Testament van de Sixties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1: ’60–’63
#TitleArtistRatingLength
1Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
Cliff Richard2:38
2Lonely Boy
recording of:
Lonely Boy
lyricist and composer:
Paul Anka
publisher:
Spanka Music (ended) and Epa Publishing
Paul Anka2:34
3Marina
recording of:
Marina (original italian lyrics) (in 1959)
lyricist and composer:
Rocco Granata (Italian-born singer, songwriter, accordionist) (in 1959)
Rocco Granata2:44
4Till I Kissed You
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 28)
recording of:
(’Til) I Kissed You (on 1959-07-07)
lyricist and composer:
Don Everly
The Everly Brothers2:22
5Oh! Carol
recording of:
Oh! Carol
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
translated version of:
Karel (Oh Carol)
Neil Sedaka2:18
6Red River Rock
recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
Johnny and the Hurricanes2:12
7Kom van dat dak af
recording of:
Kom van dat dak af
lyricist and composer:
Peter Koelewijn
Peter Koelewijn & Zijn Rockets2:37
8Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
vocals:
Brian Hyland
recording of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
publisher:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) and Music Sales Corporation (American copyright holder in both popular and classical music)
Brian Hyland42:22
9Ramona
recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
The Blue Diamonds2:34
10It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.73:16
11Apache
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:53
12Wooden Heart
bass:
Ray Siegel (on 1960-04-28)
drums (drum set):
D.J. Fontana (on 1960-04-28)
guitar:
Neal Matthews (on 1960-04-28), Scotty Moore (American guitarist and recording engineer) (on 1960-04-28) and Tiny Timbrell (on 1960-04-28)
piano:
Dudley Brooks (on 1960-04-28)
tambourine:
Jimmie Haskell (on 1960-04-28)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-28)
vocals:
The Jordanaires (on 1960-04-28)
additional performer:
The Jordanaires (on 1960-04-28)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (on 1960-04-28)
writer:
Bert Kaempfert (German orchestra leader, producer and songwriter), Kay Twomey, Ben Weisman and Fred Wise
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
recording of:
Wooden Heart
writer:
Bert Kaempfert (German orchestra leader, producer and songwriter), Kay Twomey, Ben Weisman and Fred Wise
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Elvis Presley22:03
13Non, je ne regrette rien
vocals:
Édith Piaf (on 1960-11-10)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1960-11-10)
recording of:
Non, je ne regrette rien (on 1960-11-10)
lyricist:
Michel Vaucaire
composer:
Charles Dumont
Édith Piaf52:22
14Blue Moon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
music quoted on:
Opening Production (from Jane Froman's album, "With a Song in My Heart")
part of:
New York, New York (soundtrack of the 1977 film)
The Marcels32:19
15Runaway
solo clavioline [musitron]:
Max Crook
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.52:19
16Hello Mary Lou (Goodbye Heart)
recording of:
Hello Mary Lou
writer:
Cayet Mangiaracina and Gene Pitney
publisher:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc., Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2:18
17Mexico
recording of:
Mexico
composer:
Boudleaux Bryant
Bob Moore2:38
18Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:29
19Take Good Care of My Baby
vocals:
Bobby Vee
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1961)
recording of:
Take Good Care of My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Bobby Vee2:29
20Tanze mit mir in den Morgen
recording of:
Tanze mit mir in den Morgen
lyricist:
Kurt Hertha
composer:
Karl Götz
Gerhard Wendland2:54
21The Young Ones
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
live recording of:
The Young Ones (from 1989-06-16 until 1989-06-17)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
EMI Film & Theatre Music Ltd. and Warner Bros., Inc. (Warner Bros. Music Division)
recording of:
The Young Ones
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
EMI Film & Theatre Music Ltd. and Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard2.653:11
22The Wanderer
cover recording of:
The Wanderer
lyricist and composer:
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. and Warner/Chappell North America
recording of:
The Wanderer
lyricist and composer:
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. and Warner/Chappell North America
Dion4.52:47
23Zwei kleine Italiener
arranger:
Christian Bruhn (German composer)
part of:
Germany in the Eurovision Song Contest (number: 1962)
recording of:
Zwei kleine Italiener (in 1962)
lyricist:
Georg Buschor
composer:
Christian Bruhn (German composer)
Conny Froboess32:44
24Norman
recording of:
Norman
composer:
John D. Loudermilk
Sue Thompson2:19
25Brandend zand
recording of:
Brandend zand
lyricist:
Kurt Feltz
writer:
Werner Scharfenberger
translator:
Johnny Hoes
translated version of:
Heißer Sand
Anneke Grönloh2:54
26Roses Are Red
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
27Speedy Gonzales
recording of:
Speedy Gonzales
writer:
David Hill (US songwriter), Buddy Kaye and Ethel Lee (songwriter)
publisher:
Budd Music Ltd. (publisher) (from 1977 to present)
Pat Boone52:33
28Telstar
producer:
Joe Meek
recording of:
Telstar (in 1962)
composer:
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.53:16
29The Loco‐Motion
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music Ltd., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Little Eva2:27
30Africa
Jumping Jewels2:16
▼CD 2: ’63–’65
#TitleArtistRatingLength
1Ritme van de regen
recording of:
