The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼Digital Media 1: Haydn: Symphonies no. 45 “Farewell”, no. 88 & no. 104 “London”
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1Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: I. Allegro assai
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": I. Allegro assai (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn5:36
2Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: II. Adagio
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": II. Adagio (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn7:32
3Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: III. Menuet. Allegretto
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": III. Menuet and Trio. Allegretto (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn4:02
4Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: IV. Finale. Presto – Adagio
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": IV. Finale. Presto - Adagio (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn7:46
5Symphony no. 88 in G major, Hob. I:88: I. Adagio – Allegro
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn6:40
6Symphony no. 88 in G major, Hob. I:88: II. Largo
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn7:20
7Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn4:48
8Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn4:04
9Symphony no. 104 in D major “London”, Hob. I:104: I. Adagio – Allegro
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham, London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:57
10Symphony no. 104 in D major “London”, Hob. I:104: II. Andante
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham, London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:28
11Symphony no. 104 in D major “London”, Hob. I:104: III. Menuet. Allegro
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham, London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn5:11
12Symphony no. 104 in D major “London”, Hob. I:104: IV. Finale. Spiritoso
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham, London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:41
▼Digital Media 2: Haydn: String Quartets “Emperor”, “The Lark” & “The Rider”
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1String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): I. Allegro moderato
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: I. Allegro moderato (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn5:45
2String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): II. Adagio. Cantabile
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: II. Adagio. Cantabile (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn6:19
3String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): III. Menuet. Allegretto
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: III. Menuet. Allegretto (in 1974-03)
composer:
Joseph Haydn (composer)
medley of:
String Quartet no. 7 in D major, D. 94: III. Menuetto. Allegro
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn3:11
4String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): IV. Finale. Vivace
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: IV. Finale. Vivace (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn2:09
5String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): I. Allegro
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": I. Allegro (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn5:10
6String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): II. Largo assai
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": II. Largo assai (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn7:15
7String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): III. Menuetto. Allegretto. Trio
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": III. Menuet. Allegretto (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn3:28
8String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): IV. Finale. Allegro con brio
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": IV. Finale. Allegro con brio (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn5:43
9String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): I. Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: I. Allegro (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn5:04
10String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): II. Poco adagio. Cantabile. Var. I–IV
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1963-09)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:33
11String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): III. Menuetto. Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: III. Menuetto e Trio (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:36
12String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): IV. Finale. Presto
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: IV. Finale. Presto (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn3:59
▼Digital Media 3: Haydn: The Creation (highlights)
#TitleArtistRatingLength
1Die Schöpfung Hob. XXI:2: Erster Teil. Ia. Einleitung. Die Vorstellung des Chaos (Largo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: I. Die Vorstellung des Chaos (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn7:05
2Die Schöpfung Hob. XXI:2: Erster Teil. Ib. Rezitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:58
3Die Schöpfung Hob. XXI:2: Erster Teil. II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:02
4Die Schöpfung Hob. XXI:2: Erster Teil. VI. Arie: Rollend in schäumenden Wellen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VII. Rollend in schäumenden Wellen (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:14
5Die Schöpfung Hob. XXI:2: Erster Teil. VIII. Arie: Nun beut die Flur das frische Grün
