The Complete Wilhelm Furtwängler on Record 2

~ Release by Wilhelm Furtwängler (see all versions of this release, 3 available)

Tracklist

▶CD 30: Furtwängler / Haydn
▶CD 31: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
▶CD 32: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
▶CD 33: Beethoven: Symphony no. 3 “Eroica”
▶CD 34: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
▶CD 35: Beethoven: Violin Concerto / Romances nos. 1 & 2
▶CD 36: Schumann: Symphony no. 4 / Franck: Symphony in D minor
▶CD 37: Bartók: Violin Concerto no. 2
▶CD 38: Beethoven: Symphony no. 5
▶CD 39: Wagner / R. Strauss / Liszt
▶CD 40: Wagner / Weber / Gluck / Beethoven
▶CD 41: Bach: Matthäus-Passion (First Part)
▶CD 42: Bach: Matthäus-Passion (Second Part beginning)
▶CD 43: Bach: Matthäus-Passion (Second Part conclusion)
▶CD 44: Wagner: Tristan und Isolde (Act I beginning)
▶CD 45: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
▶CD 46: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
▶CD 47: Wagner: Tristan und Isolde (Act III conclusion)
▼CD 48: Beethoven: Fidelio (Act I)
#TitleArtistRatingLength
1Fidelio, op. 72: Act I. Overture
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:38
2Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline)
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:13
3Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline)
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:45
4Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:49
5Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:01
6Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:23
7Fidelio, op. 72: Act I. March
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:17
8Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:25
9Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:00
10Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore)
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:00
11Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner)
producer:
Lawrance Collingwood
baritone vocals and bass vocals [Second Prisoner]:
Franz Bierbach (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
tenor vocals:
Alwin Hendricks (from 1953-10-13 until 1953-10-19) and Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
tenor vocals [First Prisoner]:
Alwin Hendricks (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:26
12Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:00
13Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:46
14Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:47
▶CD 49: Beethoven: Fidelio (Act II)
▶CD 50: Wagner: Die Walküre (Act I)
▶CD 51: Wagner: Die Walküre (Act II beginning)
▶CD 52: Wagner: Die Walküre (Act II conclusion)
▶CD 53: Wagner: Die Walküre (Act III)
▶CD 54: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
▶CD 55: Bonus - Documentary: Wilhelm Furtwängler - A Memoir