Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

▶CD 1: Bellini: Beatrice di Tenda (I)
▶CD 2: Bellini: Beatrice di Tenda (II)
▶CD 3: Donizetti: La fille du régiment (I)
▶CD 4: Donizetti: La fille du régiment (II)
▶CD 5: Verdi: Messa da Requiem
▶CD 6: Mascagni: L'amico Fritz (I)
▶CD 7: Mascagni: L'amico Fritz (II)
▶CD 8: R. Strauss: Der Rosenkavalier (I)
▶CD 9: R. Strauss: Der Rosenkavalier (II)
▼CD 10: R. Strauss: Der Rosenkavalier (III)
#TitleArtistRatingLength
1Der Rosenkavalier, op. 59: Akt III. Einleitung and Pantomime
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:03
2Der Rosenkavalier, op. 59: Akt III. „Hab'n Euer Gnaden noch weitre Befehle?” (Wirt)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:01
3Der Rosenkavalier, op. 59: Akt III. „Nein, nein, nein, nein! I trink' kein Wein” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:41
4Der Rosenkavalier, op. 59: Akt III. „Es is ja eh all's eins, es is ja eh all's eins” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Es is ja eh all's eins" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:39
5Der Rosenkavalier, op. 59: Akt III. „Da und da und da und da!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Da und da und da und da!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:06
6Der Rosenkavalier, op. 59: Akt III. „Halt! Keiner rührt sich! Was ist los?” (Kommissarius)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Halt! Keiner rührt sich!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:38
7Der Rosenkavalier, op. 59: Akt III. „Zur Stelle! Was wird von mir gewünscht?” (Faninal)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Zur Stelle! Was wird von mir gewünscht?" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:04
8Der Rosenkavalier, op. 59: Akt III. „Sind desto eher im klaren. Ich zahl', i geh'!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:34
9Der Rosenkavalier, op. 59: Akt III. „Bin glücklich über Maßen, hab' die Gnad' kaum meritiert” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Bin glücklich über Maßen...Muss jetzt partout zu ihr" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:43
10Der Rosenkavalier, op. 59: Akt III. „Laß Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Lass er nur gut sein und verschwind' er" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:33
11Der Rosenkavalier, op. 59: Akt III. „Leupold, wir gehn!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Hausknecht]:
Hans Reautschnigg (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Leopold, wir gehn!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
12Der Rosenkavalier, op. 59: Akt III. „Mein Gott, es war nicht mehr al seiner Farce” (Sophie)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:01
13Der Rosenkavalier, op. 59: Akt III. „Marie Theres'!” „Hab mirs gelobt” (Octavian, Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:05
14Der Rosenkavalier, op. 59: Akt III. „Ist ein Traum, kann nicht wirklich sein” (Sophie)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:40
▶CD 11: Donizetti: L'elisir d'amore (I)
▶CD 12: Donizetti: L'elisir d'amore (II)
▶CD 13: Verdi: Un ballo in maschera (I)
▶CD 14: Verdi: Un ballo in maschera (II)
▶CD 15: Verdi: Macbeth (I)
▶CD 16: Verdi: Macbeth (II)
▶CD 17: Rossini: Stabat Mater
▶CD 18: Verdi: Rigoletto (I)
▶CD 19: Verdi: Rigoletto (II)
▶CD 20: Donizetti: Lucia di Lammermoor (I)
▶CD 21: Donizetti: Lucia di Lammermoor (II)
▶CD 22: Puccini: Turandot (I)
▶CD 23: Puccini: Turandot (II)
▶CD 24: Puccini: La bohème (I)
▶CD 25: Puccini: La bohème (II)
▶CD 26: Bellini: I puritani (I)
▶CD 27: Bellini: I puritani (II)
▶CD 28: Bellini: I puritani (III)
▶CD 29: Puccini: Madama Butterfly (I)
▶CD 30: Puccini: Madama Butterfly (II)
▶CD 31: Donizetti: La favorita (I)
▶CD 32: Donizetti: La favorita (II)
▶CD 33: Donizetti: Maria Stuarda (I)
▶CD 34: Donizetti: Maria Stuarda (II)
▶CD 35: Verdi: Luisa Miller (I)
▶CD 36: Verdi: Luisa Miller (II)
▶CD 37: Mascagni: Cavalleria rusticana
▶CD 38: Leoncavalla: Pagliacci
▶CD 39: Verdi: Il trovatore (I)
▶CD 40: Verdi: Il trovatore (II)
▶CD 41: Puccini: Tosca (I)
▶CD 42: Puccini: Tosca (II)
▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▶CD 60: Giordano: Andrea Chénier (I)
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)
▶CD 65: Bellini: Norma (I)
▶CD 66: Bellini: Norma (II)
▶CD 67: Bellini: Norma (III)
▶CD 68: Verdi: Aida (I)
▶CD 69: Verdi: Aida (II)
▶CD 70: Verdi: Aida (III)
▶CD 71: Verdi: Ernani (I)
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)
▶CD 87: Verdi: Don Carlo (I)
▶CD 88: Verdi: Don Carlo (II)
▶CD 89: Verdi: Don Carlo (III)
▶CD 90: Verdi: Rigoletto (I)
▶CD 91: Verdi: Rigoletto (II)
▶CD 92: Verdi: I Lombardi (I)
▶CD 93: Verdi: I Lombardi (II)
▶Blu-ray 94: Donizetti: L'elisir d'amore
▶Blu-ray 95: Verdi: Rigoletto
▶Blu-ray 96: Donizetti: Lucia di Lammermoor
▶Blu-ray 97: Puccini: Turandot
▶Blu-ray 98: Puccini: La bohème
▶Blu-ray 99: Puccini: Madama Butterfly
▶CD 100: Puccini: La bohème (I)
▶CD 101: Puccini: La bohème (II)