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grun (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:37
6Die Schöpfung Hob. XXI:2: Erster Teil. XII. Rezitativ: Im vollen Glanze steiget jetzt
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:56
7Die Schöpfung Hob. XXI:2: Erster Teil. XIII. Chor mit Soli: Die Himmel erzählen die Ehre Gottes
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1966-02-22 until 1969-04-29)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-22 until 1969-04-29)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:01
8Die Schöpfung Hob. XXI:2: Zweiter Teil. XVIII. Terzett: in holder Anmut stehn / XIX. Chor mit Soli Der Herr ist groß in seiner Macht
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn7:38
9Die Schöpfung Hob. XXI:2: Zweiter Teil. XXI. Rezitativ: “Gleich öffnet sich der Erde Schoß” (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:02
10Die Schöpfung Hob. XXI:2: Zweiter Teil. XXII. Arie: “Nun scheint in vollem Glanze der Himmel” (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:45
11Die Schöpfung Hob. XXI:2: Zweiter Teil. XXIV. Arie: Mit Würd’ und Hoheit angetan
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:58
12Die Schöpfung Hob. XXI:2: Zweiter Teil. XXVI. Chor: Vollendet ist das große Werk – 27. Terzett: Zu dir, o Herr – 28. Chor: Vollendet ist das große Werk
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn9:06
13Die Schöpfung Hob. XXI:2: Dritter Teil. XXXII. Duett: Holde Gattin, dir zur Seite – Der tauende Morgen
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn7:07
14Die Schöpfung Hob. XXI:2: Dritter Teil. XXXIV. Schlußchor mit Soli: Singt dem Herren alle Stimmen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn4:02
▼Digital Media 4: Mozart: Eine kleine Nachtmusik / Symphonies nos. 40 & 41 “Jupiter”
#TitleArtistRatingLength
1Serenade in G “Eine kleine Nachtmusik”, K 525: I. Allegro
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:15
2Serenade in G “Eine kleine Nachtmusik”, K 525: II. Romance. Andante
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:57
3Serenade in G “Eine kleine Nachtmusik”, K 525: III. Menuetto. Allegretto
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:23
4Serenade in G “Eine kleine Nachtmusik”, K 525: IV. Rondo. Allegro
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:52
5Symphony no. 40 in G minor, K 550: I. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:27
6Symphony no. 40 in G minor, K 550: II. Andante
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:05
7Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:46
8Symphony no. 40 in G minor, K 550: IV. Finale. Allegro assai
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart5:03
9Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart7:38
10Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart7:39
11Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:23
12Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:28
▼Digital Media 5: Mozart: Piano Concertos nos. 20 & 21 / Fantasia in D minor
#TitleArtistRatingLength
1Piano Concerto no. 20 in D minor, K 466: I. Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart13:30
2Piano Concerto no. 20 in D minor, K 466: II. Romance
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:00
3Piano Concerto no. 20 in D minor, K 466: III. Rondo. (Allegro assai)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart6:22
4Fantasia in D minor, K 397. Andante
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Wilhelm Kempff (pianist) (in 1962-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Ufa-Studio in Berlin, Germany (in 1962-01)
recording of:
Fantasia for Piano in D minor, K. 397/385g (in 1962-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (original numbering) (number: 397) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 385g)
Wolfgang Amadeus Mozart5:41
5Piano Concerto no. 21 in C major, K 467: I. Allegro maestoso
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart13:53
6Piano Concerto no. 21 in C major, K 467: II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:15
7Piano Concerto no. 21 in C major, K 467: III. Allegro vivace assai
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:26
▼Digital Media 6: Mozart: Clarinet Quintet / String Quintet no. 4
#TitleArtistRatingLength
1Clarinet Quintet in A major, K 581: I. Allegro
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart9:18
2Clarinet Quintet in A major, K 581: II. Larghetto
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart7:10
3Clarinet Quintet in A major, K 581: II. Minuetto. Trio I – Trio II
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart7:06
4Clarinet Quintet in A major, K 581: IV. Allegretto con Variazioni. I–IV – Adagio – Allegro
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart9:26
5String Quintet no. 4 in G minor, K 516: 1. Allegro
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (in 1969-09)
balance engineer:
Hans-Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: I. Allegro (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart10:17
6String Quintet no. 4 in G minor, K 516: 2. Minuetto. Allegretto
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (in 1969-09)
balance engineer:
Hans-Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: II. Minuetto. Allegretto & Trio (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart5:12
7String Quintet no. 4 in G minor, K 516: 3. Adagio ma non troppo
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (in 1969-09)
balance engineer:
Hans-Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: III. Adagio ma non troppo (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart8:42
8String Quintet no. 4 in G minor, K 516: 4. Adagio – Allegro
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (in 1969-09)
balance engineer:
Hans-Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: IV. Adagio - Allegro (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart10:16
▼Digital Media 7: Mozart: Le nozze di Figaro (highlights)
#TitleArtistRatingLength
1Le nozze di Figaro, K 492: Overture
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart4:16
2Le nozze di Figaro, K 492, Act I: “Se a caso Madama la notte ti chiama”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:36
3Le nozze di Figaro, K 492, Act I: “Se vuol ballare, signor Contino”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:34
4Le nozze di Figaro, K 492, Act I: “La vendetta, oh, la vendetta”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:08
5Le nozze di Figaro, K 492, Act I: “Non so più cosa son, cosa faccio”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:14
6Le nozze di Figaro, K 492, Act I: “Non più andrai”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:42
7Le nozze di Figaro, K 492, Act II: “Porgi amor”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:15
8Le nozze di Figaro, K 492, Act II: “Voi che sapete”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:03
9Le nozze di Figaro, K 492, Act II: “Venite… inginocchiatevi…”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
soprano vocals and soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:14
10Le nozze di Figaro, K 492, Act III: “Vedro mentr’io sospiro”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:32
11Le nozze di Figaro, K 492, Act III: “E Susanna non vien!”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart1:45
12Le nozze di Figaro, K 492, Act III: “Dove sono i bei momenti”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart4:58
13Le nozze di Figaro, K 492, Act III: “Che soave zeffiretto”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:31
14Le nozze di Figaro, K 492, Act IV: “L’ho perduta… me meschina!”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart1:39
15Le nozze di Figaro, K 492, Act IV: “Aprite un po’ quegli occhi”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
edit of:
Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi by Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart2:37
16Le nozze di Figaro, K 492, Act IV: “Giunse alfin il momento”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart1:22
17Le nozze di Figaro, K 492, Act IV: “Deh vieni, non tardar”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart4:09
18Le nozze di Figaro, K 492, Act IV: “Gente, gente, all’armi”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03) and Hermann Prey (baritone) (in 1968-03)
bass vocals and bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
mezzo-soprano vocals:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03) and Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals:
Gundula Janowitz (soprano) (in 1968-03) and Edith Mathis (soprano) (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals:
Erwin Wohlfahrt (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart5:07
▶Digital Media 8: Mozart: Requiem / Laudate Dominum / Exsultate, jubilate
▶Digital Media 9: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶Digital Media 10: Beethoven: Symphony no. 9 “Choral”
▶Digital Media 11: Beethoven: Piano Concerto nos. 4 & 5
▶Digital Media 12: Beethoven: “Kreutzer” Sonata / String Quartet “Rasumovsky”
▶Digital Media 13: Beethoven: Piano Sonatas no. 8 “Pathétique”, no. 23 “Appassionata” & no. 31
▶Digital Media 14: Weber: Der Freischütz (highlights)
▶Digital Media 15: Rossini: Il barbiere di Siviglia (highlights)
▶Digital Media 16: Schubert: Symphonies no. 8 “Unfinished” & no. 9 “The Great”
▶Digital Media 17: Schubert: “Trout” Quintet / “Death and the Maiden” Quartet
▶Digital Media 18: Schubert: Piano Music
▶Digital Media 19: Schubert: Winterreise
▶Digital Media 20: Paganini: Violin Concerto no. 1 / Caprices

Credits

Release Group

includes:Clarinet Quintet in A major / String Quintet in G minor by Mozart; Amadeus Quartet, Gervase de Peyer, Cecil Aronowitz
Der Freischütz (1973 studio cast) by Carl Maria von Weber; Gundula Janowitz, Edith Mathis, Peter Schreier, Theo Adam, Staatskapelle Dresden, Carlos Kleiber
Die Schöpfung (Auszüge) by Haydn; Gundula Janowitz, Fritz Wunderlich, Werner Krenn, Dietrich Fischer‐Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
Eine kleine Nachtmusik / Symphonien nr. 40 & 41 “Jupiter” by Mozart; Wiener Philharmoniker, Berliner Philharmoniker, Karl Böhm
Forellen‐Quintett / Der Tod und das Mädchen by Franz Schubert; Christoph Eschenbach, Koeckert-Quartett, Amadeus Quartet
Il barbiere di Siviglia (London, 1971) by Gioachino Rossini; Hermann Prey, Teresa Berganza, Luigi Alva, Enzo Dara, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado
Kaiserquartett / Lerchenquartett / Reiterquartett by Joseph Haydn; Amadeus Quartet
Klaviersonate, D 960 / 3 impromptus / 2 moments musicaux by Franz Schubert; Wilhelm Kempff
Piano Concertos nos. 20 & 21 / Fantasia in D minor by Mozart; Camerata Academica of the Salzburg Mozarteum, Géza Anda, Wilhelm Kempff
Piano Sonatas no. 8 “Pathétique” / No. 23 “Appassionata” / no. 31, op. 110 by Beethoven; Emil Gilels
Requiem / Laudate Dominum / Exsultate, jubilate by Mozart; Berlin Philharmonic, Herbert von Karajan
Symphonie no. 9 by Beethoven; Gwyneth Jones, Hanna Schwarz, René Kollo, Kurt Moll, René Kollo, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Leonard Bernstein
Symphonie nr. 8 „Unvollendete“ / Symphonie nr. 9 by Franz Schubert; Berliner Philharmoniker, Karl Böhm
Symphonies nos. 5 & 6 by Beethoven; Berliner Philharmoniker, Herbert von Karajan
The Marriage of Figaro (highlights) by Wolfgang Amadeus Mozart
Violin Concerto no. 1 / 10 Capricci by Niccolò Paganini; Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
Winterreise by Franz Schubert; Dietrich Fischer‐Dieskau, Daniel Barenboim
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 2)