Klassische Musik für Dummies

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Box (back), booklet (impressum), CD cardboard sleeve (back) information:

(p) 1950–2009 The Copyright in these sound recordings is owned by EMI Records Ltd., EMI Records Ltd./Virgin Classics, EMI Music Germany, EMI Music France & EMI Music Spain - This compilation (p) & (c) 2011 EMI Music Germany & Co. KG

Annotation last modified on 2018-04-15 17:42 UTC.

Tracklist

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▼CD 1: Mittelalter, Renaissance, Barock
#	Title	Artist	Rating	Length
1	Ein Kind geboren zu Bethlehem sound engineer: Angel Barco producer: Maria Francisca Bonmati choir vocals: Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (in 1981-05) chorus master: Francisco Lara (Gregorian chant specialist, musicologist, professor of history and music sciences) (in 1981-05) phonographic copyright (℗) by: Hispavox, S.A. (not for release label use! Spanish record company) (in 1981) recorded at: Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos, Castilla y León, Spain (in 1981-05) recording of: Puer natus in Bethlehem (original Piæ cantiones 1625 version) lyricist and composer: [anonymous] (Special Purpose Artist) part of: Piæ cantiones (1625)	[anonymous]		2:02
2	Missa Papae Marcelli: Sanctus (Ausschn.) choir vocals: King’s College Choir conductor: Sir David Willcocks partial recording of: Missa Papae Marcelli: IV. Sanctus composer: Giovanni Pierluigi da Palestrina (composer) part of: Missa Papae Marcelli	Giovanni Pierluigi da Palestrina		1:52
3	Madrigalbuch 8: Hor ch’el ciel e la terra (Ausschn.) conductor: Anthony Rooley (lute player / conductor) performer: Consort of Musicke partial recording of: Hor che’l ciel e la terra e’l vento tace SV 147 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 147) part of: Ottavo Libro de’ Madrigali: Canti Guerrieri	Claudio Monteverdi		1:24
4	Symphonie de la Gloire (aus Thésée) conductor: Lajos Rovatkay performer: Capella Agostino Steffani recording of: Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs composer: Jean‐Baptiste Lully (composer) part of: Le Bourgeois gentilhomme, LWV 43	Jean‐Baptiste Lully		1:20
5	Te Deum: Prélude orchestra and performer: Les Arts Florissants conductor: William Christie (harpsichordist and conductor) recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:37
6	Le Tic-Toc-Choc ou Les Maillotins piano [Klavier]: Georges Cziffra (pianist) recording of: Dix-huitième ordre de clavecin en fa majeur: No. 6. Le Tic-Toc-Choc ou Les Maillotins composer: François Couperin (French composer of the Baroque era) part of: Dix-huitième ordre de clavecin en fa majeur	François Couperin		2:37
7	La Poule (Die Henne) piano [Klavier]: Georges Cziffra (pianist) recording of: Nouvelles Suites de Pièces de Clavecin: La Poule composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor	Jean-Philippe Rameau		3:05
8	Kanon in D orchestra: Taverner Players conductor: Andrew Parrott (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988) recording of: Canon and Gigue in D major, T. 377: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Johann Pachelbel		3:40
9	Music for a while classical guitar and guitar: Craig Ogden (guitarist) countertenor vocals: David Daniels (American countertenor) classical guitar arranger: Craig Ogden (guitarist) recording of: Oedipus, King of Thebes, Z. 583: II. "Music for a While" lyricist: John Dryden (English poet) composer: Henry Purcell (baroque composer) part of: Oedipus, King of Thebes, Z. 583	Henry Purcell		3:49
