| # | Title | Artist | Rating | Length |
|---|
| 1 | Sunshine of Your Love- recording engineer:
- Tom Dowd (from 1967-04 until 1967-05)
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-04 until 1967-05)
- drums (drum set):
- Ginger Baker (from 1967-04 until 1967-05)
- guitar:
- Eric Clapton (from 1967-04 until 1967-05)
- vocals:
- Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1967), Universal International Music B.V. (in 1967) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 65)
- recording of:
- Sunshine of Your Love (from 1967-04 until 1967-05)
- writer:
- Pete Brown , Jack Bruce and Eric Clapton
- publisher:
- Casserole Music Corp., Dratleaf Music Ltd., E.C. Music , Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. and Warner Chappell Music, Inc.
| Cream | 4.3 | 4:12 |
| 2 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:43 |
| 3 | Tighten Up | Archie Bell & the Drells | | 3:12 |
| 4 | People Got to Be Free | The Rascals | 3 | 3:00 |
| 5 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4 | 17:05 |
| 6 | Fire | The Crazy World of Arthur Brown | 4 | 2:55 |
| 7 | Son‐Of‐A Preacher Man | Dusty Springfield | 4.45 | 2:26 |
| 8 | Good Times Bad Times- engineer:
- Glyn Johns
- producer:
- Jimmy Page
- drums (drum set):
- John Bonham (in 1968-10)
- electric bass guitar:
- John Paul Jones (in 1968-10)
- guitar:
- Jimmy Page (in 1968-10)
- vocals:
- Robert Plant (in 1968-10)
- recorded at and mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (in 1968-10)
- recording of:
- Good Times Bad Times (from 1968-09 until 1968-10)
- writer:
- John Bonham, John Paul Jones , Jimmy Page and Robert Plant
- publisher:
- Flames of Albion Music, Inc., Superhype Music, Inc., Superhype Publishing, Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Led Zeppelin | 4.1 | 2:47 |
| 9 | Can’t Find My Way Home | Blind Faith | 4.2 | 3:18 |
| 10 | Something in the Air | Thunderclap Newman | 4 | 3:54 |
| 11 | Suite: Judy Blue Eyes- recording engineer:
- Bill Halverson
- producer:
- David Crosby, Graham Nash and Stephen Stills
- mixer:
- David Crosby, Bill Halverson, Graham Nash and Stephen Stills
- bass guitar, guitar and percussion:
- Stephen Stills (in 1969)
- vocals:
- David Crosby (in 1969), Graham Nash (in 1969) and Stephen Stills (in 1969)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1969)
- recorded at:
- Wally Heider Studios, Studio 3 in Hollywood, Los Angeles, California, United States (in 1969)
- mixed at:
- Wally Heider Studios, Studio 3 in Hollywood, Los Angeles, California, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 222) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 418)
- recording of:
- Suite: Judy Blue Eyes (in 1969)
- lyricist and composer:
- Stephen Stills
- publisher:
- Gold Hill Music
| Crosby, Stills & Nash | 4.75 | 7:25 |
| 12 | Whipping Post | The Allman Brothers Band | 4.5 | 5:18 |
| 13 | Compared to What | Les McCann & Eddie Harris | | 8:38 |
| 14 | Take a Letter Maria | R.B. Greaves | 4 | 2:45 |
| 15 | Rainy Night in Georgia | Brook Benton | 4 | 3:53 |
| 16 | Patches | Clarence Carter | | 3:12 |