Ritme van de regen
lyricist and composer:
John Gummoe
translator:
Lodewijk Post
translated version of:
Rhythm of the Rain
Rob de Nijs2:30
2Ik heb eerbied voor jouw grijze haren
recording of:
Ik heb eerbied voor jouw grijze haren
lyricist and composer:
Bobbejaan Schoepen (Belgian singing cowboy)
Gert Timmerman2:52
3Sukiyaki
phonographic copyright (℗) by:
EMI Music Japan (bootlegs of EMI Music Japan releases.) (in 1963)
recording of:
上を向いて歩こう (in 1961)
lyricist:
永六輔
composer:
中村八大
publisher:
イーエムアイ音楽出版 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI内国事業部 (publisher for domestic Japanese works) (from 2021-07-01 to present)
part of:
日本の歌百選 (number: 12)
Kyu Sakamoto33:03
4Spiegelbeeld
recording of:
Spiegelbeeld
writer:
Darrell Edwards
translator:
Lodewijk Post
translated version of:
Tender Years
Willeke Alberti2:29
5Pour moi la vie va commencer
vocals:
Johnny Hallyday
recording of:
Pour moi la vie va commencer (in 1963)
lyricist and composer:
Jean-Jacques Debout
Johnny Hallyday2:13
6Vous permettez monsieur
vocals:
Adamo (Belgian singer, full name Salvatore Adamo)
recording of:
Vous permettez, monsieur ? (in 1964)
lyricist and composer:
Adamo (Belgian singer, full name Salvatore Adamo)
Adamo3:01
7Twenty Four Hours From Tulsa
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 36)
recording of:
Twenty Four Hours From Tulsa
lyricist:
Hal David
composer:
Burt Bacharach
Gene Pitney32:59
8My Boy Lollipop
cover recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small2:02
9House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.054:30
10A World Without Love
recording of:
A World Without Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd.
Peter & Gordon32:41
11Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
Trio Music Company and Universal‐Songs of PolyGram International, Inc.
Manfred Mann42:24
12My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:51
13Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.33:00
14Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:37
15I’m Gonna Be Strong
recording of:
I’m Gonna Be Strong
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Gene Pitney2:14
16You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing Germany (GmbH & Co. KG), Mother Bertha Music Inc., Screen Gems-Columbia Music Ltd., Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Righteous Brothers43:40
17Hello Josephine
The Scorpions2:23
18The Birds and the Bees
phonographic copyright (℗) by:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
lyricist and composer:
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) and Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens32:06
19Poupée de cire, poupée de son
vocals:
France Gall (in 1965)
orchestra:
Alain Goraguer et son orchestre (in 1965)
part of:
Luxembourg in the Eurovision Song Contest (number: 1965) and Winners of the Eurovision Song Contest (number: 1965)
recording of:
Poupée de cire, poupée de son (in 1965)
lyricist and composer:
Serge Gainsbourg
publisher:
Bagatelle SA, Sidonie, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
France Gall2:32
20Goodbye My Love
recording of:
Goodbye My Love (Simington/Swearingen/Mosley; The Searchers)
composer:
Robert Mosley (60's songwriter), Lamar Simington and Leroy Swearingen
The Searchers3:00
21Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
Goldfinger
Shirley Bassey4.252:51
22Concrete and Clay
engineer:
Victor Smith
producer:
John Barker (producer)
performer:
Unit 4+2
recording of:
Concrete and Clay
writer:
Tommy Moeller and Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Unit 4+23.52:12
23For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (from 1965 to present)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.652:31
24Wooly Bully
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 24)
recording of:
Wooly Bully (in 1965)
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
cover recording of:
Wooly Bully
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.652:23
25La Danse de Zorba
Trio Hellenique4:05
26Mr. Tambourine Man
producer:
Terry Melcher
12 string guitar:
Jim McGuinn
bass:
Chris Hillman
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds)
guitar:
David Crosby
vocals:
David Crosby, Chris Hillman and Jim McGuinn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (in 1965)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.252:17
27Cara Mia
recording of:
Cara mia (in 1965)
writer:
Lee Lange and Tulio Trapani
Jay & the Americans2:34
28Sophietje
recording of:
Sophietje
lyricist:
Gerrit den Braber
translated version of:
Fröken Fräken
Johnny Lion2:31
29This Strange Effect
recording of:
This Strange Effect
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
Dave Berry2:27
▼CD 3: ’65–’66
#TitleArtistRatingLength
1Tossing and Turning
recording of:
Tossing and Turning
composer:
John Carter (songwriter & producer, b. 1942), Perry Ford and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
The Ivy League2:27
2You’ve Got Your Troubles
recording of:
You’ve Got Your Troubles
writer:
Roger Cook (singer, songwriter, producer) and Roger Greenaway
publisher:
Concord Sounds and Greenaway Operations and Activities Limited
The Fortunes3:23
3Universal Soldier
cover recording of:
The Universal Soldier
lyricist and composer:
Buffy Sainte‐Marie
Donovan2:13
4Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
The Righteous Brothers33:37
5Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:35
6Capri c’est fini
recording of:
Capri c’est fini
lyricist and composer:
Hervé Vilard
Hervé Vilard3:21
7Hang On Sloopy
recording of:
Hang On Sloopy
writer:
Bert Russell Berns and Wes Farrell
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Morris Music Inc and Robert Mellin Music, Inc.
