Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

▶CD 1: Bellini: Beatrice di Tenda (I)
▶CD 2: Bellini: Beatrice di Tenda (II)
▶CD 3: Donizetti: La fille du régiment (I)
▶CD 4: Donizetti: La fille du régiment (II)
▶CD 5: Verdi: Messa da Requiem
▶CD 6: Mascagni: L'amico Fritz (I)
▶CD 7: Mascagni: L'amico Fritz (II)
▶CD 8: R. Strauss: Der Rosenkavalier (I)
▶CD 9: R. Strauss: Der Rosenkavalier (II)
▶CD 10: R. Strauss: Der Rosenkavalier (III)
▶CD 11: Donizetti: L'elisir d'amore (I)
▶CD 12: Donizetti: L'elisir d'amore (II)
▶CD 13: Verdi: Un ballo in maschera (I)
▶CD 14: Verdi: Un ballo in maschera (II)
▶CD 15: Verdi: Macbeth (I)
▶CD 16: Verdi: Macbeth (II)
▶CD 17: Rossini: Stabat Mater
▶CD 18: Verdi: Rigoletto (I)
▶CD 19: Verdi: Rigoletto (II)
▶CD 20: Donizetti: Lucia di Lammermoor (I)
▶CD 21: Donizetti: Lucia di Lammermoor (II)
▶CD 22: Puccini: Turandot (I)
▶CD 23: Puccini: Turandot (II)
▼CD 24: Puccini: La bohème (I)
#TitleArtistRatingLength
1La bohème: Atto I. “Questo mar rosso” (Marcello)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:32
2La bohème: Atto I. “Pensier profondo!” (Colline)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 2. “Pensier profondo!” (Colline, Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:11
3La bohème: Atto I. “Abbasso, abbasso l'autor!” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini3:50
4La bohème: Atto I. “Si può” (Benoit)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Benoit]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini5:18
5La bohème: Atto I. “Io resto” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo, Marcello) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:09
6La bohème: Atto I. “Chi è là?” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
partial recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini1:11
7La bohème: Atto I. “Si sente meglio” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini2:42
8La bohème: Atto I. “Che gelida manina” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:37
9La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini5:58
10La bohème: Atto I. “O soave fanciulla” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:20
11La bohème: Atto II. “Aranci, datteri!” (Venditori ambulanti)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:53
12La bohème: Atto II. “Chi guardi?” (Rodolfo)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Parpignol]:
Gernot Pietsch (tenor) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini3:08
13La bohème: Atto II. “Viva Parpignol!” (Fanciulli, fanciulle)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:21
14La bohème: Atto II. “Oh!... Essa!... Musetta!” (Rodolfo, Schaunard, Colline, Marcello)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. “Oh!” – “Essa!” – “Musetta!” (Rodolfo, Schaunard, Colline, Marcello, Coro, Alcindoro, Musetta, Mimi) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini3:31
15La bohème: Atto II. “Quando m'en vo” (Musetta)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini5:20
16La bohème: Atto II. “Chi l’ha richiesto?” (Colline)
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:28
▶CD 25: Puccini: La bohème (II)
▶CD 26: Bellini: I puritani (I)
▶CD 27: Bellini: I puritani (II)
▶CD 28: Bellini: I puritani (III)
▶CD 29: Puccini: Madama Butterfly (I)
▶CD 30: Puccini: Madama Butterfly (II)
▶CD 31: Donizetti: La favorita (I)
▶CD 32: Donizetti: La favorita (II)
▶CD 33: Donizetti: Maria Stuarda (I)
▶CD 34: Donizetti: Maria Stuarda (II)
▶CD 35: Verdi: Luisa Miller (I)
▶CD 36: Verdi: Luisa Miller (II)
▶CD 37: Mascagni: Cavalleria rusticana
▶CD 38: Leoncavalla: Pagliacci
▶CD 39: Verdi: Il trovatore (I)
▶CD 40: Verdi: Il trovatore (II)
▶CD 41: Puccini: Tosca (I)
▶CD 42: Puccini: Tosca (II)
▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▶CD 60: Giordano: Andrea Chénier (I)
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)
▶CD 65: Bellini: Norma (I)
▶CD 66: Bellini: Norma (II)
▶CD 67: Bellini: Norma (III)
▶CD 68: Verdi: Aida (I)
▶CD 69: Verdi: Aida (II)
▶CD 70: Verdi: Aida (III)
▶CD 71: Verdi: Ernani (I)
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)
▶CD 87: Verdi: Don Carlo (I)
▶CD 88: Verdi: Don Carlo (II)
▶CD 89: Verdi: Don Carlo (III)
▶CD 90: Verdi: Rigoletto (I)
▶CD 91: Verdi: Rigoletto (II)
▶CD 92: Verdi: I Lombardi (I)
▶CD 93: Verdi: I Lombardi (II)
▶Blu-ray 94: Donizetti: L'elisir d'amore
▶Blu-ray 95: Verdi: Rigoletto
▶Blu-ray 96: Donizetti: Lucia di Lammermoor
▶Blu-ray 97: Puccini: Turandot
▶Blu-ray 98: Puccini: La bohème
▶Blu-ray 99: Puccini: Madama Butterfly
▶CD 100: Puccini: La bohème (I)
▶CD 101: Puccini: La bohème (II)