Julius Caesar

~ Release by Handel; Treigle, Sills, Forrester, Wolff, New York City Opera Chorus and Orchestra, Julius Rudel (see all versions of this release, 4 available)

Tracklist

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▼CD 1
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1Giulio Cesare: Sinfonia
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
instrumental recording of:
Giulio Cesare in Egitto, HWV 17: Sinfonia (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
part of:
Giulio Cesare (© Julius Rudel 1967)
part of:
Giulio Cesare in Egitto, HWV 17
New York City Opera Orchestra, Julius Rudel3:59
2Giulio Cesare: Atto I. Scena 1. Viva, viva il nostro Alcide!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I, 1. Coro “Viva, viva il nostro Alcide!” (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) (from 1967-04-28 until 1969-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
New York City Opera Chorus2:26
3Giulio Cesare: Atto I, Scena 1. Presti omai l'Egizia terra
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I, 2. Aria “Presti omai l’egizia terra” (Cesare) (from 1967-04-28 until 1969-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle2:26
4Giulio Cesare: Atto I, Scena 1. Curio, Cesare venna e vide e vinsea Tolomeo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I. Recitativo “Curio, Cesare venne, e vide e vinse” (Cesare, Curio) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Maureen Forrester1:37
5Giulio Cesare: Atto I, Scena 1. Sua reggia Tolomeo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena III. Recitativo “La reggia Tolomeo t’offre in albergo” (Achilla, Cesare, Sesto, Cornelia, Curio) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Dominic Cossa1:01
6Giulio Cesare: Atto I, Scene 1. Giulio, che miri?
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02) and Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena III. Recitativo “La reggia Tolomeo t’offre in albergo” (Achilla, Cesare, Sesto, Cornelia, Curio) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Maureen Forrester, Beverly Wolff1:05
7Giulio Cesare: Atto I, Scena 1. Empio, dirò, tu sei
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena III, 3. Aria “Empio, dirò, tu sei” (Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle1:34
8Giulio Cesare: Atto I, Scena 1. Già torna in sè
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV. Recitativo “Già torna in sé” (Curio, Sesto, Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Maureen Forrester, Beverly Wolff0:58
9Giulio Cesare: Atto I, Scena 1. Priva son d'ogni conforto
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 4. Aria “Priva son d’ogni conforto” (Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Maureen Forrester5:29
10Giulio Cesare: Atto I, Scena 1. Vani sono i lamenti
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV. Recitativo “Vani sono i lamenti” (Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Beverly Wolff5:20
11Giulio Cesare: Atto I, Scena 2. Regni Cleopatra
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena V. Recitativo “Regni Cleopatra” (Cleopatra, Nireno, Tolomeo) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Beverly Sills, Spiro Malas1:52
12Giulio Cesare: Atto I, Scena 2. Vanne, e torna omai
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto I, Scena II. "Vanne, e torna omai" (Tolomeo, Cleopatra) (just before Cleopatra's aria “Non disperar, chi sa?” in Atto I, Scena V) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare: Atto I
Beverly Sills, Spiro Malas3:24
13Giulio Cesare: Atto I, Scena 2. Sire, Signor!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VI. Recitativo “Sire, Signor!” (Achilla, Tolomeo) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Dominic Cossa, Spiro Malas4:36
14Giulio Cesare: Atto I, Scena 3. Alma del gran Pompeo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII, 8. Recitativo accompagnato “Alma del gran Pompeo” (Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle3:47
15Giulio Cesare: Atto I, Scena 3. Qui nobile donzella
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII. Recitativo “Qui nobile donzella” (Curio, Cesare, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Beverly Sills0:50
16Giulio Cesare: Atto I, Scena 3. Avanti al tuo cospetto
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII. Recitativo “Qui nobile donzella” (Curio, Cesare, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Beverly Sills7:54
17Giulio Cesare: Atto I, Scena 3. Sfortunata donzella
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02) and Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII. Recitativo “Qui nobile donzella” (Curio, Cesare, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Maureen Forrester3:33
18Giulio Cesare: Atto I, Scena 3. Ahimè! Vile e negletta
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII. Recitativo “Ma che! Vile e negletta” (Cornelia, Cleopatra, Sesto, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Maureen Forrester, Beverly Sills2:06
19Giulio Cesare: Atto I, Scena 3. Cara speme
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 12. Aria “Cara speme, questo core tu cominci a lusingar” (Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Beverly Wolff2:27
20Giulio Cesare: Atto I, Scena 4. Oh, quanto bella gloria
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto I, Scena IV. "Oh, quanto bella gloria" (Coro, Tolomeo, Cesare, Achilla) (Julius Rudel recordings, unresolved) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare: Atto I
Norman Treigle, Spiro Malas2:38
21Giulio Cesare: Atto I, Scena 4. Va tacito e nascosto
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Norman Treigle, Maureen Forrester, Spiro Malas10:24
22Giulio Cesare: Atto I, Scena 4. Dove, dove, inumani
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI. Recitativo: “Madre!” – “Mia vita!” – “Addio!” (Sesto, Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Maureen Forrester, Beverly Wolff5:38
