Super 70’s Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
assistant producer and co-producer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
Queen (UK rock group)
electric guitar:
Brian May (Queen guitarist)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS-affiliated) and Queen Music Ltd.
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen3.92:03
2All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
remixer:
Bob Clearmountain
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Catherine’s Peak Music and Irving Music, Inc.
part of:
American Beauty
Free4.654:14
3All the Young Dudes
producer:
David Bowie
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
cover recording of:
All the Young Dudes
lyricist and composer:
David Bowie
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Mott the Hoople4.353:28
4Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer)
electric bass guitar:
Leon Wilkeson
electric guitar:
Allen Collins, Ed King (US guitarist, bassist & songwriter) and Gary Rossington
keyboard:
Billy Powell
background vocals:
Merry Clayton and Clydie King
lead vocals:
Ronnie Van Zant
phonographic copyright (℗) by:
Geffen Records (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
produced for:
Sounds of the South Productions
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc. and Leeds Music Corp.
Lynyrd Skynyrd4.354:40
5You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:33
6Stay With Me
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
recording of:
Stay With Me
writer:
Rod Stewart and Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
publisher:
Warner Bros. Music Co., Ltd.
Faces4.754:43
720th Century Boy
performer:
Marc Bolan
recording of:
20th Century Boy (in 1972-12)
lyricist and composer:
Marc Bolan
publisher:
Fintage Publishing, Spirit Catalogue Holdings and Wizard (Bahamas) Ltd.
sub-publisher:
Shinko Music Entertainment Co., Ltd. (ended) and フジパシフィックミュージック
T. Rex4.83:38
8Viscious
producer:
David Bowie and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
bass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie, Lou Reed and Mick Ronson (British guitarist)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Vicious (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Champs Élysées Nouv Société, Chappell SA, Dunbar Music, Inc., Oakfield Avenue Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Lou Reed3.52:56
9Blockbuster
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet53:12
10No More Mr. Nice Guy
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01)
drums (drum set):
Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
guitar:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01) and Glen Buxton (American guitarist) (from 1972-08 until 1973-01)
keyboard:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01)
background vocals:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01) and Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier) (from 1972-08 until 1973-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (from 1972-08 until 1973-01)
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the musician Vincent Damon Furnier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.33:07
11Radar Love
producer:
Golden Earring
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
Golden Earring45:05
12Can’t Get Enough
recording of:
Can’t Get Enough
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3:27
13Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ and keyboard:
Jon Lord (in 1970-05)
vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Deep Purple4.453:25
14Paranoid
engineer:
Brian Humphries and Tony Allom
producer:
Rodger Bain
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar [Bass Guitar]:
Geezer Butler
electric guitar [Lead Guitar]:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals [Vocals]:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and Castle Copyrights Ltd. (in 1970)
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.52:47
15Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead)
drums (drum set):
Simon King (drummer)
flute and saxophone:
Nik Turner
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
synthesizer:
Dik Mik Davies and Del Dettmar
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind), Robert Calvert and Nik Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden, London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd.
Hawkwind4.54:38
16The Devil’s Answer
Atomic Rooster3:27
17Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Virgin Songs, Inc., Hierophant Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Edgar Winter Group4.54:46
18Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:50
19This Flight Tonight
producer:
Roger Glover
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
lyricist and composer:
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG) and Joni Mitchell Publishing Corp.
