Broadway and Hollywood… Basie’s Way

~ Release by Count Basie and His Orchestra featuring Roy Eldridge, Eddie “Lockjaw” Davis, Harry “Sweets” Edison, Billy Mitchell (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Hello Young Lovers (from “The King and I”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (on 1966-08-18)
bass:
Norman Keenan (on 1966-08-18)
drums (drum set):
Ed Shaughnessy (on 1966-08-18)
guitar:
Freddie Green (on 1966-08-18)
piano:
Count Basie (pianist) (on 1966-08-18)
reeds:
Marshall Royal (on 1966-08-18)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-08-18)
trombone:
Dick Boone (on 1966-08-18), Harlan Floyd (on 1966-08-18) and Grover Mitchell (trombone) (on 1966-08-18)
trumpet:
Al Aarons (on 1966-08-18), Sonny Cohn (on 1966-08-18), Roy Eldridge (on 1966-08-18) and Gene Goe (on 1966-08-18)
woodwind:
Eric Dixon (woodwind) (on 1966-08-18) and Bobby Plater (on 1966-08-18)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-08-18)
instrumental recording of:
Hello, Young Lovers (The King and I) (on 1966-08-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:09
2A Lot of Livin’ to Do (from “Bye Bye Birdie”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
A Lot of Livin’ to Do (from "Bye Bye Birdie") (from 1966-09-07 until 1966-09-08)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
part of:
Bye Bye Birdie
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:04
3Just in Time (from “Bells Are Ringing”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (on 1966-08-18)
bass:
Norman Keenan (on 1966-08-18)
drums (drum set):
Ed Shaughnessy (on 1966-08-18)
guitar:
Freddie Green (on 1966-08-18)
piano:
Count Basie (pianist) (on 1966-08-18)
reeds:
Marshall Royal (on 1966-08-18)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-08-18)
trombone:
Dick Boone (on 1966-08-18), Harlan Floyd (on 1966-08-18) and Grover Mitchell (trombone) (on 1966-08-18)
trumpet:
Al Aarons (on 1966-08-18), Sonny Cohn (on 1966-08-18), Roy Eldridge (on 1966-08-18) and Gene Goe (on 1966-08-18)
woodwind:
Eric Dixon (woodwind) (on 1966-08-18) and Bobby Plater (on 1966-08-18)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-08-18)
instrumental recording of:
Just in Time (Bells Are Ringing) (on 1966-08-18)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:08
4Mame (from “Mame”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
Mame (from 1966-09-07 until 1966-09-08)
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:16
5On a Clear Day (from “On a Clear Day You Can See Forever”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (on 1966-08-18)
bass:
Norman Keenan (on 1966-08-18)
drums (drum set):
Ed Shaughnessy (on 1966-08-18)
guitar:
Freddie Green (on 1966-08-18)
piano:
Count Basie (pianist) (on 1966-08-18)
reeds:
Marshall Royal (on 1966-08-18)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-08-18)
trombone:
Dick Boone (on 1966-08-18), Harlan Floyd (on 1966-08-18) and Grover Mitchell (trombone) (on 1966-08-18)
trumpet:
Al Aarons (on 1966-08-18), Sonny Cohn (on 1966-08-18), Roy Eldridge (on 1966-08-18) and Gene Goe (on 1966-08-18)
woodwind:
Eric Dixon (woodwind) (on 1966-08-18) and Bobby Plater (on 1966-08-18)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-08-18)
instrumental recording of:
Melinda (On a Clear Day You Can See Forever) (on 1966-08-18)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:44
6It’s All Right With Me (from “Can Can”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (from 1966-09-07 until 1966-09-08)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:36
7On the Street Where You Live (from “My Fair Lady”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (on 1966-08-18)
bass:
Norman Keenan (on 1966-08-18)
drums (drum set):
Ed Shaughnessy (on 1966-08-18)
guitar:
Freddie Green (on 1966-08-18)
piano:
Count Basie (pianist) (on 1966-08-18)
reeds:
Marshall Royal (on 1966-08-18)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1966-08-18)
trombone:
Dick Boone (on 1966-08-18), Harlan Floyd (on 1966-08-18) and Grover Mitchell (trombone) (on 1966-08-18)
trumpet:
Al Aarons (on 1966-08-18), Sonny Cohn (on 1966-08-18), Roy Eldridge (on 1966-08-18) and Gene Goe (on 1966-08-18)
woodwind:
Eric Dixon (woodwind) (on 1966-08-18) and Bobby Plater (on 1966-08-18)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-08-18)
instrumental recording of:
On the Street Where You Live (My Fair Lady) (on 1966-08-18)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:49
8Here’s That Rainy Day (from “Carnival in Flanders”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
Here’s That Rainy Day (from 1966-09-07 until 1966-09-08)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:23
9From This Moment On (from “Out of This World”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (from 1966-09-07 until 1966-09-08)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:43
