The Complete Studio Recordings

~ Release by Golden Earring (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Just Ear‐rings (1965)
#TitleRatingLength
1Nobody but You
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Nobody but You (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
22:21
2I Hate Saying These Words
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
I Hate Saying These Words (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
2:19
3She May Be
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
She May Be (in 1965-10)
writer:
George Kooymans
publisher:
Dayglow Music, Inc.
1:50
4Holy Witness
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Holy Witness (in 1965-10)
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
2:49
5No Need to Worry
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
No Need to Worry (in 1965-10)
lyricist and composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
32:09
6Please Go
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1965-08-08)
recording of:
Please Go (on 1965-08-08)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
42:59
7Sticks and Stones
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Sticks and Stones (in 1965-10)
lyricist and composer:
Titus Turner
publisher:
Piccadilly Music Corporation, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部
1:43
8I Am a Fool
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
I Am a Fool (in 1965-10)
writer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
2:09
9Don’t Stay Away
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Don’t Stay Away (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
2:14
10Lonely Everyday
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Lonely Everyday (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
1:45
11When People Talk
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
When People Talk (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
2:49
12Now I Have
recording engineer:
Jos Ditmars
producer:
Fred Haayen and Arie Merkt
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1965, in 1981)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-10)
recording of:
Now I Have (in 1965-10)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
1:39
▼CD 2: Winter‐Harvest (1967)
#TitleRatingLength
1Another Man in Town
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Another Man in Town (in 1966-12)
writer:
Rinus Gerritsen
publisher:
Ed. Basart Belgium and Impala Music
2:24
2Smoking Cigarettes
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Smoking Cigarettes (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Impala Music
2:22
3In My House
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
In My House (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Impala Music
3:59
4Don’t Wanna Lose That Girl
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Don’t Wanna Lose That Girl (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:17
5Impeccable Girl
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Impeccable Girl (in 1966-12)
writer:
George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:16
6Tears and Lies
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Tears and Lies (in 1966-12)
writer:
Rinus Gerritsen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:00
7You’ve Got the Intention to Hurt Me
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
You’ve Got the Intention to Hurt Me (in 1966-12)
writer:
George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
3:12
8Dream
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Dream (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:41
9You Break My Heart
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
You Break My Heart (in 1966-12)
writer:
Rinus Gerritsen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:00
10Baby Don’t Make Me Nervous
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Baby Don’t Make Me Nervous (in 1966-12)
writer:
George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:26
11Call Me
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Call Me (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:18
12Happy and Young Together
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Happy and Young Together (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Ed. Basart Belgium and Impala Music
3:06
13Lionel the Miser
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
Lionel the Miser (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:35
14There Will Be a Tomorrow
engineer:
J.R. Audier
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1967)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-12)
recording of:
There Will Be a Tomorrow (in 1966-12)
writer:
Rinus Gerritsen and George Kooymans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ed. Basart Belgium and Impala Music
2:31
▼CD 3: Miracle Mirror (1968)
#TitleRatingLength
1The Truth About Arthur
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
The Truth About Arthur
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:01
2Circus Will Be in Town
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Circus Will Be in Town in Time
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:31
3Crystal Heaven
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Crystal Heaven
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:56
4Sam and Sue
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Sam and Sue
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
1:44
5I’ve Just Lost Somebody
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
I’ve Just Lost Somebody
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
3:08
6Mr. Fortune’s Wife
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Mr. Fortune’s Wife
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:22
7Who Cares?
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Who Cares?
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:44
8Born a Second Time
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Born a Second Time
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
2:42
9Magnificent Magistral
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Magnificent Magistral
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
2:50
10Must I Cry?
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Must I Cry?
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
2:17
11Nothing Can Change This World of Mine
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Nothing Can Change This World of Mine
writer:
Rinus Gerritsen
composer:
George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:21
12Gipsy Rhapsody
recording engineer:
Erik Bakker
engineer:
Jan Audier
producer:
Fred Haayen
drums (drum set):
Jaap Eggermont
electric bass guitar:
Rinus Gerritsen
electric guitar:
George Kooymans
lead vocals:
Barry Hay
vocals:
George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet Productions B.V. (in 1968)
recorded at:
G.T.B. Studio in The Hague, Zuid-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Gipsy Rhapsody
composer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
3:20
▼CD 4: On the Double (1969)
#TitleRatingLength
1Song of the Devil’s Servant
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971)
recording of:
Song Of A Devil's Servant
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:47
2Angelina
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Angelina
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:11
3Pam Pam Poope Poope Loux
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Pam Pam Poope Poope Loux
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
52:46
4Hurry, Hurry, Hurry
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Hurry, Hurry, Hurry
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
54:23
5My Baby Ruby
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1969) and Red Bullet (Dutch independent label) (in 1969)
recording of:
My Baby Ruby
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:19
6Judy
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Judy
composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
51:46
7Goodbye Mama
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Goodbye Mama
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:08
8Murdock 9‒6182
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972)
recording of:
Murdock 9‒6182
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:14
9Just a Little Bit of Peace in My Heart
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1968) and Red Bullet (Dutch independent label) (in 1969)
recording of:
Just a Little Bit of Peace in My Heart
writer:
Rinus Gerritsen and George Kooymans
publisher:
Dayglow Music, Inc.