Nazareth33:21
20Mean Girl
engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
drums (drum set):
John Coghlan
electric bass guitar:
Alan Lancaster
electric guitar:
Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
background vocals:
Rick Parfitt (UK guitarist for Status Quo)
lead vocals:
Francis Rossi
arranger:
Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1971) and PRT (UK label) (in 1971)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom
recording of:
Mean Girl
writer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
Valley Music Ltd (publisher)
Status Quo3:58
21Let’s Work Together
engineer:
Joe Bellamy, Paul du Gré and Willie Rice
producer:
Fito de la Parra and Skip Taylor
bass guitar:
Larry Taylor (US bassist) (from 2001-03 until 2002-12)
drums (drum set), percussion and timbales:
Fito de la Parra (from 2001-03 until 2002-12)
guitar:
Harvey Mandel (American guitarist) (from 2001-03 until 2002-12)
instruments:
Stanley Behrens (from 2001-03 until 2002-12)
slide guitar:
John Paulus (from 2001-03 until 2002-12)
vocals:
Dallas Hodge (from 2001-03 until 2002-12)
cover recording of:
Let’s Work Together (from 2001-03 until 2002-12)
lyricist:
Wilbert Harrison
publisher:
EMI Longitude Music, EMI Music Publishing Ltd. (PRS-affiliated), Mozella Music Inc., SBK United Partnership Ltd. and United Artists Musik GmbH
Canned Heat3.52:47
▼CD 2
#TitleArtistRatingLength
1Instant Karma
engineer:
Phil McDonald (engineer and producer)
producer:
Phil Spector
acoustic guitar:
George Harrison (The Beatles)
bass and electric piano:
Klaus Voormann
chimes and handclaps:
Mal Evans
drums (drum set):
Alan White (Yes drummer)
organ:
Billy Preston
piano:
George Harrison (The Beatles), John Lennon (The Beatles) and Alan White (Yes drummer)
background vocals:
Mal Evans, Allen Klein and Yoko Ono (Japanese-American musician and artist)
lead vocals:
John Lennon (The Beatles)
publisher:
Chappell Music (UK) (in 1970)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-01-27)
music videos:
Instant Karma ("cue card" version) by John Lennon and Instant Karma ("knitting" version) by John Lennon
recording of:
Instant Karma! (We All Shine On)
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music
John Lennon & The Plastic Ono Band4.653:20
2Drive‐In Saturday
engineer:
Mike Moran (American engineer, associated with RCA) and Ken Scott (UK record producer & engineer)
producer:
David Bowie and Ken Scott (UK record producer & engineer)
mixer:
Mick Ronson (British guitarist) and Ken Scott (UK record producer & engineer)
arranger:
David Bowie and Mick Ronson (British guitarist)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
recording of:
Drive‐In Saturday
lyricist and composer:
David Bowie
David Bowie4.354:31
3Lola
recording of:
Lola
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin (in 1970, in 1984) and Davray (publisher) (in 1970, in 1984)
The Kinks4:08
4Solsbury Hill
additional recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna and Robert Stasiak
recording engineer:
Brian Christian
programming:
Larry Fast
producer:
Bob Ezrin
acoustic guitar and pedal steel guitar:
Steve Hunter (rock guitarist)
banjo and classical guitar:
Robert Fripp
bass and tuba:
Tony Levin (US rock bassist/chapman stick)
bones and percussion:
Jimmy Maelen (Percussion)
drums (drum set):
Allan Schwartzberg
electric guitar and guitar:
Robert Fripp and Steve Hunter (rock guitarist)
flute and recorder:
Peter Gabriel (formerly of Genesis)
keyboard:
Jozef Chirowski and Peter Gabriel (formerly of Genesis)
synthesizer:
Larry Fast
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1977)
additionally recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom and Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recorded at and mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Canada
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 472)
recording of:
Solsbury Hill
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Pentagon Lipservices Real World and Real World Music, Ltd.