10	Gloria, RV 589: Gloria in excelsis Deo (arr. Malipiero) choir vocals: New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) orchestra: New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Riccardo Muti (conductor) recording of: Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) lyricist: Anonymous (Special Purpose Artist) additional composer: Gian Francesco Malipiero (composer) composer: Antonio Vivaldi is based on: Gloria in D major, RV 589: I. Gloria in excelsis Deo part of: Gloria, RV 589 (edited by Malipiero)	Antonio Vivaldi		2:26
11	Mandolinenkonzert in C-dur, RV 425: Allegro producer: Nicolas Bartholomée editor and balance engineer: Alessandra Galleron mandolin [Mandoline]: Giovanni Scaramuzzino (mandolinist) (from 2001-10-09 until 2001-10-12) orchestra: Europa Galante (from 2001-10-09 until 2001-10-12, in 2002) conductor: Fabio Biondi (violinist) (from 2001-10-09 until 2001-10-12, in 2002) recorded at: San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12) recording of: Concerto for Mandolin in C major, RV 425: I. Allegro (from 2001-10-09 until 2001-10-12) composer: Antonio Vivaldi part of: Concerto for Mandolin in C major, RV 425 recording of: Concerto for Mandolin in C major, RV 425: I. Allegro (in 2002) composer: Antonio Vivaldi part of: Concerto for Mandolin in C major, RV 425	Antonio Vivaldi		3:12
12	Die vier Jahreszeiten: Der Frühling – I. Allegro producer: Nicolas Bartholomée violin [Violine]: Fabio Biondi (violinist) (from 2000-07 until 2000-10) orchestra: Europa Galante (from 2000-07 until 2000-10) conductor: Fabio Biondi (violinist) (from 2000-07 until 2000-10) balance engineer: Frédéric Briant recorded at: Studio Tibor Varga in Sion, Valais, Switzerland (from 2000-07 until 2000-10) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 2000-07 until 2000-10) composer: Antonio Vivaldi (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Antonio Vivaldi		3:02
13	Die vier Jahreszeiten: Der Sommer – III. Presto producer: Nicolas Bartholomée violin [Violine]: Fabio Biondi (violinist) (from 2000-07 until 2000-10) orchestra: Europa Galante (from 2000-07 until 2000-10) conductor: Fabio Biondi (violinist) (from 2000-07 until 2000-10) balance engineer: Frédéric Briant recorded at: Studio Tibor Varga in Sion, Valais, Switzerland (from 2000-07 until 2000-10) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 2000-07 until 2000-10) composer: Antonio Vivaldi (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”	Antonio Vivaldi		2:26
14	Jesu bleibet meine Freude (arr. Hess) engineer: Anthony Griffith (engineer) producer: Walter Legge (British classical record producer, 1906-1979) piano [Klavier]: Dinu Lipatti (Romanian classical pianist and composer) (on 1950-07-10) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1951) recorded at: Studio 2, Radio Geneva in Genève, Genève, Switzerland (on 1950-07-10) recording of: Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (on 1950-07-10) composer: Johann Sebastian Bach (German Baroque period composer & musician) piano arranger: Dame Myra Hess (pianist) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:25
15	Johannes-Passion, BWV 245: Choral: Herr unser Herrscher (Ausschn.) choir vocals: Taverner Consort orchestra: Taverner Players conductor: Andrew Parrott (conductor) partial recording of: Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Johannes-Passion, BWV 245	Johann Sebastian Bach		3:22
16	Das Wohltemperierte Klavier, Teil 1: Präludium Nr. 1 in C-dur, BWV 846 piano [Klavier]: Christian Zacharias (pianist and conductor) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846	Johann Sebastian Bach		1:55
17	Cellosuite Nr. 1 in G-dur, BWV 1007: Präludium assistant engineer: Alain Joubert (in 1991-03) executive producer: Мстислав Ростропович (cellist) producer: Guy Chesnais (producer) cello: Mstislav Rostropovich (cellist) (in 1991-03) balance engineer: Raymond Buttin (engineer) (in 1991-03) phonographic copyright (℗) by: SGOL Music Ltd. (in 1995) recorded at: Basilique Sainte-Marie-Madeleine de Vézelay in Vézelay, Yonne, Bourgogne-Franche-Comté, France (in 1991-03) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (in 1991-03) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007	Johann Sebastian Bach		2:05
