The Very Best of Cole Porter

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Hip-O/UTV - Catalog #: 000178002

Annotation last modified on 2006-08-23 05:25 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Too Darn Hot
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms
part of:
Kiss Me, Kate (musical)
Ella Fitzgerald3.653:48
2My Heart Belongs to Daddy
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (on 1953-05-01)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Peggy Lee2:10
3Begin the Beguine
cover recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Tony Bennett3:25
4You'd Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan4:02
5It's De-Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Jeri Southern2:08
6True Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
High Society (1956 film)
part of:
High Society (stage musical)
Dean Martin2:32
7Love for Sale
Shirley Horn3:53
8Anything Goes
cover recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Helen Merrill3:07
9Let's Do It (Let's Fall in Love)
engineer:
Val Valentin (on 1957-10-14)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1957-10-14)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Louis Armstrong8:43
10Let's Misbehave
Eartha Kitt3:29
11Easy to Love
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Easy to Love (on 1952-03-26)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday43:02
12What Is This Thing Called Love
Mel Tormé2:57
13Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Anita O’Day with Billy May & His Orchestra2:08
14I Get a Kick Out of You
baritone saxophone:
Cecil Payne (on 1955-03-15)
bass:
Keter Betts (on 1955-03-15)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1955-03-15)
guitar:
Barry Galbraith (on 1955-03-15)
piano:
Wynton Kelly (on 1955-03-15)
tenor saxophone:
Paul Quinichette (on 1955-03-15)
trombone:
Jimmy Cleveland (on 1955-03-15)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-03-15)
lead vocals:
Dinah Washington (on 1955-03-15)
vocals:
Dinah Washington (in 1955)
arranger:
Quincy Jones (on 1955-03-15)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1955-03-15)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Dinah Washington6:19
15In the Still of the Night
guest trumpet:
Roy Hargrove
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Aaron Neville4:50
16Ev'ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Carmen McRae3:03
17Night and Day
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
double bass:
Ray Brown (jazz bassist) (in 1952-12)
drums (drum set):
Alvin Stoller (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
trumpet:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire5:01
18You Do Something to Me
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Ella Fitzgerald22:22