Peter Gabriel4.54:23
5Money
recording of:
Money
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM (music publisher), Pathe-Marconi (not for release label use! consider "Pathé" instead), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Hampshire House Publishing Corp. (in 1973)
Pink Floyd4:41
6The Wall Street Shuffle
producer:
10cc
acoustic guitar, bass guitar, electric guitar and percussion and bass guitar, guitar and percussion:
Graham Gouldman (in 1974)
drums (drum set) and percussion:
Kevin Godley (in 1974)
electric guitar and guitar and guitar, keyboard and percussion:
Lol Creme (in 1974)
electric piano, grand piano, guitar, mellotron and organ, guitar and keyboard and lead vocals:
Eric Stewart (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) and Eric Stewart (in 1974)
phonographic copyright (℗) by:
Jonathan King Enterprises (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
recording of:
The Wall Street Shuffle (in 1974)
writer:
Graham Gouldman and Eric Stewart
10cc3.83:58
7Couldn’t Get It Right
assistant engineer:
Colin Fairley
engineer:
Pete Henderson (engineer)
producer:
Mike Vernon
recording of:
Couldn’t Get It Right
writer:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt and Richard Jones (Climax Blues Band)
publisher:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc., EMI Music Publishing Germany GmbH (2008-today) and Neue Welt Musikverlag
Climax Blues Band3.253:10
8Jet
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistant engineer:
Monday (engineer) (in 1973-10) and Pete Swettenham (in 1973-10)
producer:
Paul McCartney (The Beatles) (in 1973-10)
mixer:
Geoff Emerick (British recording engineer) (from 1973-10 until 1973-11)
bass guitar, drums (drum set), Moog and piano and lead vocals:
Paul McCartney (The Beatles) (in 1973-10)
electric guitar:
Denny Laine (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
keyboard and Moog:
Linda McCartney (in 1973-10)
piano:
Denny Laine (in 1973-10)
saxophone:
Howie Casey (in 1973-10)
strings:
Beaux Arts Orchestra (in 1973-10)
background vocals:
Denny Laine (in 1973-10), Linda McCartney (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
orchestrator:
Tony Visconti
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney-related, NYC-based company)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-10)
mixed at:
Kingsway Studios in Camden, London (Greater London), England, United Kingdom (from 1973-10 until 1973-11)
recording of:
Jet (in 1973-10)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
ATV Music Corp. and McCartney Music, Inc.
Paul McCartney & Wings3.654:07
9Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:55
10Meet Me on the Corner
producer:
Bob Johnston (American record producer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 2004)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Meet Me on the Corner
lyricist and composer:
Rod Clements
publisher:
Hazy Music
Lindisfarne2:40
11Whiskey in the Jar
producer:
Phil Lynott and Nick Tauber
acoustic guitar and bass guitar:
Phil Lynott
guitar:
Eric Bell (Thin Lizzy cofounder)
vocals:
Phil Lynott
arranger:
Eric Bell (Thin Lizzy cofounder), Brian Downey (Thin Lizzy drummer) and Phil Lynott
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972)
part of:
AUX: 10 Cover Songs Better Than The Orignials
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
writer:
[traditional] (special purpose artist)
arranger:
Thin Lizzy
publisher:
Pippin The Friendly Ranger Music Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
version of:
Whiskey in the Jar (traditional)
Thin Lizzy4.355:42
12In My Own Time
Family3:33
13He’s Gonna Step on You Again
recording of:
He’s Gonna Step on You Again
writer:
Christos Demitriou and John Kongos
John Kongos4:16
14Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (on 1972-09-08)
piano:
Richard Tandy (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
Electric Light Orchestra54:33
15Street Life
engineer:
John Punter
producer:
Chris Thomas (UK record producer / remixer)
electric bass guitar:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) and Virgin Records Ltd. (not for release label use!) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Street Life (in 1973-09)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music43:25
16Sylvia
recording engineer:
George Chkiantz (in 1972-07)
producer:
Mike Vernon
bass guitar:
Bert Ruiter (in 1972-07)
drums (drum set):
Pierre van der Linden (in 1972-07)
guitar:
Jan Akkerman (in 1972-07)
keyboard:
Thijs van Leer (in 1972-07)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Sylvia (in 1972-07)
composer:
Thijs van Leer
publisher:
Radio Tele Music (publisher; do NOT use as release label)
Focus43:33
17I Know What I Like (In Your Wardrobe)
assistant engineer:
Rhett Davies
producer:
John Burns (engineer/producer for Genesis) and Genesis (English rock band)
bass:
Mike Rutherford (in 1973-08)
drums (drum set):
Phil Collins (of Genesis) (in 1973-08)
electric guitar:
Steve Hackett (in 1973-08)
flute and lead vocals:
Peter Gabriel (formerly of Genesis) (in 1973-08)
keyboard:
Tony Banks (Genesis) (in 1973-08)
vocals:
Phil Collins (of Genesis) (in 1973-08)
publisher:
Carlin Music Corporation and Notebest Ltd
phonographic copyright (℗) by:
Charisma Records Ltd. (in 1973)
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (in 1973-08)
recording of:
I Know What I Like (In Your Wardrobe) (in 1973-08)
lyricist:
Peter Gabriel (formerly of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Steve Hackett and Mike Rutherford
publisher:
Hit & Run Music Publishing Inc (ASCAP), Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Yellow Dog Music Inc, Carlin Music Corporation (from 1973 to present) and Notebest Ltd (from 1973 to present)
Genesis4.24:08
18The Witch’s Promise
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (in 1970)
bass guitar:
Glenn Cornick (in 1970)
drums (drum set):
Clive Bunker (in 1970)
electric guitar:
Martin Barre (in 1970)
keyboard:
John Evan (in 1970)
vocals:
Ian Anderson (of Jethro Tull) (in 1970)
remixer:
Robin Black (engineer)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom (in 1970)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
recording of:
The Witch’s Promise (on 1969-12-19)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull3.53:51
19Tonight
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.)
bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.) (on 1971-04-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1971-04-07)
guitar and lead vocals:
Jeff Lynne (on 1971-04-07) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.) (on 1971-04-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971, in 2005)
recording of:
Tonight (on 1971-04-07)
writer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.)
The Move53:19
20Sail on Sailor
The Beach Boys3:19
▼CD 3
#TitleArtistRatingLength
1Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late '70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:13
2Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Because the Night
publisher:
Bruce Springsteen
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music
Patti Smith Group4.83:21
3The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
Iggy Pop4.64:41
4(I Don’t Want to Go to) Chelsea
recording of:
(I Don’t Want to Go to) Chelsea
lyricist and composer:
Declan Patrick MacManus
Elvis Costello & The Attractions3:08
5Sex & Drugs & Rock ’n’ Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (in 1976)
lead vocals:
Ian Dury (in 1976)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel
Ian Dury3.753:11
6Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille3:38
7Once Bitten, Twice Shy
recording of:
Once Bitten Twice Shy
lyricist and composer:
Ian Hunter (Mott the Hoople)
Ian Hunter3:52
8Motor Bikin’
engineer:
Douglas Hopkins (engineer)
producer:
Mickie Most (English record producer)
recording of:
Motor Bikin’
lyricist and composer:
Chris Spedding
Chris Spedding4.52:36
9Milk & Alcohol
recording of:
Milk and Alcohol
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
Dr. Feelgood4.652:48
10My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.154:01
11Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.22:22
12Ever Fallen in Love (With Someone You Shouldn’t’ve)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.82:41
13Teenage Kicks
engineer:
Roger Bechirian
producer:
Roger Bechirian and The Undertones (Northern Irish punk rock band)
recorded at:
Wizard Studios in Belfast, Belfast, County Antrim, County Down, Northern Ireland, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 59)
recording of:
Teenage Kicks
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.62:26
14Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.24:06
15I Want More
recording of:
I Want More
writer:
Can (German rock band)
CAN3:33
16Airport
part of:
TV Cream: Real 100 Best Singles Ever (number: 19)
recording of:
Airport
writer:
Andy McMaster
publisher:
Island Music Ltd. (from 1978 to present)
The Motors34:33
17Davy’s on the Road Again
recording of:
Davey’s on the Road Again
lyricist and composer:
Robbie Robertson and John Simon (US producer, arranger, composer, songwriter and musician)
publisher:
Canaan Music Inc and Limitless Songs Ltd.
Manfred Mann’s Earth Band53:37
18Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, California, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.86:36
19The Man With the Child in His Eyes
engineer:
Jon Kelly (engineer at Air London Studios)
executive producer:
David Gilmour (Pink Floyd)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
piano, background vocals and lead vocals:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
premiered at:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Castle (publisher), Ed. Itaipu, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS-affiliated) (from 1978 to present)
Kate Bush3.42:40