18	Brandenburgisches Konzert Nr. 2 in F-dur, BWV 1047: Allegro (Ausschn.) orchestra: Orchestra of the Age of Enlightenment partial recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047	Johann Sebastian Bach		1:42
19	Klavierkonzert Nr. 4 in f-moll, BWV 1056: Adagio piano [Klavier]: David Fray (pianist) (from 2008-01-29 until 2008-02-01) orchestra: Deutsche Kammerphilharmonie Bremen (from 2008-01-29 until 2008-02-01) conductor: David Fray (pianist) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 2008-01-29 until 2008-02-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		3:07
20	Toccata und Fugue in d-moll, BWV 565: Toccata organ: Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04) recorded at: Cathédrale Saint-Pierre de Genève in Genève, Genève, Switzerland (from 1975-11-25 until 1975-12-04) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1975-11-25 until 1975-12-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Johann Sebastian Bach		2:32
21	Orchestersuite Nr. 3 in D-dur, BWV 1068: Air orchestra: English Chamber Orchestra (in 1988-01) conductor: Philip Ledger (in 1988-01) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) composer: Johann Sebastian Bach (German Baroque period composer & musician) reconstructed by: Siegbert Rampe (harpsichordist and conductor) arrangement of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)	Johann Sebastian Bach		4:50
22	Adriano in Siria: Tutti nemeci, e rei countertenor vocals: Philippe Jaroussky (countertenor) orchestra: Le Cercle de l'Harmonie conductor: Jérémie Rhorer (conductor) recording of: Adriano in Siria: Atto secondo: Scena VIII: N.5 Aria: Tutti nemici e rei composer: Giovanni Battista Pergolesi (composer) librettist: Pietro Metastasio part of: Adriano in Siria: Atto secondo	Johann Christian Bach		2:41
23	Sonate in f-moll, K. 519 piano [Klavier]: Mikhail Pletnev (pianist & conductor) recording of: Sonata in F minor, K 519, L 475: Allegro assai composer: Domenico Scarlatti (composer) part of: Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 475) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 519)	Domenico Scarlatti		3:14
24	Der Messias: Halleluja choir vocals: Taverner Choir (in 1988-04) orchestra: Taverner Players (in 1988-04) conductor: Andrew Parrott (conductor) (in 1988-04) performer: The Taverner Choir, Consort & Players (in 1988-04) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-04) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:00
25	Sarabande (arr. Hale) orchestra: Academy of St Martin in the Fields conductor: Alexander Briger (conductor) recording of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande	George Frideric Handel		3:24
26	Feuerwerksmusik: La Réjouissance orchestra: Menuhin Festival Orchestra (in 1968) conductor: Yehudi Menuhin (violinist) (in 1968) recording of: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968) composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		2:22
27	Zadok the Priest (Ausschn.) choir vocals: Royal Choral Society orchestra: London Philharmonic Orchestra (LPO) conductor: Sir Andrew Davis (conductor, keyboardist, composer, arranger) partial recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems	George Frideric Handel		2:17
28	Stabat Mater: Stabat Mater dolorosa countertenor vocals: David Daniels (American countertenor) soprano vocals: Dorothea Röschmann (soprano) orchestra: Europa Galante conductor: Fabio Biondi (violinist) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		3:57

