Don Giovanni (Highlights)

~ Release by Mozart; Skovhus, Girolami, Schörg, Pieczonka, Kerl, Raimondi, Daniel, Monarcha, Hungarian Radio Chorus, Nicolaus Esterházy Sinfonia, Michael Halász (see all versions of this release, 2 available)

Tracklist

▼CD 1
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1Don Giovanni, K. 527: Overtura
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Ouvertura. Andante – allegro molto (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart5:54
2Don Giovanni, K. 527: Act I, Scene I. Introduzione "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30) and Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
vocals:
Janusz Monarcha (operatic bass) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:31
3Don Giovanni, K. 527: Act I, Scene III. Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
tenor vocals:
Torsten Kerl (tenor) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:56
4Don Giovanni, K. 527: Act I, Scene V. Aria "Ah chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30) and Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:34
5Don Giovanni, K. 527: Act I, Scene V. Aria "Madamina, il catalogo e questo" (Leporello)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:37
6Don Giovanni, K. 527. Act I, Scene VII. Coro "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30)
choir vocals:
Magyar Rádió énekkara (from 2000-11-20 until 2000-11-30)
soprano vocals:
Ildikó Raimondi (Soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
7Don Giovanni, K. 527: Act I, Scene VIII. Aria "Ho capito, signor si" (Masetto)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
8Don Giovanni, K. 527: Act I, Scene IX. Duettino "La ci darem la mano" (Zerlina, Don Giovanni)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Ildikó Raimondi (Soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:10
9Don Giovanni, K. 527: Act I, Scene X. Aria "Ah fuggi il traditor" (Donna Elvira)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
soprano vocals:
Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:14
10Don Giovanni, K. 527: Act I, Scene XII. Quartetto "Non ti fidar, o misera" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30) and Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
tenor vocals:
Torsten Kerl (tenor) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:14
11Don Giovanni, K. 527: Act I, Scene XIII. Recitativo accompagnato ed Aria "Don Ottavio, son morta!" - Aria: Or sai chi l'onore (Donna Anna, Don Ottavio)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
tenor vocals:
Torsten Kerl (tenor) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:08
12Don Giovanni, K. 527: Act I, Scene XIII Appendix: Aria: Dalla sua pace la mia dipende (Don Ottavio)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:39
13Don Giovanni, K. 527: Act I, Scene XV. Aria "Fin ch'han dal vino" (Don Giovanni)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:28
14Don Giovanni, K. 527: Act I, Scene XVI. Aria "Batti, batti, o bel Masetto" (Zerlina)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30) and Ildikó Raimondi (Soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:33
15Don Giovanni, K. 527: Act II, Scene III. Canzonetta "Deh, vieni alla finestra" (Don Giovanni)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:58
16Don Giovanni, K. 527: Act II, Scene VI. Aria "Vedrai, carino" (Zerlina)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Ildikó Raimondi (Soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
17Don Giovanni, K. 527: Act II, Scene X. Aria "Il mio tesoro intanto" (Don Ottavio)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:03
18Don Giovanni, K. 527: Act II, Scene XXIb Appendix. Recitativo accompagnato ed Aria "In quali eccessi" (Donna Elvira)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:35
19Don Giovanni, K. 527: Act II, Scene XV. "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello, Chorus)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:37
20Don Giovanni, K. 527: Act II, Scene XVI. "Questo e il fin" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
engineer:
János Bohus (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53