Ain’t Misbehavin’: Vintage Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Cheek to CheekElla Fitzgerald & Louis Armstrong feat. Ray Brown, Herb Ellis & Oscar Peterson5:54
2Them There Eyes
Carmen McRae2:47
3Ain’t We Got Fun
Doris Day with Paul Weston & His Orchestra & The Norman Luboff Choir2:37
4Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Tony Bennett with Count Basie & His Orchestra2:19
5Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Anita O’Day with Gene Krupa and His Orchestra2:25
6Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
performer:
George Treadwell & His All Stars
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway Musical)
Sarah Vaughan with George Treadwell & His All Stars2:37
7Why Don’t You Do Right
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Al Davis (on 1942-07-27), Tony Faso (on 1942-07-27), Jimmy Maxwell (Trumpet) (on 1942-07-27) and Lawrence Stearns (on 1942-07-27)
vocals:
Peggy Lee (jazz vocalist) (on 1942-07-27)
recording of:
Why Don’t You Do Right? (on 1942-07-27)
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
Peggy Lee & Benny Goodman3:13
8What a Little Moonlight Can Do
recorded in:
New York, New York, United States (on 1935-07-02)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1935-07-02)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1935-07-02)
drums (drum set):
Cozy Cole (on 1935-07-02)
guitar:
John Trueheart (on 1935-07-02)
piano:
Teddy Wilson (on 1935-07-02)
tenor saxophone:
Ben Webster (on 1935-07-02)
trumpet:
Roy Eldridge (on 1935-07-02)
vocals:
Billie Holiday (on 1935-07-02)
arranger:
Teddy Wilson
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1935-07-02)
recording of:
What a Little Moonlight Can Do (on 1935-07-02)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Billie Holiday with Teddy Wilson and His Orchestra52:58
9My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Company, Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS-affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:36
10Call Me IrresponsibleDinah Washington2:20
11Mack the Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Jack Sheldon45:02
12Ain’t Misbehavin’The Dave Brubeck Quartet3:25