▼CD 2: Wiener Klassik
#	Title	Artist	Rating	Length
1	Trompetenkonzert in Es-dur, Hob. VIIe 1: III. Finale. Allegro oboe: Gordon Hunt (oboist) (from 1984-07-08 until 1984-07-10) trumpet: Maurice André (French trumpeter) (from 1984-07-08 until 1984-07-10) violin: Christopher Warren‐Green (violinist and conductor) (from 1984-07-08 until 1984-07-10) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1984-07-08 until 1984-07-10) conductor: Riccardo Muti (conductor) (from 1984-07-08 until 1984-07-10) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-07-08 until 1984-07-10) recording of: Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (from 1984-07-08 until 1984-07-10) composer: Joseph Haydn (composer) (in 1796) part of: Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1	Joseph Haydn		4:51
2	Klaviersonate Nr. 62 in Es-dur, Hob. XVI 52: III. Finale. Presto (Ausschn.) piano [Klavier]: Mikhail Pletnev (pianist & conductor) recording of: Piano Sonata no. 62 in E-flat major, Hob. XVI:52: III. Finale: Presto composer: Joseph Haydn (composer) (in 1794) part of: Piano Sonata no. 62 in E-flat major, Hob. XVI:52	Joseph Haydn		2:44
3	Streichquartett Nr. 5 in E-dur, op. 11: Menuett recorded in: Montevarchi, Arezzo, Toscana, Italy (from 1999-12-05 until 1999-12-08) executive producer: Alain Lanceron cello: Antonio Fantinuoli (from 1999-12-05 until 1999-12-08) and Maurizio Naddeo (cellist) (from 1999-12-05 until 1999-12-08) strings [string quintet]: Europa Galante (from 1999-12-05 until 1999-12-08) viola: Ernesto Braucher (from 1999-12-05 until 1999-12-08) violin: Fabio Biondi (violinist) (from 1999-12-05 until 1999-12-08) and Enrico Casazza (violinist) (from 1999-12-05 until 1999-12-08) balance engineer: Nicolas De Béco (from 1999-12-05 until 1999-12-08) recording of: Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (from 1999-12-05 until 1999-12-08) composer: Luigi Boccherini (composer) (in 1771) part of: Quintet in E major, G. 275, op. 11 no. 5	Luigi Boccherini		3:38
4	Klavierkonzert Nr. 21 in C-dur, KV 467: II. Andante piano: Christian Zacharias (pianist and conductor) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: David Zinman (conductor) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		5:14
5	Klavierkonzert Nr. 23 in A-dur, KV 488: II. Adagio piano: Christian Zacharias (pianist and conductor) (in 1986) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986) conductor: David Zinman (conductor) (in 1986) recording of: Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (in 1986) composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02) part of: Concerto for Piano and Orchestra no. 23 in A major, K. 488	Wolfgang Amadeus Mozart		6:38
6	Klaviersonate Nr. 11 in A-dur, KV 331: III. Rondo alla turca producer: Suvi Raj Grubb piano: Daniel Barenboim (pianist and conductor) (in 1984-12) balance engineer: Michael Sheady (engineer) (in 1984-12) recorded at: Maison de la Mutualité in Paris, Île-de-France, France (in 1984-12) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1984-12) composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:18
7	Requiem in d-moll, KV 626: Dies irae orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-09-16 until 1978-09-17) conductor: Carlo Maria Giulini (conductor) (from 1978-09-16 until 1978-09-17) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09-16 until 1978-09-17) recording of: Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1978-09-16 until 1978-09-17) orchestrator: Franz Xaver Süßmayr additional composer: Joseph Leopold Eybler composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)	Wolfgang Amadeus Mozart	5	1:59
8	Requiem in d-moll, KV 626: Lacrimosa choir vocals: Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-09-16 until 1978-09-17) conductor: Carlo Maria Giulini (conductor) (from 1978-09-16 until 1978-09-17) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09-16 until 1978-09-17) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1978-09-16 until 1978-09-17) orchestrator: Franz Xaver Süßmayr additional composer: Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart	4	3:36
9	Eine kleine Nachtmusik, KV 525: I. Allegro (Ausschn.) conductor: Sir Neville Marriner (conductor) partial recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart	4	4:12
10	Sinfonie Nr. 25 in g-moll, KV 183: I. Allegro con brio (Ausschn.) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Wolfgang Amadeus Mozart		2:35
11	Sinfonie Nr. 40 in g-moll, KV 550: I. Molto Allegro orchestra: Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01) conductor: Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01) recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1986-10-29 until 1986-11-01) composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		7:22
12	Klaviersonate Nr. 14 "Mondschein": I. Adagio sostenuto piano: Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1999-12) recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1999-12) recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1999-12) composer: Ludwig van Beethoven (German composer) (in 1801) music quoted on: Happy Birthday but 13 classical composers are fighting over the last slice of cake part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven	5	6:33
13	Klaviersonate Nr. 8 "Pathétique": II. Adagio cantabile piano: Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1997-05) recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1997-05) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1997-05) composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven	5	5:33
14	Sinfonie Nr. 5 in c-moll, op. 67: I. Allegro con brio recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven	4	7:15
15	Sinfonie Nr. 7 in A-dur, op. 92: II. Allegretto (Ausschn.) orchestra: Wiener Philharmoniker conductor: Simon Rattle (conductor) partial recording of: Symphony no. 7 in A major, op. 92: II. Allegretto composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		2:59
16	Sinfonie Nr. 9 in d-moll, op. 125: Finale "Ode an die Freude" alto vocals: Birgit Remmert (operatic mezzo‐soprano and contralto) baritone vocals: Thomas Hampson (baritone) choir vocals: City of Birmingham Symphony Chorus soprano vocals: Barbara Bonney (soprano) tenor vocals: Kurt Streit (tenor) orchestra: Wiener Philharmoniker conductor: Simon Rattle (conductor) partial recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		3:46
17	Klavierkonzert Nr. 5 in Es-dur, op. 73: II. Adagio un poco mosso piano [Klavier]: Christian Zacharias (pianist and conductor) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) conductor: Hans Vonk (conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven	4	6:35

