An Easy Introduction to Rock & Roll

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley4.52:00
2I’m Counting on You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (American guitarist and recording engineer) (on 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-11)
recording of:
I'm Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
Elvis Presley32:24
3I Got a Woman
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Elvis Presley32:25
4One‐Sided Love Affair
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Music (in 1957)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
recording of:
One-Sided Love Affair (on 1956-01-30)
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
Elvis Presley32:12
5I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
Elvis Presley42:43
6Just Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-09-10)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-09-10) and Elvis Presley (“The King of Rock and Roll”) (on 1954-09-10)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-09-10)
phonographic copyright (℗) by:
BMG Music (in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-09-10)
cover recording of:
Just Because (on 1954-09-10)
lyricist:
Bob Attlesey (1930s-'40s vocalist, guitarist and mandolinist) and Joe Attlesey (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
Elvis Presley42:34
7Tutti Frutti
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-31)
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
Elvis Presley31:59
8Tryin’ to Get to You
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1955-07-11)
drums (drum set):
Johnny Bernero (on 1955-07-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1955-07-11) and Elvis Presley (“The King of Rock and Roll”) (on 1955-07-11)
recorded at:
Sun Studios in Memphis, Tennessee, United States (on 1955-07-11)
cover recording of:
Trying to Get to You (on 1955-07-11)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
Elvis Presley42:33
9I’m Gonna Sit Right Down and Cry (Over You)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (on 1956-01-31)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS-affiliated)
Elvis Presley42:03
10I’ll Never Let You Go (Little Darlin’)
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-09-10)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-09-10) and Elvis Presley (“The King of Rock and Roll”) (on 1954-09-10)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-09-10)
cover recording of:
I'll Never Let You Go Little Darlin' (on 1954-09-10)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
Elvis Presley32:24
11Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-08-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-08-19) and Elvis Presley (“The King of Rock and Roll”) (on 1954-08-19)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-08-19)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
music quoted on:
Opening Production (from Jane Froman's album, "With a Song in My Heart")
part of:
New York, New York (soundtrack of the 1977 film)
recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
music quoted on:
Opening Production (from Jane Froman's album, "With a Song in My Heart")
part of:
New York, New York (soundtrack of the 1977 film)
Elvis Presley42:41
12Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, Walden Music, Inc., Walden, Inc. and WB Music Corp. (1929–2019)
Elvis Presley42:33
13Make Me Know It
recording engineer:
Bill Porter (engineer) (on 1960-03-20)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Make Me Know It (on 1960-03-20)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music and R&H Music
recording of:
Make Me Know It
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music and R&H Music
Elvis Presley42:05
14Fever
Elvis Presley3:36
15The Girl of My Best Friend
recording of:
The Girl of My Best Friend
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
Elvis Presley2:27
16I Will Be Home Again
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
I Will Be Home Again (on 1960-04-04)
writer:
Bennie Benjamin (in 1944), Raymond Leveen (in 1944) and Lou Singer (pianist) (in 1944)
premiered by:
The Golden Gate Quartet (on 1945-03-16)
publisher:
Bennie Benjamin Music Inc. and Chappell & Co.
recording of:
I Will Be Home Again
writer:
Bennie Benjamin (in 1944), Raymond Leveen (in 1944) and Lou Singer (pianist) (in 1944)
premiered by:
The Golden Gate Quartet (on 1945-03-16)
publisher:
Bennie Benjamin Music Inc. and Chappell & Co.
Elvis Presley32:38
17Dirty, Dirty Feeling
recording of:
Dirty Dirty Feeling
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
Elvis Presley1:37
18Thrills of Your Love
recording engineer:
Bill Porter (engineer)
producer:
Chet Atkins and Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States and RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
recording of:
Thrill of Your Love (on 1960-04-03)
lyricist and composer:
Stan Kesler
publisher:
R&H Music
cover recording of:
Thrill of Your Love (on 1960-04-04)
lyricist and composer:
Stan Kesler
publisher:
R&H Music
Elvis Presley43:05
19Soldier Boy
recording engineer:
Bill Porter (engineer) (on 1960-03-20)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Soldier Boy (on 1960-03-20)
writer:
David Jones and Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Soldier Boy
writer:
David Jones and Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Elvis Presley43:10
20Such a Night
recording of:
Such a Night
lyricist and composer:
Lincoln Chase
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
Elvis Presley3:56
21It Feels So Right
recording engineer:
Bill Porter (engineer) (on 1960-03-21)
producer:
Chet Atkins and Steve Sholes
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-21)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
It Feels So Right (on 1960-03-21)
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
recording of:
It Feels So Right
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
Elvis Presley42:14
22The Girl Next Door Went A 'Walking
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
The Girl Next Door Went a Walking (on 1960-04-04)
writer:
Bill Rice and Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music and Regent Music Corp.
recording of:
The Girl Next Door Went a Walking
writer:
Bill Rice and Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music and Regent Music Corp.