45:21
10The Sad Story of Sam Stone
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
The Sad Story of Sam Stone
composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
52:29
11High in the Sky
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
High in the Sky
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:25
12Remember My Friend
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Remember My Friend
lyricist and composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
53:00
13Time Is a Book
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Time Is a Book
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
54:06
14Backbiting Baby
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Backbiting Baby
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
55:39
15I’m a Running
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
I’m a Running
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:28
16I Sing My Song
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
I Sing My Song
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
54:01
17Mitch Mover
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
Mitch Mover
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:02
18God Bless the Day
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
God Bless the Day
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
52:42
19The Grand Piano
sound engineer:
Gerard Beckers
producer:
Fred Haayen
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969) and Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1981)
recording of:
The Grand Piano
lyricist and composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
53:27
▼CD 5: Eight Miles High (1969)
#TitleRatingLength
1Landing
producer:
Fred Haayen
lead vocals:
Barry Hay
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969)
produced for:
Red Bullet Productions
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Landing
composer:
Rinus Gerritsen
publisher:
Dayglow Music, Inc.
54:28
2Song of a Devil’s Servant
producer:
Fred Haayen
lead vocals:
Barry Hay
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969)
produced for:
Red Bullet Productions
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Song Of A Devil's Servant
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
56:00
3One Huge Road
producer:
Fred Haayen
lead vocals:
George Kooymans
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969)
produced for:
Red Bullet Productions
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
One Huge Road
composer:
George Kooymans
publisher:
Dayglow Music, Inc.
53:07
4Everyday’s Torture
producer:
Fred Haayen
lead vocals:
Barry Hay
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969)
produced for:
Red Bullet Productions
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Everyday’s Torture
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc.
55:20
5Eight Miles High
producer:
Fred Haayen
lead vocals:
George Kooymans
phonographic copyright (℗) by:
Red Bullet (Dutch independent label) (in 1969)
produced for:
Red Bullet Productions
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
Eight Miles High
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
recording of:
Eight Miles High
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
418:58
▼CD 6: Golden Earring (aka Back Home or Wall of Dolls) (1970)
#TitleRatingLength
1Yellow and Blue
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
Yellow and Blue (in 1970-07)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Dayglow Muziekuitgeverij N.V.
53:46
2The Loner
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
The Loner (in 1970-07)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Dayglow Muziekuitgeverij N.V.
43:30
3This Is the Time of the Year
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
This Is the Time of the Year (in 1970-07)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Dayglow Muziekuitgeverij N.V.
43:34
4Big Tree Blue Sea
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
Big Tree, Blue Sea (in 1970-07)
composer:
Barry Hay and George Kooymans
publisher:
Dayglow Music, Inc., Larry Shayne Music, Inc., Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
46:12
5The Wall of Dolls
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
The Wall of Dolls (in 1970-07)
composer:
Rinus Gerritsen and Barry Hay
publisher:
Dayglow Music, Inc. and Dayglow Muziekuitgeverij N.V.
53:34
6Back Home
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
Back Home (in 1970-07)
lyricist and composer:
George Kooymans
writer:
Barry Hay and George Kooymans
publisher:
Dayglow Music, Inc. and New Dayglow B.V.
3.53:53
7See See
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
See See (in 1970-07)
composer:
Barry Hay
publisher:
Dayglow Music, Inc. and Dayglow Muziekuitgeverij N.V.
43:13
8I’m Going to Send My Pigeons to the Sky
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
I'm Going to Send My Pigeons to the Sky (in 1970-07)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and New Dayglow B.V.
45:59
9As Long as the Wind Blows
recording engineer:
Albert Kos (engineer/editor)
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) and Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-07)
recording of:
As Long as the Wind Blows (in 1970-07)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and New Dayglow B.V.
55:17
▼CD 7: Seven Tears (1971)
#TitleRatingLength
1Silver Ships
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Silver Ships (from 1970 until 1971)
writer:
George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
55:42
2The Road Swallowed Her Name
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
The Road Swallowed Her Name (from 1970 until 1971)
writer:
George Kooymans
publisher:
New Dayglow B.V.
