. Nun komm, der Heiden Heiland
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach2:41
14Cantata "Nun komm, der Heiden Heiland", BWV61: II. Der Heiland ist gekommen
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:21
15Cantata "Nun komm, der Heiden Heiland", BWV61: III. Komm, Jesu, komm
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:11
16Cantata "Nun komm, der Heiden Heiland", BWV61: IV. Sie, ich stehe vor der Tur
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
bass vocals:
Peter Harvey (bass-baritone)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:02
17Cantata "Nun komm, der Heiden Heiland", BWV61: V. Offne dich, mein ganzes Herze
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
soprano vocals:
Emma Kirkby (soprano)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:33
18Cantata "Nun komm, der Heiden Heiland", BWV61: VI. Amen, Komm, du schone Freudenkrone
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:59
19Cantata "Komm, du süße Todesstunde", BWV161: I. Komm, du süße Todesstunde
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:10
20Cantata "Komm, du süße Todesstunde", BWV161: I. Welt, deine Lust ist Last
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:46
21Cantata "Komm, du süße Todesstunde", BWV161: I. Mein verlangen
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:08
22Cantata "Komm, du süße Todesstunde", BWV161: I. Der Schluß ist schon gemacht
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:29
23Cantata "Komm, du süße Todesstunde", BWV161: I. Wenn es meines Gottes Wille
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach3:20
24Cantata "Komm, du süße Todesstunde", BWV161: I. Der Leib zwar inder Erden
assistant engineer:
Michael Common
engineer:
Jonathan Cooper (classical music engineer)
producer:
Rachel Smith (engineer, editor, producer)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Charles Daniels (tenor)
performer:
The Purcell Quartet (UK Baroque quartet)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden"
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:46

Credits

Release

bassoon:Andrew Watts (bassoonist)
oboe:Anthony Robson (oboist)
organ:Robert Woolley
recorder:Rachel Beckett (flute and recorder player)
Catherine Latham (Classical oboe and recorder player)
trumpet:David Blackadder (trumpet player)
viola:Rachel Byrt (cellist)
Katarina Bengston (violin/viola)
violone:William Hunt (UK string musician, (viol, double bass, etc.))
ASIN:UK: B000PMGSBI [info]