10Baubles, Bangles and Beads (from “Kismet”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (from 1966-09-07 until 1966-09-08)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:03
11People (from “Funny Girl”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
People (Funny Girl) (from 1966-09-07 until 1966-09-08)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:36
12Everything’s Coming Up Roses (from “Gypsy”)
recording engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
baritone saxophone:
Charlie Fowlkes (from 1966-09-07 until 1966-09-08)
bass:
Norman Keenan (from 1966-09-07 until 1966-09-08)
drums (drum set):
Ed Shaughnessy (from 1966-09-07 until 1966-09-08)
guitar:
Freddie Green (from 1966-09-07 until 1966-09-08)
piano:
Count Basie (pianist) (from 1966-09-07 until 1966-09-08)
reeds:
Marshall Royal (from 1966-09-07 until 1966-09-08)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1966-09-07 until 1966-09-08)
trombone:
Dick Boone (from 1966-09-07 until 1966-09-08), Harlan Floyd (from 1966-09-07 until 1966-09-08) and Grover Mitchell (trombone) (from 1966-09-07 until 1966-09-08)
trumpet:
Al Aarons (from 1966-09-07 until 1966-09-08), Sonny Cohn (from 1966-09-07 until 1966-09-08), Roy Eldridge (from 1966-09-07 until 1966-09-08) and Gene Goe (from 1966-09-07 until 1966-09-08)
woodwind:
Eric Dixon (woodwind) (from 1966-09-07 until 1966-09-08) and Bobby Plater (from 1966-09-07 until 1966-09-08)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (from 1966-09-07 until 1966-09-08)
instrumental recording of:
Everything’s Coming Up Roses (Gypsy) (from 1966-09-07 until 1966-09-08)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gypsy
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:11
13Secret Love (from “Calamity Jane”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
12 Songs: Secret Love (on 1966-12-14)
composer:
Sammy Fain
arranger:
武満徹 (composer)
arrangement of:
Secret Love (song from “Calamity Jane”)
part of:
12 Songs for guitar
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:49
14Laura (from “Laura”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
Laura (1945 song) (on 1966-12-14)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:25
15In the Still of the Night (from “Rosalie”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
In the Still of the Night (Cole Porter song) (on 1966-12-14)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell1:58
16A Foggy Day (from “A Damsel in Distress”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
A Foggy Day (in London Town) (on 1966-12-21)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:10
17The Shadow of Your Smile (from “The Sandpiper”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
The Shadow of Your Smile (on 1967-01-16)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 38)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell3:21
18The Trolley Song (from “Meet Me in St. Louis”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1966-12-21)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
Meet Me in St. Louis (1944 film)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:16
19Strangers in the Night (from “A Man Could Get Killed”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental cover recording of:
Strangers in the Night (on 1967-01-16)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc., Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:56
20A Fine Romance (from “Swing Time”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
A Fine Romance (from “Swing Time”) (on 1966-12-21)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:44
21Carioca (from “Flying Down to Rio”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1967-01-16)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:22
22Hurry Sundown Blues (from “Hurry Sundown”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
Hurry Sundown (on 1967-01-16)
writer:
Buddy Kaye and Hugo Montenegro
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:43
23It Might as Well Be Spring (from “State Fair”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1966-12-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
part of:
Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:30
24Days of Wine and Roses (from “Days of Wine and Roses”)
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
Days of Wine and Roses (on 1966-12-14)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 35)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:38

Credits

Release

manufactured in:Spain
producer:Jordi Pujol (task: produced for CD release)
mastering:George Piros
manufactured by and distributed by:Blue Moon producciones discográficas, S.L. (not for release label use! Spanish reissues, with MANY sub-labels; find the right one!)
copyrighted (©) by and phonographic copyright (℗) by:Fresh Sound Records (in 2009)