▼CD 3: Romantik
#	Title	Artist	Rating	Length
1	Der Freischütz: Ouvertüre (Ausschn.) orchestra: Berliner Philharmoniker conductor: Herbert von Karajan (conductor) partial recording of: Der Freischütz: Ouvertüre composer: Carl Maria von Weber (composer) part of: Der Freischütz	Carl Maria von Weber		4:46
2	Die diebische Elster: Ouverture (Ausschn.) partial recording of: La gazza ladra: Ouverture composer: Gioachino Rossini (composer) (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Gioachino Rossini		1:55
3	Wilhelm Tell: Ouverture (Ausschn.) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Carlo Maria Giulini (conductor) partial recording of: Guillaume Tell : Ouverture composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy music quoted on: Symphony no. 15 in A major, op. 141: I. Allegretto part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		3:17
4	Klaviertrio Nr. 2 in Es-dur, D 929: II. Andante con moto (Ausschn.) cello: Gautier Capuçon (cellist) piano [Klavier]: Frank Braley (pianist) violin [Violine]: Renaud Capuçon (violinist) partial recording of: Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto composer: Franz Schubert (composer) (in 1827-11) part of: Trio no. 2 in E-flat major for piano, violin, and violoncello, op. 100, D. 929	Franz Schubert		3:17
5	Moment musical in f-moll, D 780 Nr. 3 piano [Klavier]: Stephen Kovacevich (classical pianist, aka Stephen Bishop) recording of: 6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato composer: Franz Schubert (composer) part of: 6 Moments musicaux for Piano, op. 94, D. 780	Franz Schubert		1:35
6	Sinfonie Nr. 5 in B-dur, D 485: I. Allegro (Ausschn.) orchestra: Royal Philharmonic Orchestra conductor: Sir Thomas Beecham (conductor) partial recording of: Symphony no. 5 in B-flat major, D. 485: I. Allegro composer: Franz Schubert (composer) (in 1816) part of: Symphony no. 5 in B-flat major, D. 485	Franz Schubert		2:21
7	Streichquartett Nr. 14 in d-moll "Der Tod und das Mädchen": II. Andante con moto (Ausschn.) instruments: Alban Berg Quartett (string quartet) partial recording of: String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto composer: Franz Schubert (composer) part of: String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”	Franz Schubert		2:22
8	Klaviersonate Nr. 20 in A-dur, D 959: Andantino (Ausschn.) piano [Klavier]: Christian Zacharias (pianist and conductor) partial recording of: Sonata for Piano no. 20 in A major, D. 959: II. Andantino composer: Franz Schubert (composer) (in 1828-09) part of: Sonata for Piano no. 20 in A major, D. 959	Franz Schubert		2:35
9	Forellenquintett in A-dur, D 667: IV. Andante instruments: Mitglieder des Amadeus Quartett piano [Klavier]: Hephzibah Menuhin (pianist) violone [Kontrabass]: James Edward Merrett (double bass player) recording of: Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto composer: Franz Schubert (composer) (in 1819) publisher: G. Henle Verlag part of: Quintett A-Dur, D. 667 „Forellenquintett“	Franz Schubert		2:13
