Black History in Music Sampler 1999

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1The Negro Speaks of Rivers
Langston Hughes0:49
2Nobody Knows When You're Down and Out
recorded in:
New York, New York, United States (on 1929-05-12, on 1929-05-15)
alto saxophone:
Garvin Bushell (on 1929-05-12, on 1929-05-15)
cornet:
Ed Allen (trumpeter) (on 1929-05-12, on 1929-05-15)
piano:
Clarence Williams (composer / pianist /bandleader) (on 1929-05-12, on 1929-05-15)
tenor saxophone:
Greely Walton (on 1929-05-12, on 1929-05-15)
tuba:
Cyrus St. Clair (on 1929-05-15)
tuba [brass bass]:
Cyrus St. Clair (on 1929-05-12)
vocals:
Bessie Smith (Tennessee blues singer) (on 1929-05-12, on 1929-05-15)
recording of:
Nobody Knows You When You’re Down and Out (on 1929-05-15)
lyricist and composer:
Jimmy Cox
part of:
The Real Book (compilation of jazz standards, Volume I)
Bessie Smith52:58
3Struttin' With Some Barbecue
recorded in and engineered in:
Chicago, Illinois, United States (on 1927-12-09)
banjo:
Johnny St. Cyr (on 1927-12-09)
clarinet:
Johnny Dodds (on 1927-12-29)
cornet:
Louis Armstrong (on 1927-12-09)
piano:
Lil Hardin Armstrong (on 1927-12-09)
trombone:
Kid Ory (on 1927-12-09)
recording of:
Struttin’ With Some Barbecue (on 1927-12-09)
composer:
Lil Hardin Armstrong
Louis Armstrong and His Hot Five3:01
4Cross Road Blues
recorded in:
San Antonio, Texas, United States (on 1936-11-27)
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1986) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 481)
recording of:
Cross Road Blues (a/k/a “Crossroads”) (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Robert Johnson52:40
5The Man I Love
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
baritone saxophone:
Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (piano, USA) (on 1939-12-13)
tenor saxophone:
Lester Young (saxophonist) (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
orchestra:
Billie Holiday and Her Orchestra (on 1939-12-13)
recording of:
The Man I Love (on 1939-12-13)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Billie Holiday43:07
6Cotton Tail
recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:12
7Flying Home
vocals:
Ella Fitzgerald (in 1945)
orchestra:
Vic Schoen and His Orchestra (in 1945)
cover recording of:
Flying Home (Instrumental version) (in 1945)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Ella Fitzgerald42:30
8Ko Ko
recording of:
Ko Ko (on 1945-11-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:54
9Cho Cho Ch'Boogie
recorded in:
New York, New York, United States (on 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
claves:
Vic Lourie (on 1946-01-23)
double bass:
Jesse ‘Po’ Simpkins (on 1946-01-23)
drums (drum set):
Eddie Byrd (US drummer) (on 1946-01-23)
electric guitar:
Carl Hogan (on 1946-01-23)
maracas:
Harry Dial (on 1946-01-23)
piano:
Wild Bill Davis (on 1946-01-23)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1946-01-23)
trumpet:
Aaron Izenhall (on 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1946)
recording of:
Choo Choo Ch’Boogie (on 1946-01-23)
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell
Louis Jordan and His Tympany Five52:44
10Mardi Gras in New Orleans
recorded in:
New Orleans, Louisiana, United States (in 1949)
producer:
Herb Abramson and Ahmet Ertegun (US American Songwriter, producer)
alto saxophone:
Robert Parker (American R&B singer and musician) (in 1949)
bass and tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1949)
piano:
Professor Longhair (in 1949)
vocals:
Professor Longhair (in 1949)
recording of:
Mardi Gras in New Orleans (in 1949)
lyricist and composer:
Henry Roeland Byrd
Professor Longhair2:55
11I Feel Like Going Home
recorded in:
Chicago, Illinois, United States (in 1948-04)
double bass:
Ernest "Big" Crawford (in 1948-04)
guitar:
Muddy Waters (blues musician) (in 1948-04)
vocals:
Muddy Waters (blues musician) (in 1948-04)
recording of:
Feel Like Going Home (in 1948-04)
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Arc Music (U.S. rock & blues publisher)
Muddy Waters53:10
12Phenomenal Woman
Maya Angelou2:04
13(Mama) He Treats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:58
14Honey Love
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
guitar:
Jimmy Oliver (guitar, Drifters) (on 1954-02-04)
baritone vocals:
Andrew Trasher (on 1954-02-04)
bass vocals:
Bill Pinkney (on 1954-02-04)
lead vocals:
Clyde McPhatter (on 1954-02-04)
tenor vocals:
Gerhart Trasher (on 1954-02-04)
recorded at:
Fulton Recording Studio in New York, New York, United States (on 1954-02-04)
recording of:
Honey Love (on 1954-02-04)
writer:
Gerald and McPhatter
publisher:
P.M.P.C. Inc.
