Ihre größten Erfolge

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

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CD 1: Wolfgang Amadeus Mozart
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1Le nozze di Figaro: Voi che sapete
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:58
2Le nozze di Figaro: E Susanna non vien / Dove sonoWolfgang Amadeus Mozart7:09
3Le nozze di Figaro: Sull’ aria (Briefduett)Wolfgang Amadeus Mozart2:47
4Le nozze di Figaro: Porgi amor
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:15
5Così fan tutte: Soavee sia il vento
bass-baritone vocals:
Sesto Bruscantini (bass-baritone)
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte, K. 588: Atto I, Scena VI. (no. 10) Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte, K. 588: Atto I, Scena VI
Wolfgang Amadeus Mozart3:24
6Così fan tutte: Prenderó quel brunettino
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte, K. 588: Atto II, Scena II. No. 20 Duetto. Andante "Prenderò quel brunettino" (Fiordiligi, Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte, K. 588: Atto II, Scena II
Wolfgang Amadeus Mozart3:12
7Così fan tutte: Come scoglio immoto resta
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte, K. 588: Atto I, Scena XI. no. 14 Aria. Andante maestoso - più allegro “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte, K. 588: Atto I, Scena XI
Wolfgang Amadeus Mozart5:49
8Don Giovanni: Crudele? Non mi dir
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:25
9Don Giovanni: In quali eccessi / Mi tradi, quell’ alma ingrata
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Josef Krips (conductor and violinist)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:51
10Don Giovanni: Batti, batti, o bel Masetto
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:32
11Il re pastore: L’amerò, arò costante
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
Wolfgang Amadeus Mozart8:33
12Die Entführung aus dem Serail: Welcher Kummer / Traurigkeit ward mir zum LoseWolfgang Amadeus Mozart8:50
13Die Entführung aus dem Serail: Welch ein Geschick
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Anton Dermota (tenor)
orchestra:
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester)
conductor:
Rudolf Moralt (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart8:15
14Die Zauberflöte: Ach, ich fühl’s, es ist entschwunden
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Orchestra Sinfonica di Torino della RAI
conductor:
Mario Rossi (Italian conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
CD 2: Richard Strauss
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1Der Rosenkavalier: Hergott im Himmel / Mir ist die Ehre widerfahren
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) and Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss11:16
2Der Rosenkavalier: Da geht er hin, der aufgeblasene, schlechte Kerl
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:27
3Der Rosenkavalier: Marie Theres! Hab’ mir’s gelobt, ihn lieb zu haben / Ist ein Traum, kann nicht wirklich sein
baritone vocals:
Eberhard Wächter (baritone)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) and Teresa Stich-Randall (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss12:50
4Ariadne auf Naxos: Es gibt ein Reich, wo alles rein ist
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:42
5Ariadne auf Naxos: Du schönes Wesen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:00
6Arabella: Aber der Richtige, wenn’s einen gibt
soprano vocals [Arabella]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Zdenka]:
Anny Felbermayer (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Arabella, op. 79: Act I. "Aber der Richtige, wenns einen gibt" (Arabella, Zdenka)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss3:39
7Arabella: Sie wollen mich heiraten / Und du wirst mein Gebieter sein
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Mandryka]:
Josef Metternich (baritone) (on 1954-10-06)
soprano vocals [Arabella]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-10-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-10-06)
conductor:
Lovro von Matačić (conductor) (on 1954-10-06)
balance engineer:
Douglas Larter (on 1954-10-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1954-10-06)
recording of:
Arabella, op. 79: Act II. "Sie wollen mich heiraten, sagt mein Vater" (Arabella, Mandryka) (on 1954-10-06)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt II
recording of:
Arabella, op. 79: Act II. "Und du wirst mein Gebieter sein" (Arabella, Mandryka, Dominik)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss8:49
8Capriccio: Morgen Mittag um elf / Kain Andres, das mir so im Herzen loht
baritone vocals:
Karl Schmitt-Walter (baritone)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene
Richard Strauss15:25
CD 3
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1Der Freischütz: Wie nahte mir der Schlummer / Leise, leise, fromme Weise
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Walter Süsskind (conductor)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber8:34
2Lohengrin: Einsam in trüben Tagen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Walter Süsskind (conductor)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner5:58
3Lohengrin: Euch Lüften, die mein Klagen so traurig oft erfüllt
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Heinz Wallberg (conductor)
recording of:
Lohengrin, WWV 75: Akt II, Scene II. “Euch Lüften, die mein Klagen so traurig oft erfüllt”
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt II
Richard Wagner3:36
4Die Meistersinger von Nürnberg: Guten Abend, Meister
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Orchester der Bayreuther Festspiele
conductor:
Herbert von Karajan (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt II, Scene IV. "Gut'n Abend, Meister!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt II
Richard Wagner6:36
5Fidelio: Ach, wär’ ich schon mit dir vereint
sound engineer:
Douglas Larter (in 1950-10)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1950-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1950-10)
conductor:
Alceo Galliera (organist, conductor and composer) (in 1950-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1950-10)
recording of:
Fidelio: Akt I. "Ach wär ich schon" (in 1950-10)
composer:
Ludwig van Beethoven (German composer)
librettist:
Joseph Sonnleithner
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:50
6Fidelio: Jetzt, Schätzchen, jetzt sind wir allein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:25
7Hänsel und Gretel: Der kleine Sandmann bin ich / Abends will ich schlafen geh’n
soprano vocals:
Anny Felbermayer (soprano), Elisabeth Grümmer (soprano) and Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck6:14
8Die verkaufte Braut: Endlich allein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Heinrich Schmitz
recording of:
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot"
composer:
Bedřich Smetana (composer)
additional librettist:
Max Kalbeck
librettist:
Karel Sabina
part of:
Die verkaufte Braut
Bedřich Smetana5:41
9Der Barbier von Bagdad: Er kommt! Er kommt!
mezzo-soprano vocals:
Grace Hoffman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Gerhard Unger (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Erich Leinsdorf (conductor)
partial recording of:
Der Barbier von Bagdad: Akt II
composer and librettist:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad
Peter Cornelius2:27
10Carmen: Je dis, que rien ne m’epouvante
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:42
11Gianni Schicchi: O mio babbino caro
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:55
12Turandot: Signore, ascolta
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1957-07-09 until 1957-07-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-07-09 until 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-15)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-15)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1957-07-09 until 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
Giacomo Puccini2:29
13Turandot: Tu, che di gel
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker
conductor:
Karl Böhm (Austrian conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III
Giacomo Puccini2:54
14La Bohème: Mi chiamano Mimì
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:45
15Madame Butterfly: Un bel dì vedremo
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:56
16La Traviata: Addio del passato
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
Giuseppe Verdi4:28
17The Rake’s Progress: I go to himIgor Stravinsky2:58
CD 4: Hugo Wolf & Richard Strauss
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1Lebe wohl!
piano:
Wilhelm Furtwängler (conductor)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Mörike-Lieder: No. 36. Lebewohl “Lebe wohl! - Du fühlest nicht”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:15
2Schlafendes Jesukind: Sohn der Jungfrau, Himmelskind
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano) (on 1953-08-12)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:49
3Elfenlied: Bei Nacht im Dorf der Wächter rief
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Mörike-Lieder: No. 16. Elfenlied "Bei Nacht im Dorf der Wächter reif" (on 1953-08-12)
lyricist and librettist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:08
4Phänomen: Wenn zu der Regenwand
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: No. 32. Phänomen "Wenn zu der Regenwand" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:17