10	Erlkönig, D 328 sound engineer: Wolfgang Gülich (engineer) producer: Walter Legge (British classical record producer, 1906-1979) piano: Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29) soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29) recorded at: Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1966-04-21 until 1966-04-29) recording of: Erlkönig, D. 328 (from 1966-04-21 until 1966-04-29) lyricist: Johann Wolfgang von Goethe (in 1782) composer: Franz Schubert (composer) (in 1815) publisher: Cappi & Diabelli (in 1821) premiered at: Theater am Kärntnertor in Wien, Austria (on 1821-03-07) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328) is based on: Erlkönig (Goethe’s poem)	Franz Schubert		3:49
11	Ein Sommernachtstraum: Hochzeitsmarsch (Ausschn.) orchestra: Rotterdam Philharmonic Orchestra conductor: Jeffrey Tate (conductor) partial recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Felix Mendelssohn		1:45
12	Violinkonzert in e-moll, op. 64: I. Allegro molto appassionato (Ausschn.) violin [Violine]: Renaud Capuçon (violinist) orchestra: Mahler Chamber Orchestra conductor: Daniel Harding (conductor) partial recording of: Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Felix Mendelssohn		3:04
13	Lieder ohne Worte: Frühlingslied	Felix Mendelssohn		2:49
14	Etude in E-dur, op. 10 Nr. 3 "Tristesse" piano [Klavier]: Samson François (pianist) recording of: Étude in E major, op. 10 no. 3: Lento ma non troppo composer: Fryderyk Chopin (composer) (in 1832) part of: Études, op. 10	Frédéric Chopin		4:01
15	Klaviersonate Nr. 2 in b-moll, op. 35: III. Trauermarsch (Ausschn.) piano [Klavier]: Leif Ove Andsnes (pianist) partial recording of: Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento composer: Fryderyk Chopin (composer) (in 1839) part of: Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”	Frédéric Chopin		2:29
16	Minutenwalzer, op. 64 Nr. 1 recording of: Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		2:03
17	Walzer in cis-moll, op. 64 Nr. 2 piano [Klavier]: Ingrid Fliter recording of: Waltz no. 7 in C-sharp minor, op. 64 no. 2 composer: Fryderyk Chopin (composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		3:41
18	Prélude in e-moll, op. 28 Nr. 4 piano [Klavier]: Mikhail Rudy (pianist) recording of: Prélude no. 4 in E minor, op. 28: Largo composer: Fryderyk Chopin (composer) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		2:16
19	Nocturne Nr. 5 in fis-moll, op. 15 Nr. 2 piano [Klavier]: Samson François (pianist) recording of: Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto composer: Fryderyk Chopin (composer) (from 1830 until 1832) part of: Nocturnes, op. 15	Frédéric Chopin		3:33
20	Caprise, op. 1 Nr. 1 recording of: 24 Caprices for Solo Violin, op. 1: No. 1 in E major: Andante “l’Arpeggio” composer: Niccolò Paganini (composer and violinist) part of: 24 Caprices for Solo Violin, op. 1	Niccolo Paganini		1:47
21	Gnomenreigen recording of: Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen composer: Franz Liszt (from 1862 until 1863) part of: Zwei Konzertetüden, S. 145	Franz Liszt		2:49
22	Ungarische Rhapsodie Nr. 2 (Ausschn.)	Franz Liszt		3:58
23	Wasserspiele der Villa d’Este piano [Klavier]: Georges Cziffra (pianist) recording of: Les Jeux d'eaux à la Villa d'Este, S. 163 no. 4 composer: Franz Liszt (in 1877) part of: Années de pèlerinage : Troisième année, S. 163	Franz Liszt		6:16
24	Liebestraum piano: Rudolf Buchbinder (Austrian classical pianist) recording of: Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” composer: Franz Liszt (in 1850) piano arranger: Franz Liszt arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Franz Liszt		5:32

