The Complete Wilhelm Furtwängler on Record 2

~ Release by Wilhelm Furtwängler (see all versions of this release, 3 available)

Tracklist

▶CD 30: Furtwängler / Haydn
▶CD 31: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
▶CD 32: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
▶CD 33: Beethoven: Symphony no. 3 “Eroica”
▶CD 34: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
▶CD 35: Beethoven: Violin Concerto / Romances nos. 1 & 2
▶CD 36: Schumann: Symphony no. 4 / Franck: Symphony in D minor
▶CD 37: Bartók: Violin Concerto no. 2
▶CD 38: Beethoven: Symphony no. 5
▶CD 39: Wagner / R. Strauss / Liszt
▶CD 40: Wagner / Weber / Gluck / Beethoven
▶CD 41: Bach: Matthäus-Passion (First Part)
▶CD 42: Bach: Matthäus-Passion (Second Part beginning)
▶CD 43: Bach: Matthäus-Passion (Second Part conclusion)
▶CD 44: Wagner: Tristan und Isolde (Act I beginning)
▶CD 45: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
▶CD 46: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
▶CD 47: Wagner: Tristan und Isolde (Act III conclusion)
▶CD 48: Beethoven: Fidelio (Act I)
▼CD 49: Beethoven: Fidelio (Act II)
#TitleArtistRatingLength
1Fidelio, op. 72: Act II. Introduction
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Introduction (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
Ludwig van Beethoven4:06
2Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan)
producer:
Lawrance Collingwood
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
Ludwig van Beethoven7:31
3Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:16
4Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:41
5Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:42
6Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:22
7Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan)
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:48
8Fidelio, op. 72: Act II. Leonore Overture no. 3
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
Ludwig van Beethoven15:19
9Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus)
producer:
Lawrance Collingwood
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven2:00
10Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven4:43
11Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven3:02
12Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven4:03
▶CD 50: Wagner: Die Walküre (Act I)
▶CD 51: Wagner: Die Walküre (Act II beginning)
▶CD 52: Wagner: Die Walküre (Act II conclusion)
▶CD 53: Wagner: Die Walküre (Act III)
▶CD 54: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
▶CD 55: Bonus - Documentary: Wilhelm Furtwängler - A Memoir