Secrets

~ Veröffentlichung von Toni Braxton (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

CD 1
Nr.TitelBewertungLänge
1Come on Over Here
Assistent recording engineer:
John Frye (hip hop / R&B mix engineer)
recording engineer:
Leslie Brathwaite und NealHPogue (mix engineer)
Produzent(in):
L.A. Reid und Tony Rich
Mix:
Jon Gass
Instrumente:
Tony Rich
Hintergrundgesang:
Toni Braxton, Marc Nelson (singer-songwriter, member of Boyz Ⅱ Men), Tony Rich und Shanice Wilson
Sologesang:
Toni Braxton
arranger:
Tony Rich
aufgenommen bei:
Bosstown Studios in Atlanta, Georgia, Vereinigte Staaten und Studio LaCoCo in Atlanta, Georgia, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Come on Over Here
Texter:
Marc Nelson (singer-songwriter, member of Boyz Ⅱ Men), Tony Rich und Darrell Spencer
Komponist(in):
Tony Rich
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Otna Oundsa Music, Personal 21 Publishing, Stepping Into The Blue Publishing, Stiff Shirt Music, Inc. und Warner Chappell Music Publishing
53:37
2You're Makin Me High
Assistent recording engineer:
Paul Boutin, Bryan Reminic und Robbes Steiglitz (engineer)
recording engineer:
Russell Elevado und Brad Gilderman
drum machine [drum]-Programmierung und Keyboard-Programmierung:
Bryce Wilson
Programmierung:
Randy Walker
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und Bryce Wilson
Mix:
"Bassy" Bob Brockmann (engineer, producer, remixer)
Gitarre [guitars] und Keyboard:
Babyface (R&B musician Kenny Edmonds)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Toni Braxton, Jakkai Butler, Chante' Moore und Marc Nelson (singer-songwriter, member of Boyz Ⅱ Men)
Sologesang:
Toni Braxton
produced for:
ECAF Productions, Inc. und October 7th, Inc.
aufgenommen bei:
DARP Studios in Atlanta, Georgia, Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
You’re Makin’ Me High
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds) und Bryce Wilson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), ECAF Music, Groove 78 Music und Sony Songs, Inc.
44:28
3There's No Me Without You
Assistent recording engineer:
Kyle Bess, Paul Boutin, Brandon Harris (US engineer), Richard Huredia (US hip hop mix engineer) und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
drum machine-Programmierung:
Babyface (R&B musician Kenny Edmonds)
zusätzliche Programmierung:
Randy Walker
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Akustikgitarre, E-Gitarre und Keyboard:
Babyface (R&B musician Kenny Edmonds)
Bass:
Reggie Hamilton
Perkussion:
Luis Conte (percussionist)
vocals:
Toni Braxton
zusätzliche(r) Dirigent(in):
Jeremy Lubbock
Saiteninstrumente arranger:
Jeremy Lubbock
recording of:
There's No Me Without You
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
ECAF Music und Sony Songs, Inc.
54:19
4Un-Break My Heart
Assistent recording engineer:
Brandon Harris (US engineer)
recording engineer:
Felipe Elgueta
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer)
Synclavier-Programmierung:
Simon Franglen (English score composer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
Akustikgitarre:
Dean Parks (American session guitarist)
E-Gitarre:
Michael Thompson (session guitarist)
Hintergrundgesang:
Toni Braxton und Shanice
Sologesang:
Toni Braxton und Shanice Wilson
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for und produced for:
Chartmaker, Inc.
aufgenommen bei:
Chartmaker Studios in Malibu, California, Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Un-Break My Heart (in 1995)
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Realsongs
3.74:31
5Talking in His Sleep
recording engineer:
Keith Crouch und Eugene Lo
Produzent(in):
Keith Crouch
Mix:
Booker T. Jones III
Hammond-Orgel [B3]:
Kenneth Crouch
Instrumente:
Keith Crouch
Hintergrundgesang:
Toni Braxton und Sherree Ford-Payne
Sologesang:
Toni Braxton
arranger:
Keith Crouch
zusätzlich arranger:
Toni Braxton und Keith Crouch
recording of:
Talking in His Sleep
Texter:
Toni Braxton
Komponist(in):
Keith Crouch
45:33
6How Could an Angel Break My Heart
Assistent recording engineer:
Kyle Bess, Paul Boutin, Jin Choi, Brad Haehnel, Brandon Harris (US engineer), Bill Kinsley, Richard Huredia (US hip hop mix engineer), Jon Shriver und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
drum machine-Programmierung und Keyboard-Programmierung:
Babyface (R&B musician Kenny Edmonds)
zusätzliche Programmierung:
Randy Walker
zusätzliche(r) Techniker(in):
Al Schmitt (Saiteninstrumente)
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Nathan East
Klavier und Rhodes Piano:
Greg Phillinganes
Saxophon:
Kenny G (saxophonist)
vocals:
Toni Braxton
zusätzliche(r) Dirigent(in):
Jeremy Lubbock
Saiteninstrumente arranger:
Jeremy Lubbock
aufgenommen bei:
Oceanway Recording Studios in Hollywood, Los Angeles, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Tracken Place in Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
How Could an Angel Break My Heart
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds) und Toni Braxton
publisher:
Braxtoni Music, ECAF Music, Jay Bird Alley Music, Inc., Lady Ashlee, Inc. und Sony/ATV Songs LLC
44:20
7Find Me a Man
Assistent recording engineer:
Kyle Bess, Paul Boutin, Brandon Harris (US engineer) und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
drum machine-Programmierung und Keyboard-Programmierung:
Babyface (R&B musician Kenny Edmonds)
zusätzliche Programmierung:
Randy Walker
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Klavier:
Greg Phillinganes
Perkussion:
Luis Conte (percussionist)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Toni Braxton und Chanté Moore
Sologesang:
Toni Braxton
recording of:
Find Me a Man
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
54:30
8Let It Flow
Assistent recording engineer:
Kyle Bess, Paul Boutin, Glen Marchese, Larry Schalit und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
Programmierung:
Randy Walker
zusätzliche Programmierung und zusätzliche(r) Techniker(in):
Randy Walker
Produzent(in):
Antonio “LA” Reid und Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Gitarre:
Babyface (R&B musician Kenny Edmonds) und Reggie Griffin
Keyboard:
Babyface (R&B musician Kenny Edmonds) und Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss)
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
Hintergrundgesang:
Toni Braxton und R. Kelly
Sologesang:
Toni Braxton
vocals:
Toni Braxton
recording of:
Let It Flow
Texter und Komponist(in):
Kenneth “Babyface” Edmonds (R&B musician Kenny Edmonds)
Teil von:
Waiting to Exhale (1995 film)
44:22
9Why Should I Care
Assistent recording engineer:
Paul Boutin und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
drum machine-Programmierung und Keyboard-Programmierung:
Babyface (R&B musician Kenny Edmonds)
zusätzliche Programmierung:
Randy Walker
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und R. Kelly
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
Akustikgitarre und E-Gitarre:
Babyface (R&B musician Kenny Edmonds)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Toni Braxton, Chanté Moore und Marc Nelson (singer-songwriter, member of Boyz Ⅱ Men)
Sologesang:
Toni Braxton
recording of:
Why Should I Care
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
54:26
10I Don't Want To
Assistent recording engineer:
Frank Gonzales und John Merchant
recording engineer:
Peter Mokran
assistierende(r) Mix:
Ron Lowe
Mix:
R. Kelly und Peter Mokran
Instrumente:
R. Kelly
Hintergrundgesang:
Toni Braxton und R. Kelly
Sologesang:
Toni Braxton
arranger:
R. Kelly
recording of:
I Don't Want To
Texter und Komponist(in):
R. Kelly
54:17
11I Love Me Some Him
recording engineer:
Manny Marroquin
Produzent(in):
Soulshock & Karlin
Mix:
Jon Gass
Hintergrundgesang:
Toni Braxton und Andrea Martin (singer/songwriter for various dance/soul artists)
Sologesang:
Toni Braxton
arranger:
Soulshock & Karlin
recording of:
I Love Me Some Him
Texter:
Andrea Martin (singer/songwriter for various dance/soul artists), Soulshock & Karlin und Gloria Stewart
Komponist(in):
Soulshock & Karlin
45:08
12In the Late of Night
Assistent recording engineer:
Kyle Bess, Paul Boutin, Brandon Harris (US engineer), Richard Huredia (US hip hop mix engineer) und Robbes Steiglitz (engineer)
recording engineer:
Brad Gilderman
drum machine-Programmierung und Keyboard-Programmierung:
Babyface (R&B musician Kenny Edmonds)
zusätzliche Programmierung:
Randy Walker
zusätzliche(r) Techniker(in):
David Reitzas
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Bass:
Nathan East
Gitarre:
Michael Thompson (session guitarist)
Klavier:
Greg Phillinganes
Perkussion:
Luis Conte (percussionist)
Saxophon:
Kenny G (saxophonist)
vocals:
Toni Braxton
zusätzliche(r) Dirigent(in):
Jeremy Lubbock
Saiteninstrumente arranger:
Jeremy Lubbock
recording of:
In the Late of Night
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds) und Jonathan Buck
5:13
13Toni's Secrets
0:17
14You're Makin Me High (radio edit)
recording of:
You’re Makin’ Me High
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds) und Bryce Wilson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), ECAF Music, Groove 78 Music und Sony Songs, Inc.
4:15
15Un-Break My Heart (classic radio mix)
Assistent recording engineer:
Brandon Harris (US engineer)
recording engineer:
Felipe Elgueta und John Poppo
sonstige Unterstützung:
David Morales (Aufgabe: drums and percussion consultant)
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer)
Synclavier-Programmierung:
Simon Franglen (English score composer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Frankie Knuckles
zusätzliche(r) Produzent(in):
Frankie Knuckles und Satoshi Tomiie (富家哲)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski und Frankie Knuckles
Keyboard und Keyboard [keyboards]:
Terry Burrus
membranophone und Perkussion:
David Morales
Sologesang:
Toni Braxton und Shanice Wilson
Remix:
Frankie Knuckles und Satoshi Tomiie (富家哲)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for:
Chartmaker, Inc.
produced for:
Chartmaker, Inc. und Def Mix Productions
aufgenommen bei:
Chartmaker Studios in Malibu, California, Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Un-Break My Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Realsongs
4:28
16I Don't Want To (radio edit)
recording of:
I Don't Want To
Texter und Komponist(in):
R. Kelly
3:56