The Drifters2:25
15Bill Cosby Goes to a Football Game (excerpt)
Bill Cosby1:04
16Shake, Rattle, & Roll
Big Joe Turner3:00
17Jesus, I'll Never Forget
The Soul Stirrers2:35
18Earth Angel (Will You Be Mine)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 151)
recording of:
Earth Angel (Will You Be Mine) (in 1954)
writer:
Jesse Belvin, Gaynel Hodge, Curtis Williams (1950s doo-wop singer, member of The Penguins) and Dootsie Williams
publisher:
Dootsie Williams Music (publisher) (in 1986)
part of:
Back to the Future: the Musical
The Penguins52:55
19A Fool for You
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone [alto sax] and baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1955-04-23)
bass:
Roosevelt "Whiskey" Sheffield (on 1955-04-23)
drums (drum set):
William Peeples (on 1955-04-23)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-04-23)
trumpet:
Joe Bridgewater (on 1955-04-23) and Riley Webb (on 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
A Fool for You (on 1955-04-23)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
Ray Charles3:02
20Tutti Frutti
recorded in:
New Orleans, Louisiana, United States (on 1955-09-14)
producer:
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
double bass:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1955-09-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 35) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 43)
recording of:
Tutti Frutti (on 1955-09-14)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
Little Richard4.32:25
21Johnny B. Goode
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 33) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53)
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
part of:
Back to the Future: the Musical
Chuck Berry4.252:40
22Dear John, Dear Coltrane
Michael S. Harper2:32
23Giant Steps
recording engineer:
Tom Dowd and Phil Iehle
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2022)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.84:44
24I Ain't Superstitious
recorded in:
Chicago, Illinois, United States (in 1961-12)
double bass:
Willie Dixon (in 1961-12)
drums (drum set):
Sam Lay (in 1961-12)
guitar:
Howlin’ Wolf (in 1961-12), Jimmy Rogers (blues artist) (in 1961-12) and Hubert Sumlin (in 1961-12)
harmonica and lead vocals:
Howlin’ Wolf (in 1961-12)
piano:
Henry Gray (in 1961-12)
vocals:
Howlin’ Wolf (in 1961-12)
recording of:
I Ain’t Superstitious (in 1961-12)
lyricist and composer:
Willie Dixon
publisher:
Hoochie Coochie Music
Howlin’ Wolf52:52
25Address to Civil Rights Marchers in Washington D.C. (excerpt)
Martin Luther King, Jr.2:11
26Pride and Joy
recording of:
Pride and Joy (Gaye/Whitfield/Stevenson)
writer:
Marvin Gaye, William Stevenson (Motown songwriter) and Norman Whitfield
Marvin Gaye42:08
27Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:52
28I've Been Loving You for Too Long (To Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding2:55
29Ain't Too Proud to Beg
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1966-01-04 until 1966-01-11)
background vocals:
Melvin Franklin (from 1966-01-04 until 1966-01-11), Eddie Kendricks (from 1966-01-04 until 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1966-01-04 until 1966-01-11) and Paul Williams (member of The Temptations) (from 1966-01-04 until 1966-01-11)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1966-01-04 until 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-01-04 until 1966-01-11)
recording of:
Ain’t Too Proud to Beg (from 1966-01-04 until 1966-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations52:33
▼CD 2
#TitleArtistRatingLength
1On Black Power
Malcolm X1:16
2I Never Loved a Man (The Way I Loved You)
recording engineer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music
Aretha Franklin42:49
3I Was Made To Love Her
producer:
Henry Cosby
bass:
James Jamerson (in 1967)
electric sitar:
Eddie Willis (in 1967)
harmonica and lead vocals:
Stevie Wonder (in 1967)
instruments:
The Funk Brothers (in 1967)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1967)
recording of:
I Was Made to Love Her (in 1967)
writer:
Henry Cosby, Lula Mae Hardaway, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
Stevie Wonder4.652:36
4That's How It Feels
The Soul Clan3:35
5Women In Paris (excerpt)
Redd Foxx0:24
6Foxey Lady
recording of:
Foxy Lady
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, Experience Hendrix, L.L.C. (company, not a label), Intersong Music Ltd., Sea-Lark Enterprises, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Yameta Co. Ltd.
