Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

CD 1: Bellini: Beatrice di Tenda (I)
CD 2: Bellini: Beatrice di Tenda (II)
CD 3: Donizetti: La fille du régiment (I)
CD 4: Donizetti: La fille du régiment (II)
CD 5: Verdi: Messa da Requiem
CD 6: Mascagni: L'amico Fritz (I)
CD 7: Mascagni: L'amico Fritz (II)
CD 8: R. Strauss: Der Rosenkavalier (I)
CD 9: R. Strauss: Der Rosenkavalier (II)
CD 10: R. Strauss: Der Rosenkavalier (III)
CD 11: Donizetti: L'elisir d'amore (I)
CD 12: Donizetti: L'elisir d'amore (II)
CD 13: Verdi: Un ballo in maschera (I)
#TitleArtistRatingLength
1Un ballo in maschera: Preludio
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera
Giuseppe Verdi4:07
2Un ballo in maschera: Atto I, scena 1. “Posa in pace” (Samuel, Tom, Oscar, Riccardo, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:14
3Un ballo in maschera: Atto I, scena 1. “La rivedrà nell'estasi... Il cenno mio” (Riccardo, Oscar, Samuel, Tom, Renato, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4a Scena “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:30
4Un ballo in maschera: Atto I, scena 1. “Alla vita che t'arride” (Renato, Oscar, Riccardo, un giudice)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Un giudice]:
Pier Francesco Poli (Italian tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:28
5Un ballo in maschera: Atto I, scena 1. “Volta la terrea” (Oscar, Riccardo, un giudice, Renato, Samuel, Tom, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
tenor vocals [Un giudice]:
Pier Francesco Poli (Italian tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:46
6Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto... Signori: oggi d'Ulrica” (Riccardo, Renato, Oscar, Samuel, Tom, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6b “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:16
7Un ballo in maschera: Atto I, scena 2. “Zitti...l'incanto non dèssi turbare” (coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:48
8Un ballo in maschera: Atto I, scena 2. “Re dell'abisso...Su, fatemi largo” (Ulrica, Riccardo, Silvano, un servo d'Amelia, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Silvano]:
José van Dam (Belgian operatic bass-baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
tenor vocals [Un servo d'Amelia]:
Mario Alessandrini (Operatic baritone) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7b Invocazione “Re dell'abisso, affrettati” (Ulrica) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7c Scena “Arrivo il primo!” (Riccardo, Ulrica, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d Scena “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo, Servo, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi7:31
9Un ballo in maschera: Atto I, scena 2. “Che v'agita cosi?” (Ulrica, Amelia, Riccardo)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:23
10Un ballo in maschera: Atto I, scena 2. “Dell cità all'occaso” (Ulrica, Amelia, Riccardo, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:37
11Un ballo in maschera: Atto I, scena 2. “Su, profetessa” (Oscar, Riccardo, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi0:52
12Un ballo in maschera: Atto I, scena 2. “Di'tu se fedele” (Riccardo, Oscar, Samuel, Tom, Ulrica, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:32
13Un ballo in maschera: Atto I, scena 2. “Orsù, amici” (Riccardo, Samuel, Oscar, Ulrica, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10a “Orsu, amici” (Riccardo, Samuel, Oscar, Ulrica, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:55
14Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
bass-baritone vocals:
Nicolas Christou (Belgian Bass-Baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (in 1971)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:33
15Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Silvano, Oscar, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Silvano]:
José van Dam (Belgian operatic bass-baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:15
16Un ballo in maschera: Atto II. Preludio