▼CD 2
#TitleArtistRatingLength
1Giulio Cesare: Act II, Scena 1. E seguisti, o Niren
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena I. Recitativo “Eseguisti, o Niren, quanto t’imposi?” (Cleopatra, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Norman Treigle, Beverly Sills, Michael Devlin2:13
2Giulio Cesare: Act II, Scena 1 Taci! - che fia?
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02) and Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 17. Sinfonia e Recitativo “Taci!” – “Che fia?” – “Cieli, e qual dalle sfere” (Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Norman Treigle, Michael Devlin2:08
3Giulio Cesare: Act II, Scena 1. V'adoro, pupille
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 19. Aria “V’adoro pupille” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Beverly Sills3:03
4Giulio Cesare: Act II, Scena 1. Non ha in cielo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Vola, mio cor, al dolce incanto” (Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Norman Treigle, Beverly Sills4:17
5Giulio Cesare: Act II, Scena 1. Più amabile beltà
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 43. Duetto “Caro! (Bella!) Più amabile beltà” (Cleopatra e Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
Norman Treigle, Beverly Sills2:11
6Giulio Cesare: Act II, Scena 2. Deh, piangete, o mesti lumi
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III, 21. Arioso “Deh, piangete, oh mesti lumi” (Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Maureen Forrester, Dominic Cossa2:47
7Giulio Cesare: Act II, Scena 2. Se a me non sei crudele
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 22. Aria “Se a me non sei crudele” (Achilla) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Maureen Forrester, Dominic Cossa3:01
8Giulio Cesare: Act II, Scena 2. Sì spietata
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 23. Aria “Sì spietata, il tuo rigore” (Tolomeo) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Spiro Malas1:40
9Giulio Cesare: Act II, Scena 2. Madre! Ferma!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena II. "Madre! Ferma!" (Sesto, Cornelia, Nireno) (Julius Rudel recordings, best guess at position) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Maureen Forrester, Beverly Wolff, Michael Devlin1:01
10Giulio Cesare: Act II, Scena 2. Cessa omai di sospirare!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 24. Aria “Cessa omai di sospirare” (Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Maureen Forrester1:17
11Giulio Cesare: Act II, Scena 2. Figlio non è
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Figlio non è chi vendicar non cura” (Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Beverly Wolff5:50
12Giulio Cesare: Act II, Scena 3. Bella Lidia
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena III. "Bella Lidia" (Cesare Cleopatra, Curio, Coro)" (Julius Rudel recordings, unresolved) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Norman Treigle, Beverly Sills, William Beck1:44
13Giulio Cesare: Act II, Scena 3. Mora, mora, mora
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena III. "Mora, mora, mora" (Coro, Cleopatra) (Julius Rudel recordings, best guess at position) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Beverly Sills3:37
14Giulio Cesare: Act II, Scena 3. Se pietà di me non senti
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
Beverly Sills8:57
15Giulio Cesare: Act III, Scena 1. Preludio
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II, 33. Sinfonia (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
New York City Opera Orchestra, Julius Rudel0:47
16Giulio Cesare: Act III, Scena 1. Vinta cadesti al balenar
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II. Recitativo “Vinta cadesti al balenar di questo mio fulmine reale” (Tolomeo, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Beverly Sills, Spiro Malas0:42
17Giulio Cesare: Act III, Scena 1. Dall' ondoso periglio
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 36. Recitativo accompagnato “Dall’ondoso periglio” (Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Norman Treigle9:32
18Giulio Cesare: Act III, Scena 1. Cerco in van Tolomeo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02) and Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Cerco invan Tolomeo per vendicarmi” (Sesto, Achilla, Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Norman Treigle, Beverly Wolff1:37
19Giulio Cesare: Act III, Scena 1. Lascia questo sigillo!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Lascia questo sigillo!” (Cesare, Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Norman Treigle, Beverly Wolff1:50
20Giulio Cesare: Act III, Scena 2. Voi, che mie fide ancelle
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 39. Recitativo accompagnato “Voi, che mie fide ancelle un tempo foste” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Beverly Sills3:04
21Giulio Cesare: Act III, Scena 2. Cesare, o un'ombra sei?
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI. Recitativo “Forzai l’ingresso a tua salvezza” (Cesare, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Norman Treigle, Beverly Sills0:30
22Giulio Cesare: Act III, Scena 2. Da tempeste il legno infranto
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Beverly Sills5:04
23Giulio Cesare: Act III, Scena 3. Cornelia, è tempo omai
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VII. Recitativo “Cornelia, è tempo omai” (Tolomeo, Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Maureen Forrester, Dominic Cossa, Spiro Malas5:08
24Giulio Cesare: Act III, Scena 4. La vendetta del padre
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX. Recitativo “Qui Curio vincitor, qui tuo l’Egitto" (Nireno, Cesare, Sesto, Cornelia, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Norman Treigle, Beverly Sills, Maureen Forrester, Beverly Wolff3:15