Anastasia

~ Veröffentlichung von Lynn Ahrens, Stephen Flaherty & David Newman (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1A Rumor in St. Petersburg
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Jonathan Dokuchitz und Kelsey Grammer
arranger:
Douglas Besterman
vocals arranger:
Stephen Flaherty (American composer)
Orchestrator(in):
William D. Brohn (American arranger and orchestrator)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
A Rumor in St. Petersburg
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:25
2Journey to the Past
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Liz Callaway
vocals arranger:
Stephen Flaherty (American composer)
Orchestrator(in):
William D. Brohn (American arranger and orchestrator)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Journey to the Past
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Lynn Ahrens & Stephen Flaherty2:55
3Once Upon a December
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Liz Callaway
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Once Upon a December
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Lynn Ahrens & Stephen Flaherty2:48
4In the Dark of the Night
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens, Stephen Flaherty (American composer) und Jim Steinman
vocals:
Jim Cummings (American actor & singer)
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
In the Dark of the Night (Anastasia)
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:21
5Learn to Do It
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Liz Callaway, Jonathan Dokuchitz und Kelsey Grammer
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Learn to Do It
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty2:36
6Learn to Do It (Waltz reprise)
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Kelsey Grammer
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Learn to Do It (waltz reprise)
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty1:45
7Paris Holds the Key (to Your Heart)
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
Lynn Ahrens und Stephen Flaherty (American composer)
vocals:
Jonathan Dokuchitz und Bernadette Peters
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Paris Holds the Key (to Your Heart)
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:03
8At the Beginning
Programmierung:
Henry Jackman (English score composer) und Tim Weidner
Techniker(in):
Stephen Fitzmaurice (Irish mixer, songwriter and producer) und Tim Weidner
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Alexander Areteos und Michael Perfitt
Mix:
Steve MacMillan
Bassgitarre [bass]:
Randy D. Jackson (former bassist with Journey and American Idol judge)
Gitarre [guitars]:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Henry Jackman (English score composer) und Tim Weidner
Klavier:
Anne Dudley (English score composer)
Hintergrundgesang:
James Gilstrap, Marlena Jeter, Niki Haire (US singer and dancer) und Darryl Phinnessee
vocals:
Donna Lewis und Richard Marx
Saiteninstrumente arranger:
Henry Jackman (English score composer) und Aaron Zigman (American score composer)
arranger:
Richard Marx
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
aufgenommen bei:
O’Henry in Burbank, California, Vereinigte Staaten und Sarm West Coast in Los Angeles, California, Vereinigte Staaten
mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, Vereinigte Staaten
recording of:
At the Beginning
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Richard Marx and Donna Lewis3:41
9Journey to the Past
Programmierung und Produzent(in):
Guy Roche
assistierende(r) Techniker(in):
Tom Bender (engineer)
Techniker(in):
Mario Luccy und Moana Suchard
Mix:
Mick Guzauski
Bassgitarre [bass]:
Reggie Hamilton
E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Fingerschnippen:
Aaliyah (US R&B singer)
Shékere [shaker]:
Jeanette Jurado
Hintergrundgesang:
Sue Ann Carwell und Selina King‐Murrell
vocals:
Aaliyah (US R&B singer)
arranger:
Guy Roche
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
aufgenommen bei:
Bananaboat Studios in Burbank, California, Vereinigte Staaten und The Cave (Recording studio located in Malibu, California, US. Owned by Kevin Shirley.) in Malibu, California, Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 34)
recording of:
Journey to the Past
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Aaliyah4:05
10Once Upon a December
Assistent recording engineer und assistierende(r) Mix:
Howell Luther und Aaron Swihart
recording engineer und Mix:
Terry Christian
sonstige Unterstützung:
Bridgett Evans O’Lannerghty (American production manager/coordinator, former Christian music session singer)