34:09
3Hope
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Hope (from 1970 until 1971)
writer:
Rinus Gerritsen and Barry Hay
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
54:48
4Don’t Worry
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Don’t Worry (from 1970 until 1971)
writer:
Barry Hay
publisher:
Dayglow Muziekuitgeverij N.V.
33:22
5She Flies on Strange Wings
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
She Flies on Strange Wings (from 1970 until 1971)
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
47:24
6This Is the Other Side of Life
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
This Is the Other Side of Life (from 1970 until 1971)
writer:
George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
43:21
7You’re Better Off Free
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
You’re Better Off Free (from 1970 until 1971)
writer:
George Kooymans
publisher:
Dayglow Muziekuitgeverij N.V.
56:44
▼CD 8: Together (1972)
#TitleRatingLength
1All Day Watcher
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
All Day Watcher (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
44:55
2Avalanche of Love
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Avalanche of Love (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc.
44:17
3Cruisin’ Southern Germany
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Cruisin’ Southern Germany (from 1972-03-01 until 1972-03-15)
writer:
Barry Hay
publisher:
Dayglow Music, Inc.
43:05
4Brother Wind
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Brother Wind (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
47:56
5Buddy Joe
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Buddy Joe (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc.
43:56
6Jangalene
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Jangalene (from 1972-03-01 until 1972-03-15)
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
55:10
7From Heaven From Hell
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
From Heaven From Hell (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc.
36:09
8Thousand Feet Below You
recording engineer:
Frank Owen
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (London) in London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Thousand Feet Below You (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
44:14
▼CD 9: Moontan (1973)
#TitleRatingLength
1Candy’s Going Bad
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973) and Track Records Ltd. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Candy’s Going Bad
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
3.656:16
2Are You Receiving Me
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973) and Track Records Ltd. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Are You Receiving Me
writer:
John Fenton (Writer that contributed to Golden Earring), Barry Hay and George Kooymans
publisher:
Larry Shayne Music, Inc., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
3.659:34
3Suzy Lunacy (Mental Rock)
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973) and Red Bullet Productions B.V. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Suzy Lunacy (Mental Rock)
writer:
John Fenton (Writer that contributed to Golden Earring), Barry Hay and George Kooymans
publisher:
New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
4.54:25
4Radar Love
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
4.56:25
5Just Like Vince Taylor
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973) and Red Bullet Productions B.V. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Just Like Vince Taylor
writer:
Barry Hay and George Kooymans
publisher:
New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
54:33
6The Vanilla Queen
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973) and Track Records Ltd. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
The Vanilla Queen
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
3.659:16
▼CD 10: Switch (1975)
#TitleRatingLength
1Intro: Plus Minus Absurdio
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Intro: Plus Minus Absurdio
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
43:05
2Love Is a Rodeo
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Love Is a Rodeo
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
43:34
3The Switch
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
The Switch
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
35:24
4Kill Me (Ce Soir)
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
strings arranger:
Robert Jan Stips
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Kill Me (Ce soir)
lyricist:
John Fenton and Barry Hay
composer:
George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. and Snamyook Music (publisher associated with George Kooymans)
36:16
5Tons of Time
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Tons of Time
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
34:18
6Daddy’s Gonna Save My Soul
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Daddy’s Gonna Save My Soul
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
44:13
7Troubles and Hassles
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Troubles and Hassles
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
44:15
8Lonesome D.J.
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
The Lonesome D.J.
writer:
Barry Hay and George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. (in 1975) and Snamyook Music (publisher associated with George Kooymans) (in 1975)
54:29
▶CD 11: To the Hilt (1976)
▶CD 12: Contraband (1976)
▶CD 13: Grab It for a Second (1978)
▶CD 14: No Promises…No Debts (1979)
▶CD 15: Prisoner of the Night (1980)
▶CD 16: Cut (1982)
▶CD 17: N.E.W.S. (1984)
▶CD 18: The Hole (1986)
▶CD 19: Keeper of the Flame (1989)
▶CD 20: Bloody Buccaneers (1991)
▶CD 21: Face It (1994)
▶CD 22: Love Sweat (1995)
▶CD 23: Paradise in Distress (1999)
▶CD 24: Millbrook U.S.A. (2003)
▶CD 25: Tits ’n Ass (2012)
▶CD 26: The Hague (2015)
▶CD 27: Non‐Album Tracks 1 (2017)
▶CD 28: Non‐Album Tracks 2 (2017)
▶CD 29: Non‐Album Tracks 3 (2017)