Chœurs éternels

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Version Française de la parution Autrichienne

Annotation last modified on 2018-11-03 11:03 UTC.

Tracklist

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▼CD 1
#	Title	Artist	Rating	Length
1	Carmina Burana: O Fortuna choir vocals: The Cleveland Orchestra Chorus orchestra: The Cleveland Orchestra recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:28
2	Aida: Marsch choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Akt II	Giuseppe Verdi		7:10
3	Xerxes: Largo choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch-all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse) part of: Serse, HWV 40	George Frideric Handel		5:42
4	Rigoletto: Zitti, zitti choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: Rigoletto: Atto I	Giuseppe Verdi		1:41
5	Te Deum choir vocals: Choir of the Collegiate Church of St. Mary of Warwick orchestra: La Grande Écurie et la Chambre du Roy recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		5:45
6	Ave Maria choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) lyricist: [anonymous] (Special Purpose Artist) composer: Franz Schubert (composer) arrangement of: Ave Maria (arr. William Ross) version of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Franz Schubert		5:26
7	Carmen: Chor der Schmuggler choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers) composer: Georges Bizet (composer) librettist: Ludovic Halévy (french librettist) and Henri Meilhac part of: Carmen : Acte III	Georges Bizet		3:02
8	Samson: Awake the Trumpet's Lofty Sound choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Samson, HWV 57, Pt. 1: Chorus. Awake the Trumpet’s Lofty Sound! composer: George Frideric Handel (German‐British baroque composer) part of: Samson, HWV 57: Act I	George Frideric Handel		2:18
9	Boris Godounov: Chor des 2. Bildes choir vocals: Sofia National Opera Chorus orchestra: Sofia Festival Orchestra	Модест Петрович Мусоргский		2:38
10	Tannhäuser: Pilgerchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich” composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"	Richard Wagner		3:44
11	“Zion hört die Wächter singen” aus BWV 140 choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		6:59
12	Fidelio: Gefangenenchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) composer: Ludwig van Beethoven (German composer) (in 1805, in 1814) librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner and Georg Friedrich Treitschke part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:07
13	Symphonie Nr. 3: 5. Satz choir vocals: London Symphony Chorus and Southend Boys’ Choir mezzo-soprano vocals: Dame Janet Baker (mezzo-soprano and alto) orchestra: London Symphony Orchestra	Gustav Mahler		4:28
14	Faust: Soldatenchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) composer: Charles Gounod (French composer) part of: Faust : Acte IV	Charles‐François Gounod		2:49
15	Der Freischütz: Jägerchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) composer: Carl Maria von Weber (composer) librettist: Johann Friedrich Kind (German dramatist) part of: Der Freischütz: Akt III	Carl Maria von Weber		2:41
16	Requiem: Sanctus choir vocals: Musica Sacra (New York based choir & orchestra) orchestra: New York Philharmonic recording of: Messa da requiem: IV. Sanctus (a doppio coro) composer: Giuseppe Verdi (Italian opera composer) (in 1874) part of: Messa da requiem (Manzoni requiem)	Giuseppe Verdi		2:37
17	Battle Hymn of the Republic: Glory, Hallelujah choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Battle Hymn of the Republic (arr. Wilhousky) composer: William Steffe arranger: Peter J. Wilhousky arrangement of: Battle Hymn of the Republic	Peter J. Wilhousky		4:49

▼CD 2
#	Title	Artist	Rating	Length
1	Pomp and Circumstance Nr. 1: Land of Hope and Glory choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Pomp and Circumstance Marches, op. 39: March no. 1 in D major premiered in: Liverpool, Merseyside, England, United Kingdom (on 1901-10-19) publisher: Sir Edward Elgar (dec’d) (composer) composer: Edward Elgar (composer) (in 1901) publisher: Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) part of: Pomp and Circumstance Military Marches, op. 39	Edward Elgar		5:10
2	Nabucco: Sklavenchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		3:56
3	Fürst Igor: Polowetzer Tänze choir vocals: Sofia National Opera Chorus orchestra: Sofia Festival Orchestra conductor: Emil Tchakarov (conductor) recording of: Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) composer: Александр Порфирьевич Бородин (Alexander Borodin) arranger: Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) recording of: Prince Igor: Act II. Polovtsian Dance with Choir orchestrator: Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) composer: Александр Порфирьевич Бородин (Alexander Borodin) part of: Prince Igor: Act II	Александр Порфирьевич Бородин		11:58
4	Die Meistersinger von Nürnberg: Wach-auf-Chor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper partial recording of: Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!" composer: Richard Wagner (composer) (from 1863 until 1867) librettist: Richard Wagner (composer) (in 1862) part of: Die Meistersinger von Nürnberg, WWV 96: Akt III	Richard Wagner		4:48
5	Carmen: Les voici choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) composer: Georges Bizet (composer) librettist: Ludovic Halévy (french librettist) and Henri Meilhac part of: Carmen : Acte IV	Georges Bizet		3:53
6	La traviata: Zigeunerinnenchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto II	Giuseppe Verdi		2:01
7	“Jesus bleibet meine Freude”: Aus BWV 147 choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra conductor: Eugene Ormandy (conductor) chorus master: Richard P. Condie (conductor) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:13
8	Gloria (Anfang) choir vocals: Ensemble vocal Raphaël Passaquet orchestra: La Grande Écurie et la Chambre du Roy recording of: Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) lyricist: Anonymous (Special Purpose Artist) additional composer: Gian Francesco Malipiero (composer) composer: Antonio Vivaldi is based on: Gloria in D major, RV 589: I. Gloria in excelsis Deo part of: Gloria, RV 589 (edited by Malipiero)	Antonio Vivaldi		2:28
9	Madame Butterfly: Chor choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (also: Atto II, parte 1)	Giacomo Puccini		2:54
10	Tannhäuser: Freudig begrüssen wir die edle Halle choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) composer: Richard Wagner (composer) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)	Richard Wagner		6:59
11	Faust: Kermesse choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper partial recording of: Faust composer: Charles Gounod (French composer) (from 1845 until 1859) librettist: Jules Barbier and Michel Carré (librettist) premiered at: Théâtre de la Ville (Paris) in Paris, Île-de-France, France (on 1859-03-19)	Charles‐François Gounod		5:18
12	Requiem: Confutatis, Lacrimosa choir vocals: Chœur régional Nord‐Pas de Calais orchestra: La Grande Écurie et la Chambre du Roy recording of: Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		5:08
13	Der Messias: Hallelujah choir vocals: Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) orchestra: The Philadelphia Orchestra recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:45
14	Il trovatore: Soldatenchor choir vocals: Chor der Wiener Staatsoper orchestra: Orchester der Wiener Volksoper recording of: Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto III. Il figlio della zingara	Giuseppe Verdi		3:43
15	Lohengrin: Brautchor choir vocals: Chor der Bayreuther Festspiele orchestra: Orchester der Bayreuther Festspiele recording of: Lohengrin, WWV 75: Akt III, Scene I. “Treulich geführt ziehet dahin” composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		4:42
16	Weihnachtsoratorium: Eingangschor “Jauchzet, frohlocket” choir vocals: Gächinger Kantorei Stuttgart orchestra: Bachkollegium Stuttgart recording of: Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" part of: Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")	Johann Sebastian Bach		7:46

Credits

Release

Discogs:	https://www.discogs.com/release/6510042 [info]