▼CD 4: Spätromantik
#	Title	Artist	Rating	Length
1	Lohengrin: Vorspiel zum Ersten Akt orchestra: Berliner Philharmoniker conductor: Herbert von Karajan (conductor) recording of: Lohengrin, WWV 75: Vorspiel (prelude to Act I) composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75	Richard Wagner		9:45
2	Der Ring des Nibelungen – Walküre: Walkürenritt orchestra: Oslo Philharmonic Orchestra conductor: Mariss Jansons (Latvian conductor) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		4:48
3	Lohengrin: Brautchor (Ausschn.) choir vocals: Chor der Bayerischen Staatsoper München (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) conductor: Robert Heger (conductor) partial recording of: Lohengrin, WWV 75: Akt III, Scene I. “Treulich geführt ziehet dahin” composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		1:46
4	Der Ring des Nibelungen – Siegfried: Siegfried-Idyll orchestra: Orchestre philharmonique de Radio France conductor: Marek Janowski (conductor) recording of: Siegfried Idyll, WWV 103 composer: Richard Wagner (composer) (in 1870) dedicated to: Cosima Wagner part of: Wagner-Werk-Verzeichnis (number: 103) is based on: Siegfried Idyll (original version for 13 instruments)	Richard Wagner		5:39
5	Sinfonie Nr. 4 in Es-dur "Romantische": Finale (Ausschn.) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1963-09-18 until 1963-09-26) conductor: Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1963-09-18 until 1963-09-26) edit of: Symphony No. 4 "Romantic" in E flat: IV. Finale (Bewegt, doch nicht zu schnell) by Philharmonia Orchestra, Otto Klemperer partial recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1886 (aka 1878/1880) version, ed. Nowak, 1953) (from 1963-09-18 until 1963-09-26) composer: Anton Bruckner (composer) (from 1873 until 1874) revised by: Anton Bruckner (composer) (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (1886 (aka 1878/1880) version, ed. Nowak, 1953)	Anton Bruckner		2:35
6	Walzer "An der schönen blauen Donau" (Ausschn.) orchestra: Wiener Johann Strauss Orchester conductor: Willi Boskovsky (violinist and conductor) partial recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss (Sohn)	4	1:41
7	Kinderszenen, op. 15: Träumerei piano [Klavier]: Martha Argerich (Argentine pianist) recording of: Kinderszenen, op. 15: No. 7. Träumerei (for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Robert Schumann		2:49
8	Klavierkonzert in a-moll, op. 54: I. Allegro affettuoso (Ausschn.) piano and piano [Klavier]: Leif Ove Andsnes (pianist) orchestra: Berliner Philharmoniker conductor: Mariss Jansons (Latvian conductor) partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		4:29
9	Faschingsschwank aus Wien: Intermezzo piano [Klavier]: Georges Cziffra (pianist) recording of: Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie composer: Robert Schumann (German classical composer) (until 1839) part of: Faschingsschwank aus Wien, op. 26	Robert Schumann		2:21
10	Sinfonie Nr. 3 in F-dur, op. 90: III. Poco allegretto orchestra: Deutsche Kammerphilharmonie conductor: Daniel Harding (conductor) recording of: Symphony no. 3 in F major, op. 90: III. Poco allegretto composer: Johannes Brahms (German composer) (in 1883) part of: Symphony no. 3 in F major, op. 90	Johannes Brahms		5:56
11	Klavierquartett Nr. 1 in g-moll, op. 25: IV. Rondo alla Zingarese (Ausschn.) cello: Gautier Capuçon (cellist) piano [Klavier]: Nicholas Angelich (pianist) viola: Gérard Caussé (violist) violin [Violine]: Renaud Capuçon (violinist) partial recording of: Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese. Presto composer: Johannes Brahms (German composer) (from 1856 until 1861) part of: Piano Quartet no. 1 in G minor, op. 25	Johannes Brahms		1:07