5Die Spröde: An dem reinsten Frühlingsmorgen
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: No. 26. Die Spröde (on 1953-08-12)
lyricist and librettist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:23
6Die Bekehrte: Bei dem Glanz der Abendröte
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: No. 27. Die Bekehrte (on 1953-08-12)
composer:
Hugo Wolf (in 1875)
librettist:
Johann Wolfgang von Goethe
part of:
Goethe-Lieder
Hugo Wolf3:28
7Blumengruß: Den Strauß, den ich gepflücket
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: No. 24. Blumengruß "Der Strauß, den ich gepflücket" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:47
8Epiphanias: Die heiligen drei Könige
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: No. 19. Epiphanias "Die heiligen drei König'" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf4:39
9Die Zigeunerin: Am Kreuzweg, da lausche ich
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Eichendorff-Lieder: No. 7. Die Zigeunerin "Am Kreuzweg, da lausche ich" (on 1953-08-12)
composer:
Hugo Wolf
librettist:
Joseph von Eichendorff
part of:
Eichendorff-Lieder
Hugo Wolf3:27
10Italienisches Liederbuch: Was soll der Zorn, mein Schatz
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Italienisches Liederbuch: No. 32. Was soll der Zorn, mein Schatz, der dich erhitzt (on 1953-08-12)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:12
11Spanisches Liederbuch: Herr, was trägt der Boden hier
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 9. Herr, was trägt der Boden hier (on 1953-08-12)
composer:
Hugo Wolf (from 1889 until 1891)
librettist:
Franz Emanuel August Geibel (poet) and Paul Johann Ludwig von Heyse (German writer)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
Hugo Wolf3:15
12Wie glänzt der helle Mond
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Wie glänzt der helle Mond (on 1953-08-12)
composer:
Hugo Wolf
librettist:
Gottfried Keller (Swiss writer, † 1890)
Hugo Wolf3:59
13Nachtzauber: Hörst du nicht die Quellen gehen
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Eichendorff-Lieder: No. 8. Nachtzauber "Hörst du nicht die Quellen gehen" (on 1953-08-12)
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf
part of:
Eichendorff-Lieder
Hugo Wolf5:42
14Wiegenlied: Vom Berg hinabgestiegen
piano:
Wilhelm Furtwängler (conductor)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: No. 4. Wiegenlied im Sommer
composer:
Hugo Wolf (in 1882)
librettist:
Robert Reinick (German poet)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf4:46
15Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang
producer:
Walter Legge (British classical record producer, 1906-1979)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss3:22
16Vier letzte Lieder: September: Der Garten trauert
producer:
Walter Legge (British classical record producer, 1906-1979)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss4:06
17Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht
producer:
Walter Legge (British classical record producer, 1906-1979)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss4:27
18Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen
producer:
Walter Legge (British classical record producer, 1906-1979)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (on 1953-09-25)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss7:10
19Mausfallen‐Sprüchlein: Kleine Gäste, kleines Haus
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: No. 6. Mausfallensprüchlein
composer:
Hugo Wolf (in 1882)
librettist:
Eduard Mörike (German Romantic poet, † 1875)
revised by:
Mary Goetze (editor)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:07
20Philine: Singet nicht in Trauertönen
piano:
Michael Raucheisen (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Philine: Singet nicht in Trauertönen
librettist:
Johann Wolfgang von Goethe
Hugo Wolf3:13
21Hat gesagt, bleibt’s nicht dabei: Mein Vater hat gesagt
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
recording of:
Hat gesagt, bleibt's nicht dabei, op. 36 no. 3 (for voice and piano) (in 1945)
lyricist:
[traditional] (special purpose artist)
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss1:54
22Schlagende Herzen: Über Wiesen und Felder
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Schlagende Herzen, op. 29 no. 2 (in 1945)
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer)
part of:
3 Lieder for voice and piano (op. 29; TrV 172)
Richard Strauss2:38
23Morgen: Und morgen wird die Sonne wieder scheinen
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano) (in 1945)
lyricist:
John Henry Mackay
composer:
Richard Strauss (German composer) (in 1894)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
4 Lieder, op. 27
Richard Strauss4:04
CD 5: Franz Schubert u. a.
