| # | Title | Artist | Rating | Length |
|---|
| 1 | Hold On | En Vogue | 4 | 5:05 |
| 2 | Walking in Memphis | Marc Cohn | 3.85 | 4:17 |
| 3 | To Be With You | Mr. Big | 4.5 | 3:28 |
| 4 | Silent All These Years | Tori Amos | 3.8 | 4:11 |
| 5 | Plush | Stone Temple Pilots | 4.35 | 5:13 |
| 6 | I Swear | All‐4‐One | 4 | 4:19 |
| 7 | Shine | Collective Soul | 4.65 | 5:07 |
| 8 | Hold My Hand- assistant engineer:
- Wade Norton
- engineer, producer and mixer:
- Don Gehman
- assistant mixer:
- Liz Sroka
- acoustic guitar and percussion:
- Mark Bryan and Darius Rucker
- bass guitar and clavinet:
- Dean Felber
- drums (drum set) [drums]:
- Jim "Soni" Sonefeld
- electric guitar:
- Mark Bryan
- background vocals:
- David Crosby
- vocals:
- Mark Bryan, Dean Felber and Jim "Soni" Sonefeld
- recorded at:
- N.R.G. Recording Services in North Hollywood, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- Hold My Hand
- writer:
- Mark Bryan, Dean Felber, Darius Rucker and Jim Sonefeld
| Hootie & the Blowfish | 4.5 | 4:16 |
| 9 | Missing (Todd Terry mix) | Everything but the Girl | 3.55 | 3:55 |
| 10 | Christmas Eve (Sarajevo 12/24)- recording engineer and mixer:
- Dave Whittman
- additional engineer:
- Dominick Barbera , Robert Kinkel, John Seymour and Steve Sola
- assistant engineer:
- Ben Arrindell , James Carabello and Matt Thrasher
- co-producer:
- Robert Kinkel
- producer:
- Paul O’Neill
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1996) and WEA International Inc. (in 1996)
- recorded at:
- Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
- mixed at:
- Sound Tracks in New York, New York, United States
- recording of:
- Christmas Eve/Sarajevo 12/24
- composer:
- Robert Kinkel and Paul O’Neill
- publisher:
- Paul O’Neill Publishing, Robert Steller Publishing and Warner–Tamerlane Publishing Corp.
| Trans‐Siberian Orchestra | | 3:25 |
| 11 | You Were Meant for Me | Jewel | | 3:50 |
| 12 | Push | Matchbox Twenty | 3.35 | 3:58 |
| 13 | Fly- programming, engineer, producer and mixer:
- David Kahne
- assistant engineer:
- John Ewing, Jr. , James Murray , Mark Nixdorf , Mike Rew and Doug Trantow
- additional vocals:
- Super Cat
- recorded at:
- NRG Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Pacifique in North Hollywood, Los Angeles, California, United States, Quad Studios in New York, New York, United States and Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- Fly
- writer:
- Sugar Ray and William Anthony Maragh
| Sugar Ray | 3.5 | 4:05 |
| 14 | Not Tonight (remix) | Lil’ Kim | | 4:25 |
| 15 | The Boy Is Mine- producer:
- Dallas Austin, Brandy and Rodney Jerkins
- performer:
- Brandy and Monica
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1998) and WEA International, Inc. (in 1998)
- produced for:
- Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
- recording of:
- The Boy Is Mine
- writer:
- Brandy Norwood , LaShawn Daniels , Fred Jerkins, Rodney Jerkins and Japhe Tejeda
- publisher:
- Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc. , Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
| Brandy & Monica | 4.25 | 4:56 |
| 16 | Are You That Somebody? | Aaliyah | 3.5 | 4:28 |
| 17 | Cowboy | Kid Rock | 4 | 4:18 |
| 18 | Follow Me | Uncle Kracker | 3.65 | 3:35 |