Partner-Produzent(in):
Deana Carter
Produzent(in):
Michael Omartian
Akustikgitarre:
Biff Watson
Bassgitarre [bass]:
Danny O’Lannerghty
Bouzouki und Mandoline:
Jerry McPherson
E-Gitarre:
Dann Huff und Jerry McPherson
Keyboard [keyboards]:
Tim Akers
Keyboard [keyboards] und Klavier:
Michael Omartian
Schlagzeug [drums]:
John Hammond (drummer)
vocals:
Deana Carter
Orchester:
Nashville String Machine
Dirigent(in):
Ronn Huff
Saiteninstrumente arranger:
Ronn Huff
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
aufgenommen bei und mixed at:
Ocean Way Nashville in Nashville, Tennessee, Vereinigte Staaten
recording of:
Once Upon a December
Orchestrator(in):
Douglas Besterman
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Deana Carter3:35
11Prologue
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
vocals:
Lacey Chabert und Angela Lansbury
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Prologue (Anastasia, 1997 film score with excerpted vocals, English version)
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) und Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
David Newman6:23
12Speaking of Sophie
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Speaking of Sophie
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) und Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
David Newman2:36
13The Nightmare
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
The Nightmare
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
David Newman3:05
14Kidnap and Reunion
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
vocals:
Liz Callaway und Angela Lansbury
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Kidnap and Reunion (Anastasia, 1997 film score with excerpted vocals, English version)
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) und Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
David Newman4:29
15Reminiscing With Grandma
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Reminiscing With Grandma
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) und Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
David Newman3:17
16Finale
recording engineer und Mix:
John Kurlander (engineer)
zusätzlich recording engineer:
Dan Wallin
Produzent(in):
David Newman (American score composer)
Dirigent(in):
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
aufgenommen bei und mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, Vereinigte Staaten, Signet Sound in Los Angeles, California, Vereinigte Staaten, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village Recorder (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten
recording of:
Finale (Anastasia, 1997 film score)
Orchestrator(in):
Douglas Besterman, Daniel Hamuy, Xandy Janko und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) und Fox Film Music Corporation (BMI-affiliated) (in 1997)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Teil von:
Anastasia (1997 film score and soundtrack, French version)
Teil von:
Anastasia (1997 film score and soundtrack, German version)
David Newman3:00
17Viaje tiempo atrás (Journey to the Past)
recording engineer und Mix:
Javier Garza
zusätzlich recording engineer:
Dan Wallin
Programmierung:
Randall Barlow (of Miami Sound Machine)
assistierende(r) Techniker(in):
Alfred Figueroa
Techniker(in):
Sean Chambers (American blues rock singer, guitarist, and songwriter) und Freddy Piñero, Jr.
Produzent(in):
Emilio Estefan, Jr.
Akustikgitarre [acoustic guitars]:
René Toledo
Perkussion:
Edwin Bonilla
vocals:
Thalía (Thalía Sodi)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
aufgenommen bei und mixed at:
Crescent Moon Studios in Miami, Florida, Vereinigte Staaten
recording of:
Viaje tiempo atrás (Journey to the Past)
Texter:
Lynn Ahrens
Komponist(in):
Stephen Flaherty (American composer)
Übersetzer:
Patricia P. Azar (credited as co-translator of "Viaje tiempo atrás"), Juan Carlos García (credited as co-translator of "Viaje tiempo atrás" in release booklet) und Eduardo Giaccardo (credited as co-translator of "Viaje tiempo atrás" in songsheet)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
übersetzte Version von:
Journey to the Past
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, Spanish version)
Teil von:
Anastasia (1997 film score and soundtrack, English version)
Thalía3:07

Nennungen

Veröffentlichung

sonstige Unterstützung:Robert Kraft
leitende(r) Produzent(in):Darren Higman
Craig Kallman
mastering:Tony Dawsey (mastering engineer)
design:Eric Altenburger
mastered at:Masterdisk Corporation in New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/1982666 [Info]
ASIN:US: B000002JEJ [Info]
VGMdb:https://vgmdb.net/album/47011 [Info]