Elvis Presley42:18
23Like a Baby
recording of:
Like a Baby
lyricist and composer:
Jesse Stone
publisher:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Unichappell Music
Elvis Presley2:43
24Reconsider Baby
recording of:
Reconsider Baby
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Elvis Presley3:42
▼CD 2: Here's Little Richard + Presenting Dion and the Belmonts
#TitleArtistRatingLength
1Tutti Frutti
recorded in:
New Orleans, Louisiana, United States (on 1955-09-14)
producer:
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
double bass:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1955-09-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 35) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 43)
recording of:
Tutti Frutti (on 1955-09-14)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
Little Richard4.32:24
2True Fine Mama
baritone saxophone:
Clarence Ford (on 1955-11-29)
bass guitar:
Lloyd Lambert (on 1955-11-29)
drums (drum set):
Oscar Moore (on 1955-11-29)
guitar:
William 'Frosty' Pyles (on 1955-11-29)
piano and lead vocals:
Little Richard (on 1955-11-29)
tenor saxophone:
Joseph Tillman (on 1955-11-29)
trumpet:
Renald Richard (on 1955-11-29)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1955-11-29)
recorded at:
Radio Recorders in Hollywood, Los Angeles, California, United States (on 1955-11-29)
recording of:
True Fine Mama (True Fine Baby) (on 1955-11-29)
lyricist and composer:
Richard Wayne Penniman (in 1955-11)
Little Richard42:41
3Can't Believe You Wanna Leave
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-08-01)
bass guitar:
Frank Fields (on 1956-08-01)
drums (drum set):
Earl Palmer (on 1956-08-01)
guitar:
Roy Montrell (on 1956-08-01)
piano and lead vocals:
Little Richard (on 1956-08-01)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-08-01)
recording of:
Can't Believe You Wanna Leave (on 1956-08-01)
lyricist and composer:
Leo Price
publisher:
ATV Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Venice Music
Little Richard42:23
4Ready Teddy
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-05-09)
recording of:
Ready Teddy (on 1956-05-09)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
Little Richard52:07
5Baby
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
bass guitar:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recording of:
Baby (Don't You Want a Man Like Me) (on 1955-09-14)
lyricist and composer:
Richard Wayne Penniman (in 1955-02)
Little Richard42:03
6Slippin' and Slidin'
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
recording of:
Slippin’ and Slidin’ (on 1956-02-07)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
Little Richard2:38
7Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 13) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 56)
recording of:
Long Tall Sally (on 1956-02-07)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard42:07
8Miss Ann
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
recording of:
Miss Ann (on 1956-02-07)
writer:
Enotris Johnson (in 1955-11) and Richard Wayne Penniman (in 1955-11)
Little Richard42:15
9Oh Why?
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-09)
bass guitar:
Frank Fields (on 1956-02-09)
drums (drum set):
Earl Palmer (on 1956-02-09)
guitar:
Edgar Blanchard (on 1956-02-09)
piano and lead vocals:
Little Richard (on 1956-02-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-09)
recording of:
Oh Why? (on 1956-02-09)
lyricist and composer:
William L. Scott
Little Richard42:06
10Rip It Up
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-05-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 4)
recording of:
Rip It Up (on 1956-05-09)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
Little Richard4.52:22
11Jenny Jenny
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-15)
bass guitar:
Frank Fields (on 1956-10-15)
drums (drum set):
Earl Palmer (on 1956-10-15)
guitar:
Roy Montrell (on 1956-10-15)
piano and lead vocals:
Little Richard (on 1956-10-15)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-15)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 20)
recording of:
Jenny, Jenny (Made famous by Little Richard; Not the 867-5309 song) (on 1956-10-15)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
Little Richard4.52:00
12She's Got It
baritone saxophone:
Jewell Grant (US saxophonist) (on 1956-09-06)
bass guitar:
Olsie Robinson (on 1956-09-06)
drums (drum set):
Charles Connor (on 1956-09-06)
guitar:
Nathaniel Douglas (on 1956-09-06)
piano and lead vocals:
Little Richard (on 1956-09-06)
tenor saxophone:
Clifford Burks (on 1956-09-06), Grady Gaines (R & B sax player / bandleader) (on 1956-09-06) and Wilbert Smith (on 1956-09-06)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1956-09-06)
recording of:
She’s Got It (on 1956-09-06)
writer:
John Marascalco (in 1956-09) and Richard Wayne Penniman (in 1956-09)
publisher:
Robin Hood Music Co. and Sony/ATV Songs LLC
Little Richard2:25
13I Wonder Why