#TitleArtistRatingLength
1Ungeduld: Ich schnitt’ es gern in alle Rinden ein
piano:
Gerald Moore (pianist) (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-09 until 1954-01-10)
recording of:
Die schöne Müllerin, D. 795: Nr. 7. Ungeduld (from 1954-01-09 until 1954-01-10)
lyricist:
Wilhelm Müller
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:54
2Liebhaber in alle Gestalten: Ich wollt’ ich wär’ ein Fisch
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Liebhaber in allen Gestalten, D. 558
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert1:10
3Die Vögel: Wie lieblich und fröhlich
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Vögel, D. 691
lyricist:
Karl Wilhelm Friedrich von Schlegel
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 691)
Franz Schubert0:54
4Litanei auf das Fest Allerseelen: Ruh’ in Frieden
piano:
Gerald Moore (pianist) (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-09 until 1954-01-10)
recording of:
Am Tage aller Seelen (Litanei), D. 343 (from 1954-01-09 until 1954-01-10)
lyricist:
Johann Georg Jacobi
composer:
Franz Schubert (composer) (in 1816-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 343)
Franz Schubert5:33
5An den Frühling: Willkommen, schöner Jüngling
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An den Frühling, D. 587
composer:
Franz Schubert (composer) (in 1817)
librettist:
Friedrich Schiller (German poet and playwright)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 587)
Franz Schubert2:13
6Seligkeit: Freuden sonder Zahl
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Seligkeit, D. 433
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Franz Schubert (composer) (in 1816-05)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 433)
Franz Schubert2:25
7An die Musik: Du holde Kunst
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An die Musik, D. 547 (original, for solo voice and piano)
lyricist:
Franz von Schober
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:38
8Im Frühling: Still sitz ich an des Hügels Hang
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Im Frühling, D. 882
lyricist:
Ernst Schulze (German poet)
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 882)
Franz Schubert4:32
9Wehmut: Wenn ich durch Wald und Fluren geh
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Wehmut, D. 772
lyricist:
Matthäus von Collin
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 772)
Franz Schubert3:00
10Ganymed: Wie im Morgenglanze
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Ganymed, D. 544
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert4:48
11Das Lied im Grünen: Ins Grüne, ins Grüne
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Das Lied im Grünen, D. 917
lyricist:
Johann Anton Friedrich Reil (German writer)
composer:
Franz Schubert (composer) (in 1827)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 917)
Franz Schubert4:33
12Gretchen am Spinnrade: Meine Ruh ist hin
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Gretchen am Spinnrade, D. 118
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:24
13Nähe des Geliebten: Ich denke dein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Nähe des Geliebten, D. 162
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-02-27)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 162)
Franz Schubert3:17
14Die junge Nonne: Wie braust durch die Wipfel der heulende Sturm
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die junge Nonne, D. 828
lyricist:
Jacob Nicolaus Craigher de Jachelutta
composer:
Franz Schubert (composer) (in 1825)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 828)
Franz Schubert4:49
15An Silvia: Was ist Silvia?
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An Sylvia, D. 891 (for voice and piano)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:05
16Auf dem Wasser zu singen: Mitten im Schimmer der spiegelnden Wellen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Auf dem Wasser zu singen, D. 774
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
arrangement of:
Lied: Auf dem Wasser zu singen (arr. Ken & Mitzie Welch)
Franz Schubert3:19
17Nachtviolen: Nachtviolen, dunkle Augen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Nachtviolen, D. 752
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 752)
Franz Schubert2:47
18Der Musensohn: Durch Feld und Wald zu schweifen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Der Musensohn, D. 764
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:05
19Aufträge: Nicht so schnelle
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Lieder und Gesänge, op. 77: Nr. 5. Aufträge
lyricist:
Christian L'Egru
composer:
Robert Schumann (German classical composer)
part of:
Lieder und Gesänge, op. 77
Robert Schumann2:20
20Come Again!: Sweet Love Doth Now Invite
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland3:11
21First and chief - Sweet birdGeorg Friedrich Händel7:29
22Nehmt meinen Dank, ihr holden Gönner, KV 383
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 383) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 383)
Wolfgang Amadeus Mozart4:21
CD 6
CD 7: Carl Loewe, Hermann Zilcher & Richard Trunk
CD 8: Max Reger, Volkslieder u. a.
CD 9: Johann Strauß u. a.
CD 10: Franz Lehár u. a

Credits

Release

artwork:Membran A & R Development GmbH (In-house graphics teams at Membran)
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
manufactured by and distributed by:Membran Music Ltd.
Discogs:https://www.discogs.com/release/18469657 [info]
ASIN:DE: B0027LZ4BK [info]