The Ultimate Chick Flick Soundtrack

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleArtistRatingLength
1Can’t Fight the Moonlight
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt, Gary Leach and Tim Weidner
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
recorded at:
Royal Tone Studios and Sarm West Coast in Los Angeles, California, United States
recording of:
Can’t Fight the Moonlight
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
music quoted on:
Million Dollar Baby
LeAnn Rimes2.653:35
2Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部 and Heroic Music (publisher) (in 1983)
Cyndi Lauper4.13:49
3When You Say Nothing at All
Ronan Keating4:14
4Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:45
5It’s Raining Men
membranophone programming:
Andy Duncan (UK drummer and producer)
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
strings arranger:
Nick Ingman
cover recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Geri Halliwell34:18
6Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:51
7Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:28
8Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:59
9Stay (I Missed You)
additional engineer:
Steve Holroyd
engineer and producer:
Juan Patiño
mixer:
Brian Malouf
acoustic guitar and background vocals [harmony vocals] and lead vocals:
Lisa Loeb
bass guitar [bass]:
Joe Quigley
drums (drum set) [drums] and percussion:
Jonathan Feinberg
electric guitar:
Daniel Littleton
electric guitar [electric guitars]:
Tim Bright
percussion:
Steve Forman (US percussionist)
background vocals [harmony vocals]:
Elizabeth Mitchell and Juan Patiño
performer:
Nine Stories (US | Lisa Loeb's backing band)
background vocals [vocal harmonies] arranger:
Lisa Loeb and Juan Patiño
music videos:
Stay (I Missed You) by Lisa Loeb
recording of:
Stay
lyricist and composer:
Lisa Loeb
Lisa Loeb3.63:02
10Why Does My Heart Feel So Bad?
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
choir vocals and guest choir vocals:
The Shining Light Gospel Choir
recording of:
Why Does My Heart Feel So Bad?
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby43:44
11Turn Back Time
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.54:06
12It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
remixer:
Humberto Gatica
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Jimmy Fun Music
Roxette3.154:19
13Lonely at the Top
Randy Newman2:33
14Wives & Lovers
Dionne Warwick3:04
15Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:55
16Every You Every Me
additional recording engineer:
Téo Miller and Phil Vinall (UK producer)
additional engineer:
Paul Corkett and Téo Miller
engineer:
Adrian Bushby
producer:
Steve Osborne (producer)
mixer:
Phil Vinall (UK producer)
remixer:
Placebo (UK alternative rock band) and Phil Vinall (UK producer)
recording of:
Every You Every Me
lyricist:
Paul Campion and Brian Molko
composer:
Steve Hewitt (UK drummer, singer, guitarist & producer), Brian Molko and Stefan Olsdal
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Mukka Music, Sony/ATV Music Publishing, LLC (1995–2020), Stage Three Music Publishing Limited, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH, Universal Music Publishing International Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
Placebo4.153:35
17Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (trombone), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:36
18Hippy Hippy Shake
producer:
The Georgia Satellites and Brendan O’Brien (engineer)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing Ltd. (PRS-affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Georgia Satellites1:48
19Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
Van Morrison3.33:06
20Why
programming:
Marius de Vries, Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
engineer:
Heff Moraes
producer:
Stephen Lipson
assistant mixer:
Will O'Donovan
guitar:
Stephen Lipson
keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
BMG Ariola Muenchen GmbH (in 1992) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom and The Church Studios in London (Greater London), England, United Kingdom
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Why
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
Annie Lennox3.654:53
21Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
Starship4.154:26
22Cruel Summer
producer:
Steve Jolley and Tony Swain (songwriter, producer)
lead vocals:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
performer:
Bananarama (in 1983-04)
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1983)
recording of:
Cruel Summer (in 1983-04)
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg, Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
Reverb Music Ltd., Sony Music Publishing (UK) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:27
▼CD 2
#TitleArtistRatingLength
1Move on Up
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
lyrics quoted on:
Astounded
music quoted on:
Astounded
Curtis Mayfield3:33
2I Say a Little Prayer
producer:
Andy Marvel
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:33
3Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry, Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
Deniece Williams3.64:14
4Hot Stuff
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Donna Summer33:45
5I’m Coming Out
recording of:
I’m Coming Out
writer:
Bernard Edwards and Nile Rodgers
Diana Ross43:54
6Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.82:22
7American Pie
programming:
Rico Conning
producer:
Madonna (“Queen of Pop”) and William Ørbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Damian LeGassick
background vocals [backup vocals]:
Rupert Everett
lead vocals:
Madonna (“Queen of Pop”)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Madonna3.54:28
8Teenager of the Year
recording of:
Teenager of The Year
lyricist and composer:
Luke Irvin Hanigan
Lo-Tel34:28
9Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
writer:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) and Rico Wade
En Vogue43:59
10Erase/Rewind
recording of:
Erase/Rewind
lyricist:
Nina Persson
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
The Cardigans3:35
11This Could Be Heaven
Seal4:01
12All the Love in the World
recording of:
All the Love in the World
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange
The Corrs4:05
13No Ordinary Love
recording of:
No Ordinary Love
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
Sade3:58
14The Ballad of Lucy Jordan
Marianne Faithfull3:57
15Is She Really Going Out With Him?
recording of:
Is She Really Going Out With Him?
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music and Pokazuka Limited
Joe Jackson3:34
16Life Is What You Make of It
Mishelle Bradford-Jones3:43
17To Think I Used to Love You (DJ Homicide remix)
recording of:
To Think I Used to Love You
writer:
Uncle Kracker
Uncle Kracker3:25
18At My Most Beautiful
recording of:
At My Most Beautiful
writer:
Peter Buck (R.E.M. guitarist), Michael Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
R.E.M.3:33
19Something to Talk About
recording of:
Something to Talk About
lyricist and composer:
Damon Gough
publisher:
Badly Drawn Boy Music Ltd. and Big Life Music Ltd.
Badly Drawn Boy3:37
20The Grease Megamix
lead vocals:
Olivia Newton‐John (British-Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (Duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
performer:
Olivia Newton‐John (British-Australian singer, actress and activist) and John Travolta (American actor and singer)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990, in 2003)
DJ-mix of and mash-up of:
Greased Lightnin’ by John Travolta, Summer Nights by John Travolta, Olivia Newton‐John & Cast and You’re the One That I Want by John Travolta & Olivia Newton‐John
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease)
medley of:
Summer Nights (Grease song)
medley of:
Greased Lightnin’
John Travolta & Olivia Newton‐John3.654:47