Dion & The Belmonts2:24
14Where or When
Dion & The Belmonts2:43
15You Better Not Do That
Dion & The Belmonts2:17
16Just You
Dion & The Belmonts2:34
17I Got the Blues
Dion & The Belmonts2:49
18Don’t Pity Me
Dion & The Belmonts2:41
19A Teenager in Love
cover recording of:
A Teenager in Love
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts2:39
20Wonderful Girl
Dion & The Belmonts2:41
21A Funny Feeling
Dion & The Belmonts2:17
22I’ve Cried Before
Dion & The Belmonts2:50
11That’s My Desire
Dion & The Belmonts2:37
12No One Knows
Dion & The Belmonts2:37
▼CD 3
#TitleArtistRatingLength
1Sweet Little Sixteen
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Sweet Little Sixteen (from 1957-12-09 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.253:03
2Blue Feeling
producer:
Leonard & Phil Chess (Legendary US production duo) (on 1956-12-15)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
electric guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Blue Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:04
3Lajuada
bongos:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-12-15)
electric guitar and lead vocals:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1956-12-15)
recording of:
La jaunda (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry33:14
4Rocking at the Philharmonic
producer:
Leonard & Phil Chess (Legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Rock at the Philharmonic (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry43:23
5Oh Baby Doll
producer:
Leonard & Phil Chess (Legendary US production duo) (in 1957-05)
bass and double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar, guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
Oh Baby Doll (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry42:37
6Guitar Boogie
producer:
Leonard & Phil Chess (Legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Guitar Boogie (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry52:21
7Reelin' and Rockin'
producer:
Leonard & Phil Chess (Legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Reelin’ and Rockin’ (from 1957-12-29 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.53:18
8Ingo
producer:
Leonard & Phil Chess (Legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Ingo (on 1958-02-28)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry42:29
9Rock and Roll Music
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:34
10How You've Changed
producer:
Leonard & Phil Chess (Legendary US production duo) (in 1957-05)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
How You’ve Changed (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry32:49
11Low Feeling
producer:
Leonard & Phil Chess (Legendary US production duo) (on 1956-12-15)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
electric guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Blue Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:09
12It Don't Take but a Few Minutes
producer:
Leonard & Phil Chess (Legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar and lead vocals:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
It Don’t Take but a Few Minutes (on 1958-02-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry32:31
13Almost Grown
producer:
Leonard & Phil Chess (Legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.52:22
14Carol
live recording of:
Carol (on 2005-04-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:49
15Maybellene
recording of:
Maybellene
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry2:23
16Sweet Little Rock & Roller
recording of:
Sweet Little Rock and Roller
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:23
17Anthony Boy
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Otis Spann (on 1958-09-26)
background vocals:
Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
vocals:
Chuck Berry (on 1958-09-26), Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios in Chicago, Illinois, United States (on 1958-09-26)
recording of:
Anthony Boy (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2.51:54
18Johnny B. Goode
Chuck Berry2:42
19Little Queenie
recording of:
Little Queenie
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:44
20Jo Jo Gunne
recording of:
Jo Jo Gun
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:48
21Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
Chuck Berry2:25
22Around and Around
recording of:
Around and Around
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Good-Tunes-Music AG, Isalee Music Publishing Company and Rock ’n’ Roll Music
Chuck Berry2:42
23Hey Pedro
recording of:
Hey Pedro (Lazy Pedro)
lyricist and composer:
Chuck Berry
publisher:
ARC Music (world and ethnic music label) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry1:57
24Blues for Hawaiians
recording of:
Blues for Hawaiians
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Isalee Music Publishing Company
Chuck Berry3:23
▼CD 4
#TitleArtistRatingLength
1Oh, Boy!
