Tracklist

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CD 1
#TitleArtistRatingLength
1We Are the Champions
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
assistant producer and co-producer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar and guitar:
Brian May (Queen guitarist)
piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
recording of:
We Are the Champions
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS-affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.053:02
2Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles)
guitar, keyboard and synthesizer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
percussion:
Barry Black
lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.255:53
3A Song of Joy
Miguel Ríos4:23
4Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (Engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States and Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG (2008–present)) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Scorpions3.75:13
5One Moment in TimeWhitney Houston4.54:46
6Time to Say Goodbye
producer:
Frank Peterson
soprano vocals:
Sarah Brightman (in 1996-10)
tenor vocals:
Andrea Bocelli (tenor) (in 1996-10)
conductor:
Michael Reed (UK conductor/arranger for musicals) (in 1996-10)
phonographic copyright (℗) by:
EastWest Records GmbH (not for release label use!) (in 1996)
recorded at:
Nemo Studio (Hamburg) in Hamburg, Germany (in 1996-10)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 10)
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (in 1996-10)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Sarah Brightman & Andrea Bocelli4.54:05
7Liberatio
recording of:
Liberatio
lyricist and composer:
Chris Siemons
Krypteria4:01
8Adiemus
additional engineer:
Gary Thomas (engineer)
assistant engineer and assistant mixer:
Kirsten Cowie
engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
soprano vocals:
Miriam Stockley (in 1995)
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
percussion arranger:
Mike Ratledge
orchestrator:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographic copyright (℗) by:
Jenkins Ratledge Ltd. (in 1995)
recorded at and mixed at:
Angel Recording Studios in Islington, London (Greater London), England, United Kingdom
recording of:
Adiemus
orchestrator and composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
writer:
Mike Ratledge
publisher:
FB Media in GSA
part of:
Adiemus I: Songs of Sanctuary
Adiemus2.53:59
9Ameno
Era3:55
10Mea Culpa
recording of:
Mea Culpa
lyricist:
Curly M.C.
composer:
David Fairstein
Enigma4:32
11FreiheitAdoro3:25
12Nothing Else Matters
arranger:
Eicca Toppinen
instrumental cover recording of:
Nothing Else Matters
writer:
James Hetfield and Lars Ulrich
publisher:
Creeping Death Music
recording of:
Nothing Else Matters
writer:
James Hetfield and Lars Ulrich
publisher:
Creeping Death Music
Apocalyptica3.754:45
13Time for Dreams
Lang Lang & Schiller3:13
14Oxygene
recording of:
Oxygène
composer:
Jean‐Michel Jarre
Jean Michel Jarre3:10
15Tubular Bells
recording engineer:
Tom Newman (producer, guitarist)
engineer:
Simon Heyworth
guest oboe:
Lindsay Cooper (English female bassoon, oboe, piano, flute player, political activist)
remixer:
Mike Oldfield
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2009)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1973)
recording of:
Mike Oldfield's Single (Theme from Mike Oldfield's album 'Tubular Bells')
composer:
Mike Oldfield
version of:
Tubular Bells, Part Two
Mike Oldfield43:55
16Nessun Dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Luciano Pavarotti52:59
17Ode an Die Freude
Münchener Brahms-Chor3:35
18American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
membranophone and percussion:
Roy Markowitz (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:07
19Fields of God
recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS-affiliated) and Steerpike Ltd.
Sting3:52
20Thank You for the Music
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar [lead guitar] and mandolin:
Lasse Wellander (on 1977-07-21)
acoustic guitar and mandolin:
Björn Ulvaeus (on 1977-07-21)
bass guitar:
Rutger Gunnarsson (on 1977-07-21)
drums (drum set) and tambourine:
Roger Palm (on 1977-07-21)
keyboard:
Benny Andersson (ABBA) (on 1977-07-21)
lead vocals:
Agnetha Fältskog (in 1977)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977)
recorded at:
Glen Studio in Stockholms län, Sweden (on 1977-07-21)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1977-11-07)
recording of:
Thank You for the Music (on 1977-07-21)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
ABBA3.53:49
CD 2
#TitleArtistRatingLength
1The Best
producer:
Dan Hartman and Tina Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 4) and Cachitos Nochevieja 2022 (number: 154)
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.655:30
2The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Seven Doors Music
Europe45:08
3Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
music quoted on:
Mope
Frankie Goes to Hollywood3.953:55
4Live Is Life
bass guitar:
Niki Gruber (on 1984-09-02)
drums (drum set):
Günter Grasmuck (on 1984-09-02)
guitar:
Ewald Pfleger (on 1984-09-02)
keyboard:
Kurt René Plisnier (on 1984-09-02)
lead vocals:
Herwig Rüdisser (on 1984-09-02)
recorded at:
Informstadion in Oberwart, Burgenland, Austria (on 1984-09-02)
live recording of:
Live Is Life (song by Opus) (on 1984-09-02)
lyricist:
Ewald Pfleger
composer:
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier and Herwig Rüdisser
publisher:
Opus Music (Publisher for Opus)
Opus3.654:13
5God Gave Rock and Roll to You
engineer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette), Stan Katayama and Chris Steinmetz
producer:
Bob Ezrin
mixer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
drums (drum set):
Eric Singer (rock/metal drummer)
electric bass guitar:
Gene Simmons (KISS bassist and vocalist)
electric guitar [lead guitar]:
Bruce Kulick
electric guitar [rhythm guitar]:
Paul Stanley (KISS frontman)
background vocals:
Eric Carr (KISS drummer) and Bruce Kulick
lead vocals:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!) (in 1991)
engineered at:
A&M Studios in Hollywood, Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
remix of:
God Gave Rock and Roll to You II (soundtrack mix) by KISS
recording of:
God Gave Rock ’n’ Roll to You II
additional lyricist:
Bob Ezrin, Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
lyricist and composer:
Russ Ballard
publisher:
Bocu Music Ltd., Verulam Music Co., Ltd., シンコーミュージック・パブリッシャーズ and Mainspring Music (from 1991 to ????)
version of:
God Gave Rock and Roll to You
KISS4.55:21
6My Oh My
recording of:
My Oh My
writer:
James Lea and Neville Holder
publisher:
Whild John Music Ltd.
Slade4:11
7San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie3.753:00
8Aquarius - Let the Sunshine
The 5th Dimension3:54
9Eloise
recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
Barry Ryan4:35
10Life Is for Living
Barclay James Harvest4:39
11Candle in the Wind
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
electric guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal‐Songs of PolyGram International, Inc.
Elton John3.653:50
12The Power of Love
lead vocals:
Jennifer Rush
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Jennifer Rush6:03
13I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro, Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.95:02
14What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
performer:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:18
15Oh Happy Day
Edwin Hawkins Singers3:12
16Hand in Hand
recording of:
Hand in Hand
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
part of:
Official Songs of the Olympic Games (number: 1988)
Koreana4:15
17Australia
Magic Voices3:24
18Go for Gold in Barcelona
recording of:
Go for Gold
lyricist:
Timothy Touchton
writer:
Thomas Hen and Detlef Reshöft
The Winners4:36
19Insomnia
edit of:
Insomnia by Faithless
recording of:
Insomnia
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless33:36

Credits

Release Group

part of:Die ultimative Chart Show (number: 2010-01-08) (order: 47)