The McCoys33:54
8A Well Respected Man
engineer:
Bob Auger (audio) and Alan McKenzie (engineer)
producer:
Shel Talmy
bass guitar and background vocals:
Pete Quaife (Kinks' bass guitarist) (from 1965-07 until 1965-08)
drums (drum set):
Mick Avory
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (from 1965-07 until 1965-08) and Ray Davies (UK singer/songwriter, member of The Kinks) (from 1965-07 until 1965-08)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1965-07 until 1965-08)
recording of:
A Well Respected Man (from 1965-07 until 1965-08)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks4.652:42
9Wasted Words
recording of:
Wasted Words
lyricist and composer:
Robbie van Leeuwen
The Motions2:10
10Yesterday Man
producer:
Peter Columbus
recording of:
Yesterday Man
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:34
11My Generation
producer:
Shel Talmy
bass:
John Entwistle (on 1965-10-13)
drums (drum set) and percussion:
Keith Moon (drummer) (on 1965-10-13)
guitar:
Pete Townshend (of The Who) (on 1965-10-13)
piano:
Nicky Hopkins (pianist and organist) (on 1965-10-13)
lead vocals:
Roger Daltrey (on 1965-10-13)
vocals:
John Entwistle (on 1965-10-13) and Pete Townshend (of The Who) (on 1965-10-13)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1965, in 1970)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-10-13)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 11) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 232)
recording of:
My Generation (The Who) (on 1965-10-13)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and ティー・アール・オー・エセックス・ジャパン A事業部
The Who4.53:18
12The Carnival Is Over
recording of:
The Carnival Is Over
writer:
[traditional] (special purpose artist), Catherine Courage, Frank Farian and Tom Springfield
is based on:
Stenka Razin
The Seekers3:09
131‐2‐3
recording of:
1‐2‐3 (in 1965)
additional writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
writer:
Leonard Borisoff, John Madara and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Mijac Double Diamond Music, Songs of Universal, Inc., Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Welbeck Music Ltd.
Len Barry2:24
14Ik heb geen zin om op te staan
recording of:
Ik heb geen zin om op te staan
lyricist and composer:
Tineke Tinka Bouber
Het3:03
15Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:23
16That Day
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1966)
recording of:
That Day
writer:
Rinus Gerritsen and George Kooymans
Golden Earring32:28
17Such a Cad
recording of:
Such a Cad
writer:
Gary O'Shannon and Peter Shott
Les Baroques2:31
18Keep On Running
producer:
Chris Blackwell (Island Records)
vocals and performer:
Steve Winwood
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1965)
cover recording of:
Keep on Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group42:41
19A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008-today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:00
20Spanish Eyes
recording of:
Spanish Eyes
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
translated version of:
Ojos de España
Al Martino2.52:47
21Welterusten, mijnheer de president
vocals:
Boudewijn de Groot
recording of:
Welterusten, mijnheer de president
lyricist:
Lennaert Nijgh
writer:
Boudewijn de Groot
Boudewijn de Groot42:33
22Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co-founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country-specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
23The Sun Ain’t Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music and Seasons Four Music
recording of:
The Sun Ain’t Gonna Shine (Anymore)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music and Seasons Four Music
The Walker Brothers3.53:01
24The Pied Piper
recording of:
The Pied Piper
writer:
Steve Duboff and Artie Kornfeld
Crispian St. Peters2:34
25Monday, Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.153:22
26Russian Spy and I
recording of:
Russian Spy and I
lyricist and composer:
Jackie Javellin
The Hunters2:39
▶CD 4: ’66–’67
▶CD 5: ’67
▶CD 6: ’67–’68
▶CD 7: ’68
▶CD 8: ’68–’69
▶CD 9: ’69
▶CD 10: ’69

Credits

Release Group

part of:Testament van de (CD+DVD series by Universal) (order: 1)