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:16
17Un ballo in maschera: Atto II, scena ed aria. “Ecco l'orrido campo” (Amelia)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:26
18Un ballo in maschera: Atto II, scena ed aria. “Ma dall'arido stelo divulsa” (Amelia)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:48
19Un ballo in maschera: Atto II, duetto. “Teco io sto... M'ami, m'ami” (Riccardo, Amelia)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13c. "M'ami, m'ami!" (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi8:26
20Un ballo in maschera: Atto II, scena e terzetto. ”Ahimè. S'appressa alcun” (Amelia, Riccardo, Renato)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals:
Nicolas Christou (Belgian Bass-Baritone) and Leonardo Monreale (operatic bass)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:04
21Un ballo in maschera: Atto II, scena, coro e quartetto - finale secondo. “Seguitemi” (Renato, Amelia, Samuel, Tom, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:31
22Un ballo in maschera: Atto II, scena, coro e quartetto - finale secondo. “Ve', se di notte” (Samuel, Tom, Renato, Amelia, coro)
recording engineer:
James Lock (engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:56
CD 14: Verdi: Un ballo in maschera (II)
CD 15: Verdi: Macbeth (I)
CD 16: Verdi: Macbeth (II)
CD 17: Rossini: Stabat Mater
CD 18: Verdi: Rigoletto (I)
CD 19: Verdi: Rigoletto (II)
CD 20: Donizetti: Lucia di Lammermoor (I)
CD 21: Donizetti: Lucia di Lammermoor (II)
CD 22: Puccini: Turandot (I)
CD 23: Puccini: Turandot (II)
CD 24: Puccini: La bohème (I)
CD 25: Puccini: La bohème (II)
CD 26: Bellini: I puritani (I)
CD 27: Bellini: I puritani (II)
CD 28: Bellini: I puritani (III)
CD 29: Puccini: Madama Butterfly (I)
CD 30: Puccini: Madama Butterfly (II)
CD 31: Donizetti: La favorita (I)
CD 32: Donizetti: La favorita (II)
CD 33: Donizetti: Maria Stuarda (I)
CD 34: Donizetti: Maria Stuarda (II)
CD 35: Verdi: Luisa Miller (I)
CD 36: Verdi: Luisa Miller (II)
CD 37: Mascagni: Cavalleria rusticana
CD 38: Leoncavalla: Pagliacci
CD 39: Verdi: Il trovatore (I)
CD 40: Verdi: Il trovatore (II)
CD 41: Puccini: Tosca (I)
CD 42: Puccini: Tosca (II)
CD 43: Rossini: Petite messe solennelle
CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
CD 45: Rossini: Guglielmo Tell (I)
CD 46: Rossini: Guglielmo Tell (II)
CD 47: Rossini: Guglielmo Tell (III)
CD 48: Rossini: Guglielmo Tell (IV)
CD 49: Verdi: La traviata (I)
CD 50: Verdi: La traviata (II)
CD 51: Bellini: La sonnambula (I)
CD 52: Bellini: La sonnambula (II)
CD 53: Ponchielli: La Gioconda (I)
CD 54: Ponchielli: La Gioconda (II)
CD 55: Ponchielli: La Gioconda (III)
CD 56: Boito: Mefistofele (I)
CD 57: Boito: Mefistofele (II)
CD 58: Verdi: Un ballo in maschera (I)
CD 59: Verdi: Un ballo in maschera (II)
CD 60: Giordano: Andrea Chénier (I)
CD 61: Giordano: Andrea Chénier (II)
CD 62: Mozart: Idomeneo (I)
CD 63: Mozart: Idomeneo (II)
CD 64: Mozart: Idomeneo (III)
CD 65: Bellini: Norma (I)
CD 66: Bellini: Norma (II)
CD 67: Bellini: Norma (III)
CD 68: Verdi: Aida (I)
CD 69: Verdi: Aida (II)
CD 70: Verdi: Aida (III)
CD 71: Verdi: Ernani (I)
CD 72: Verdi: Ernani (II)
CD 73: Berlioz: Requiem
CD 74: Verdi: Rigoletto (I)
CD 75: Verdi: Rigoletto (II)
CD 76: Donizetti: L'elisir d'amore (I)
CD 77: Donizetti: L'elisir d'amore (II)
CD 78: Verdi: Il trovatore (I)
CD 79: Verdi: Il trovatore (II)
CD 80: Verdi: Otello (I)
CD 81: Verdi: Otello (II)
CD 82: Verdi: La traviata (I)
CD 83: Verdi: La traviata (II)
CD 84: Leoncavallo: Pagliacci
CD 85: Puccini: Manon Lescaut (I)
CD 86: Puccini: Manon Lescaut (II)
CD 87: Verdi: Don Carlo (I)
CD 88: Verdi: Don Carlo (II)
CD 89: Verdi: Don Carlo (III)
CD 90: Verdi: Rigoletto (I)
CD 91: Verdi: Rigoletto (II)
CD 92: Verdi: I Lombardi (I)
CD 93: Verdi: I Lombardi (II)
Blu-ray 94: Donizetti: L'elisir d'amore
Blu-ray 95: Verdi: Rigoletto
Blu-ray 96: Donizetti: Lucia di Lammermoor
Blu-ray 97: Puccini: Turandot
Blu-ray 98: Puccini: La bohème
Blu-ray 99: Puccini: Madama Butterfly
CD 100: Puccini: La bohème (I)
CD 101: Puccini: La bohème (II)