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
The Crickets52:09
2Not Fade Away
producer:
Norman Petty
double bass:
Joe B. Mauldin (on 1957-05-29)
drums (drum set):
Jerry Allison (on 1957-05-29)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (publishing and company credits), MPL Communications Inc. (Paul McCartney-related, NYC-based company), Peermusic (UK) Limited and Wren Music
The Crickets52:23
3You’ve Got Love
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29)
recording of:
You’ve Got Love (from 1957-09-29 until 1957-10-14)
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
The Crickets52:08
4Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
The Crickets3.752:03
5It’s Too Late
producer:
Norman Petty
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-05 until 1957-07)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-05 until 1957-07)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
cover recording of:
It’s Too Late (from 1957-05 until 1957-07)
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Corp., Tideland Music Publishing Corp. and Unichappell Music, Inc.
The Crickets52:24
6Tell Me How
producer:
Norman Petty
double bass:
Joe B. Mauldin (from 1957-05 until 1957-07)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-05 until 1957-07)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
membranophone:
Jerry Allison (from 1957-05 until 1957-07)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Tell Me How (from 1957-05 until 1957-10-14)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crickets52:01
7That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
The Crickets52:17
8I’m Looking for Someone to Love
guitar:
Buddy Holly (1950s rock & roll singer-songwriter)
recording of:
I'm Lookin' for Someone to Love
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and Wren Music Co.
The Crickets51:59
9An Empty Cup (and a Broken Date)
producer:
Norman Petty
double bass:
Joe B. Mauldin (from 1957-09-27 until 1957-09-28)
drums (drum set):
Jerry Allison (from 1957-09-27 until 1957-09-28)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-09-27 until 1957-09-28)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-09-27 until 1957-09-28) and Niki Sullivan (from 1957-09-27 until 1957-09-28)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-09-27 until 1957-09-28)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (from 1957-09-27 until 1957-09-28)
recording of:
An Empty Cup (And a Broken Date) (from 1957-09-27 until 1957-09-28)
writer:
Roy Orbison and Norman Petty
publisher:
Wren Music Co.
The Crickets42:14
10Send Me Some Lovin’
producer:
Norman Petty
double bass:
Joe B. Mauldin (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-05 until 1957-07)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-05 until 1957-07)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Send Me Some Lovin’ (from 1957-05 until 1957-07)
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
The Crickets52:36
11Last Night
recorded in:
Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
producer:
Norman Petty
double bass:
Joe B. Mauldin (on 1957-03-01)
drums (drum set):
Jerry Allison (on 1957-03-01)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-03-01)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-03-01) and Niki Sullivan (on 1957-03-01)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14), John Pickering (from 1957-10-12 until 1957-10-14) and The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-10-12 until 1957-10-14)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-03-01)
recording of:
Last Night (from 1957-03-01 until 1957-10-14)
writer:
Buddy Holly (1950s rock & roll singer-songwriter), Joe B. Mauldin and Norman Petty
publisher:
Wren Music Co.
The Crickets51:55
12Rock Me My Baby
producer:
Norman Petty
double bass:
Joe B. Mauldin (from 1957-09-27 until 1957-09-28)
drums (drum set):
Jerry Allison (from 1957-09-27 until 1957-09-28)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-09-27 until 1957-09-28)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-09-27 until 1957-09-28) and Niki Sullivan (from 1957-09-27 until 1957-09-28)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-09-27 until 1957-09-28)
engineered at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (from 1957-09-27 until 1957-09-28)
recording of:
Rock Me My Baby (from 1957-09-27 until 1957-09-28)
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
The Crickets51:49
13Red Bluejeans and a Ponytail
Gene Vincent & His Blue Caps2:14
14Hold Me, Hug Me, Rock Me
Gene Vincent & His Blue Caps2:14
15Unchained Melody
Gene Vincent & His Blue Caps2:40
16You Told a Fib
Gene Vincent & His Blue Caps2:20
17Cat Man
Gene Vincent & His Blue Caps2:19
18You Better Believe
Gene Vincent & His Blue Caps2:06
19Cruisin'
Gene Vincent & His Blue Caps2:13
20Double Talkin' Baby
Gene Vincent & His Blue Caps2:11
21Blues Stay Away From Me
Gene Vincent & His Blue Caps2:16
22Pink Thunderbird
double bass [upright bass]:
Jack Neal (in 1956-10)
drums (drum set) [drums]:
Dickie Harrell (in 1956-10)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (in 1956-10)
guitar [rhythm guitar]:
Paul Peek (in 1956-10)
vocals:
Gene Vincent (in 1956-10)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (in 1956-10)
Gene Vincent & His Blue Caps2:33
23I Sure Miss You
Gene Vincent & His Blue Caps2:39
24Pretty, Pretty Baby
Gene Vincent & His Blue Caps2:25