| # | Title | Rating | Length |
|---|
| A1 | East River Drive- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- East River Drive (in 1981)
- composer:
- Grover Washington, Jr.
| | 4:47 |
| A2 | Come Morning- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Come Morning (in 1981)
- composer:
- Grover Washington, Jr.
| | 4:56 |
| A3 | Be Mine (Tonight)- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- lead vocals:
- Grady Tate (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Be Mine (Tonight) (in 1981)
- writer:
- William Eaton , Ralph MacDonald and William Salter
| | 6:28 |
| A4 | Reaching Out- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Reaching Out (in 1981)
- composer:
- Grover Washington, Jr.
| | 4:09 |
| B1 | Jamming- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- instrumental cover recording of:
- Jamming (in 1981)
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp. , Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
| | 5:07 |
| B2 | Little Black Samba- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson , Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- lead vocals:
- Grady Tate (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
| | 5:44 |
| B3 | Make Love to You | | 4:30 |
| B4 | I’m All Yours | | 4:41 |
