Decca Sound: The Analogue Years

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: Saint-Saëns: Tone Poems; Piano Concerto No.1
▶CD 2: Bruckner: Symphony No.6
▶CD 3: Shostakovich: Symphony No.4
▶CD 4: Debussy: Piano Works
▶CD 5: Sibelius: Pelléas Et Mélisande; The Tempest
▶CD 6: Prokofiev: Symphony No.2; The Love for Three Oranges; Scythian Suite
▶CD 7: Bartók: Suite No. 1; Two Pictures; Enescu: Roumanian Rhapsody
▶CD 8: Prokofiev: Symphony No. 5; Rimsky-Korsakov: Russian Easter Festival Overture; Capriccio Espagnol
▶CD 9: Debussy & Franck Violin Sonatas
▶CD 10: Tchaikovsky: Manfred Symphony; Valse-Scherzo
▶CD 11: Gershwin: An American in Paris; Copland: Appalachian Spring
▶CD 12: Wolf-Ferrari: Il Segreto di Susanna
▶CD 13: Surinach & Montsalvatge Piano Concertos
▶CD 14: Shostakovich: String Quartets Nos. 15, 8 & 9
▶CD 15: Schubert: Rosamunde
▶CD 16: Stravinsky: Le Sacre Du Printemps
▶CD 17: Schumann: Piano Concertos; Grieg: Piano Concertos
▶CD 18: Haydn: Symphonies Nos.94, 100 & 104
▶CD 19: Schumann: Szenen Aus Goethes Faust
▶CD 20: Schumann: Szenen Aus Goethes Faust; Mozart: Symphony No.40 in G Minor, K.550
▶CD 21: Walton & Stravinsky Violin Concertos
▶CD 22: Chopin: Etudes
▶CD 23: Offenbach: Le Papillon; Massenet: Le Cid
▶CD 24: Holst: The Planets; Saint-Saæns: Symphony No.3
▶CD 25: Scriabin: Piano Concerto; Prometheus; Le Poeme de L'Extase
▶CD 26: Dvorak: Tone Poems & Overtures
▶CD 27: Bloch: Schelomo; A Voice In the Wilderness; Rimsky-Korsakov: Capriccio Espagnol
▶CD 28: Mendelssohn: Sextet; Borodin: Quintet
▶CD 29: Mendelssohn: Symphonies Nos. 3 & 4
▶CD 30: Verdi: Requiem
▶CD 31: Mahler: Symphony No.2 - "Resurrection"
▶CD 32: Beethoven: Symphony No.9 - "Choral"
▶CD 33: Britten: Cello Symphony; Haydn: Cello Concerto
▶CD 34: Kodaly: Hary Janos; Dances of Galanta; The Peacock Variations
▶CD 35: Sibelius: Symphonies Nos.1 & 4; Karelia Suite
▶CD 36: Mozart: Wind Serenades
▶CD 37: Bruch: Scottish Fantasia; Hindemith Violin Concerto
▶CD 38: Brahms: Piano Concerto No.1; Mozart: Piano Concerto No.27, K.595
▶CD 39: Hérold: La Fille mal Gardée; Gounod: Ballet Music From "Faust"
▶CD 40: Martin: Etudes; Concerto for Timpani & Winds; Honegger: Symphony No.2
▶CD 41: Verdi: Otello Act 1,2
▶CD 42: Verdi: Otello Act 3,4
▶CD 43: Strauss: Thousand And One Nights
▶CD 44: Tchaikovsky: Swan Lake - Scenes
▶CD 45: Rossini: Overtures; Mendelssohn: Violin Concerto
▼CD 46: Puccini: La Bohème Act 1, 2
#TitleArtistRatingLength
1La Bohème: Act I. “Questo Mar Rosso”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
recording of:
La bohème: Atto I. “Già dell’Apocalisse appariscono i segni” (Colline, Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:34
2La Bohème: Act I. “Pensier profondo!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 2. “Pensier profondo!” (Colline, Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:23
3La Bohème: Act I. “Legna!” - “Sigari!” - “Bordò!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:01
4La Bohème: Act I. “Si può?”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Benoît]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini5:44
5La Bohème: Act I. “Io resto per terminar”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:13
6La Bohème: Act I. “Chi è là?!” - “Scusi”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:17
7La Bohème: Act I. “Si sente meglio?”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini2:39
8La Bohème: Act I. “Che gelida manina”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:51
9La Bohème: Act I. “Sì. Mi chiamano Mimì”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals:
Renato Cesari (bass-baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini6:13
10La Bohème: Act I. “O soave fanciulla”
soprano vocals:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:03
11La Bohème: Act II. “Arranci, datteri, caldi i marroni!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:55
12La Bohème: Act II. “Chi guardi?”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Parpignol]:
Piero de Palma (tenor) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini3:28
13La Bohème: Act II. “Viva Parpignol!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:27
14La Bohème: Act II. “Oh!” - “Essa!” - “Musetta!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Alcindoro]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Oh!” – “Essa!” – “Musetta!” (Rodolfo, Schaunard, Colline, Marcello, Coro, Alcindoro, Musetta, Mimi) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini3:23
15La Bohème: Act II. “Quando me n’vò”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Alcindoro]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini5:06
16La Bohème: Act II. “Chi l’ha richiesto?”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Caro!” – “Fuori il danaro!” (Rodolfo, Colline, Schaunard, Coro, Marcello, Musetta) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:28
▶CD 47: Puccini: La Bohème Act 3, 4
▶CD 48: Sibelius: Symphony No.2; Dvorak: Symphony No.7
▶CD 49: Schubert: Symphonies Nos.8 & 9
▶CD 50: Tchaikovsky: 1812; Capriccio Italien; Rachmaninov: Piano Concerto No.2
▶CD 51: Grieg: Peer Gynt; Piano Concerto
▶CD 52: Ravel: L'Enfant et les sortilèges
▶CD 53: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin
▶CD 54: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin (Orig. Mono)