12	Intermezzo in C-dur, op. 119 piano [Klavier]: Nicholas Angelich (pianist) recording of: Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso composer: Johannes Brahms (German composer) (in 1893) part of: Klavierstücke, op. 119	Johannes Brahms		1:48
13	Violinkonzert in D-dur, op. 77: III. Allegro giocoso (Ausschn.) violin [Violine]: Frank Peter Zimmermann (violinist) orchestra: Berliner Philharmoniker conductor: Wolfgang Sawallisch (conductor) partial recording of: Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace composer: Johannes Brahms (German composer) (in 1878) part of: Konzert für Violine und Orchester D-Dur, op. 77	Johannes Brahms		2:02
14	Sinfonie Nr. 5 in cis-moll: IV. Adagietto (Ausschn.) orchestra: Berliner Philharmoniker conductor: Simon Rattle (conductor) partial recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		3:13
15	Mein Vaterland: Die Moldau (Ausschn.) orchestra: Royal Liverpool Philharmonic Orchestra conductor: Libor Pešek (conductor) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana	4	4:19
16	Slavischer Tanz, op. 72 Nr. 2 (Ausschn.) orchestra: Berliner Philharmoniker conductor: Lorin Maazel (conductor) partial recording of: Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) composer: Antonín Dvořák (composer) (from 1886-11 until 1887-01-05) premiered at: [concert] (1887-01-06) part of: Slawische Tänze, op. 72, B. 147 (for orchestra)	Antonín Dvořák		2:35
17	Sinfonie Nr. 9 in e-moll, op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco (Ausschn.) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Carlo Maria Giulini (conductor) partial recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Antonín Dvořák		3:54
18	Peer Gynt: Morgenstimmung orchestra: Eesti Riiklik Sümfooniaorkester (in 2004-09) conductor: Paavo Järvi (conductor) (in 2004-09) phonographic copyright (℗) by: Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005) recording of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 2004-09) composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23 recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		4:11
19	Holberg Suite: Präludium orchestra: Estonian National Symphony Orchestra conductor: Paavo Järvi (conductor) recording of: Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (for string orchestra)	Edvard Grieg		2:48
20	Messa da Requiem: Dies Irae choir vocals: Coro del Teatro alla Scala orchestra: Orchestra del Teatro alla Scala conductor: Riccardo Muti (conductor) recording of: Messa da requiem: IIa. Dies irae: Dies irae (coro) composer: Giuseppe Verdi (Italian opera composer) (in 1874) part of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)	Giuseppe Verdi		2:13
21	Nabucco: Gefangenenchor choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Riccardo Muti (conductor) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:16
22	Messa di Gloria: Et Incarnatus est choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Antonio Pappano (conductor and pianist) recording of: Messa di Gloria: III. Credo. Et incarnatus est composer: Giacomo Puccini (Italian composer) (in 1880) part of: Messa di Gloria: III. Credo	Giacomo Puccini		2:48

▶CD 5: Nationale Schulen

▶CD 6: Klassische Moderne

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liner notes:	David Pogue Scott Speck
liner notes translator:	Matthias Kalle Dahlheimer Oliver Fehn Harriet Gehring

manufactured by:	Optimal Media Production
copyrighted (©) by and phonographic copyright (℗) by:	EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2011)

part of:	für Dummies (German) (order: 2)

ASIN:	DE: B005I736QA [info]

Klassische Musik für Dummies

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