Het Beste Uit 40 Jaar De Pre Historie

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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CD 1
Nr.TitelKünstlerBewertungLänge
1Apache
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:59
2My Girl Josephine
recording of:
My Girl Josephine
Texter und Komponist(in):
Antoine Dominique Domino und Dave Bartholomew
Fats Domino2:01
3The LocomotionLittle Eva2:24
4Surfin' USA
recording of:
Surfin’ U.S.A.
Texter:
Brian Wilson (Beach Boys co-founder)
Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
basiert auf:
Sweet Little Sixteen
The Beach Boys2:28
5Oh Pretty Woman
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (publisher) (in 1972)
Roy Orbison4.33:01
6Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Shirley Bassey (Welsh singer)
Dirigent(in):
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent, London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
Goldfinger
Shirley Bassey4.252:46
7Black Is Black
recording of:
Black Is Black (in 1966)
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:59
8San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
Scott McKenzie3.752:59
9Suzanne
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Sologesang:
Leonard Cohen
Dirigent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
Texter:
Leonard Cohen (in 1966)
Komponist(in):
Leonard Cohen
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
Leonard Cohen4.23:48
10Daydream
recording of:
Daydream
Komponist(in):
David Mackay (Australian producer), Sylvain Vanholme (Belgian musician & producer) und Raymond Vincent
Wallace Collection1.25:01
CD 2
Nr.TitelKünstlerBewertungLänge
1Black Magic Woman
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. und Murbo Music Publishers, Inc.
Santana3:14
2Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner2:38
3Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple (English rock band)
E-Bass:
Roger Glover (vom 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (vom 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (vom 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (vom 1969-10 bis 1970-04)
vocals:
Ian Gillan (vom 1969-10 bis 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd.
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (vom 1969-10 bis 1970-04)
teilweise recording of:
Child in Time (vom 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple6:10
4Walk on the Wild Side
recording of:
Walk on the Wild Side
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Lou Reed4:12
5Sebastian
recording of:
Sebastian
Texter und Komponist(in):
Steve Harley
Steve Harley & Cockney Rebel5:43
6That's the Way
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.43:04
7Sing a Song
Produzent(in):
Charles Stepney und Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
Samples von:
Gratitude von Earth, Wind & Fire (in 1975)
recording of:
Sing a Song
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire33:25
8Meisjes
recording of:
Meisjes
Texter und Komponist(in):
Raymond van het Groenewoud (Belgian musician & songwriter)
Raymond van het Groenewoud4:38
9Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (vom 1977-06 bis 1977-07) und Chris Stein (vom 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (vom 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (vom 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (vom 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (vom 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (vom 1977-06 bis 1977-07) und Jimmy Destri (vom 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (vom 1977-06 bis 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (vom 1977-06 bis 1977-07)
cover recording of:
Denise (vom 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS-affiliated), Minder Music Ltd. und Taking Care of Business Music Inc.
Blondie3.62:15
10We Belong to the Night
Ellen Foley4:13
CD 3
Nr.TitelKünstlerBewertungLänge
1On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter3:08
2Runaway Boys
recording of:
Runaway Boys
Verfasser(in):
Slim Jim Phantom und Brian Setzer
Stray Cats3:00
3Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell und Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.53:24
4Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. und Point Music (publisher)
Teil von:
50 First Dates
Thompson Twins4:46
5Such a Shame
recording of:
Such a Shame
Texter und Komponist(in):
Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk5:43
619
Produzent(in):
Paul Hardcastle
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
Paul Hardcastle3.63:39
7We Built This CityStarship44:53
8Hold Me Now
Teil von:
Ireland in the Eurovision Song Contest (Nummer: 1987) und Winners of the Eurovision Song Contest (Nummer: 1987)
recording of:
Hold Me Now
Komponist(in):
Johnny Logan
Johnny Logan53:05
9The Way to You Heart
recording of:
The Way to Your Heart
Verfasser(in):
Jan Leyers (Belgian singer & songwriter) und Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
Soulsister3:47
10Lily Was Here
recording engineer:
Steve McLaughlin (British producer, engineer, musician and film producer)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Gary Bradshaw
Gast-Saxophon:
Candy Dulfer
Gitarre:
Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Eligible Music Ltd. (in 1989)
recording of:
Lily Was Here
Komponist(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
Dave Stewart & Candy Dulfer3.654:20
CD 4
Nr.TitelKünstlerBewertungLänge
1U Can't Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller und Stanley Kirk Burrell
basiert auf:
Super Freak
MC Hammer4.154:16
2Ice Ice Baby
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie, Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc. (1989-07-24–present), Fernhill Publishing, Ice Baby Music, Knightlife Productions, QPM Music Inc., Queen Music Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice3:42
3It's My Life
Techniker(in):
Gundars Rullis (Chorgesang)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar und Ricco (background vocals on "It's My Life")
Hintergrundgesang:
Paola Toro
Chorgesang arranger:
Anders Hansson (producer / writer / performer)
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1993)
produced for:
SweMix Productions (in 1992)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län, Schweden (Chorgesang) und SweMix Studio in Stockholm, Stockholms län, Schweden
mixed at:
SweMix Studio in Stockholm, Stockholms län, Schweden
Musikvideos:
It’s My Life von Dr. Alban
recording of:
It’s My Life
Texter:
Dr. Alban
Komponist(in):
Denniz PoP
publisher:
SweMix Music und SweMix Songs
Dr. Alban3.84:01
4Mr. Vain
Techniker(in):
Torsten Fenslau (German dance producer) und Peter Zweier
Produzent(in):
Torsten Fenslau (German dance producer)
vocals:
Tania Evans und Jay Supreme
Interpret(in):
Torsten Fenslau (German dance producer) und Peter Zweier
recording of:
Mr. Vain
Texter:
Nosie Katzmann und Jay Supreme
Verfasser(in):
J. Supreme, S. Levis und N. Katzmann
Komponist(in):
Nosie Katzmann, Stephan Zick und Jay Supreme
publisher:
Control (German electronic), Edition "Get Into Magic", Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Culture Beat5:38
5Cotton Eye Joe
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4:14
6Scatman
Produzent(in):
Antonio Nunzio Catania und Ingo Kays
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1994)
recording of:
Scatman (Ski-ba-bop-ba-dop-bop)
Texter und Komponist(in):
Antonio Nunzio Catania und John Larkin
publisher:
BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG) und Iceberg Publ. DK
Scatman John3.653:36
7Macarena
recording of:
Macarena
Texter und Komponist(in):
Antonio Romero Monge und Rafael Ruiz
Los del Río4:13
8Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:00
9Last Thing on My Mind
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Paul Waterman
Keyboard [keyboards]:
Mark Topham und Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Last Thing on My Mind
Verfasser(in):
Sara Dallin, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., In a Bunch Music (publisher), Mike Stock Publishing Ltd. und Warner Chappel Music Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Steps3.153:02
10Mambo N° 5
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer Musikverlag
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.653:42

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