The Jimi Hendrix Experience3:04
7I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
writer:
Deke Richards (American songwriter and record producer), Berry Gordy, Fonce Mizell and Freddie Perren
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Jackson 54.253:00
8The Thrill Is Gone
recording engineer:
Joe "Ears" Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald "Fingers" Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
BB King, Jules Bihari, Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc. and Powerforce Music
B.B. King4.655:25
9Heart Attacks (excerpt)
Richard Pryor0:41
10Get Up (I Feel Like Being a) Sex Machine, Part 1
bass:
Bootsy Collins (US funk musician & songwriter) (on 1970-04-25)
guitar:
Catfish Collins (on 1970-04-25)
membranophone:
John Starks (on 1970-04-25)
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) (on 1970-04-25)
piano and lead vocals:
James Brown (“The Godfather of Soul”) (on 1970-04-25)
tenor saxophone:
Robert McCollough (on 1970-04-25)
trumpet:
Clayton Gunnells (on 1970-04-25) and Darryl Hassan Jamison (on 1970-04-25)
recorded at:
Starday Sound Studios in Nashville, Tennessee, United States (on 1970-04-25)
partial recording of:
Get Up I Feel Like Being Like a Sex Machine (on 1970-04-25)
writer:
James Brown (“The Godfather of Soul”), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown42:53
11Family Affair
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.653:05
12New Years Eve Bust (excerpt)
Dick Gregory1:02
13Freddie's Dead
producer:
Curtis Mayfield
edit of:
Freddie’s Dead by Curtis Mayfield
recording of:
Freddie’s Dead
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
recording of:
Freddie’s Dead (William Parker arrangement)
composer:
Curtis Mayfield
arranger:
William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
publisher:
Centering Music (publisher for William Parker)
arrangement of:
Freddie’s Dead
Curtis Mayfield53:18
14I'll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
15Best Thing That Ever Happened To Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
16Tear the Roof Off the Sucker (Give Up the Funk)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
composer:
Jerome Brailey, George Clinton (US funk musician) and Bootsy Collins (US funk musician & songwriter)
Parliament53:45
17Le Freak
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:19
18Bad Girls
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
recording of:
Bad Girls (in 1979)
writer:
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson and Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Donna Summer54:01
19Rapper's Delight
recording of:
Rapper’s Delight
writer:
Bernard Edwards, Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang35:05
20I Wanna Be Your Lover
assistant engineer:
Mark Ettel
engineer:
Gary Brandt
producer:
Prince (“The Artist Formerly Known as…”)
lead vocals:
Prince (“The Artist Formerly Known as…”)
remixer:
Bob Mockler (engineer) and Prince (“The Artist Formerly Known as…”)
performer:
Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
recorded at:
Alpha Studios in Burbank, California, United States
recording of:
I Wanna Be Your Lover (Prince song)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince32:58
21Let's Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Earth, Wind & Fire54:05
22The Message
performer:
The Furious Five
recording of:
The Message
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five feat. Melle Mel & Duke Bootee4:47
23Address To The Democratic Convention (excerpt)
Jesse Jackson1:47
24Rebel Without A Pause
recording of:
Rebel Without a Pause
writer:
Carlton Douglas Ridenhour, Norman Lee Rogers, Eric Sadler and Hank Shocklee
Public Enemy4:23
25Check the Rhime
recording engineer and mixer:
Bob Power and A Tribe Called Quest
producer:
A Tribe Called Quest
produced for:
The Ummah
samples:
Baby, This Love I Have by Minnie Riperton, Fly Like an Eagle by Steve Miller Band, Hydra by Grover Washington, Jr. and Love Your Life by Average White Band
recording of:
Check the Rhime
writer:
Roger Ball, Steve Ferrone, Alan Gorrie, Jonathan Davis (American rapper), Malcolm Duncan, Malik Isaac Taylor, Onnie McIntyre, Ali Shaheed Muhammad, Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer), Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
A Tribe Called Quest4.153:38