Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

▶CD 1: Bellini: Beatrice di Tenda (I)
▶CD 2: Bellini: Beatrice di Tenda (II)
▶CD 3: Donizetti: La fille du régiment (I)
▶CD 4: Donizetti: La fille du régiment (II)
▶CD 5: Verdi: Messa da Requiem
▶CD 6: Mascagni: L'amico Fritz (I)
▶CD 7: Mascagni: L'amico Fritz (II)
▶CD 8: R. Strauss: Der Rosenkavalier (I)
▶CD 9: R. Strauss: Der Rosenkavalier (II)
▶CD 10: R. Strauss: Der Rosenkavalier (III)
▶CD 11: Donizetti: L'elisir d'amore (I)
▶CD 12: Donizetti: L'elisir d'amore (II)
▶CD 13: Verdi: Un ballo in maschera (I)
▶CD 14: Verdi: Un ballo in maschera (II)
▶CD 15: Verdi: Macbeth (I)
▶CD 16: Verdi: Macbeth (II)
▶CD 17: Rossini: Stabat Mater
▶CD 18: Verdi: Rigoletto (I)
▶CD 19: Verdi: Rigoletto (II)
▶CD 20: Donizetti: Lucia di Lammermoor (I)
▶CD 21: Donizetti: Lucia di Lammermoor (II)
▶CD 22: Puccini: Turandot (I)
▶CD 23: Puccini: Turandot (II)
▶CD 24: Puccini: La bohème (I)
▶CD 25: Puccini: La bohème (II)
▶CD 26: Bellini: I puritani (I)
▶CD 27: Bellini: I puritani (II)
▶CD 28: Bellini: I puritani (III)
▶CD 29: Puccini: Madama Butterfly (I)
▶CD 30: Puccini: Madama Butterfly (II)
▶CD 31: Donizetti: La favorita (I)
▶CD 32: Donizetti: La favorita (II)
▶CD 33: Donizetti: Maria Stuarda (I)
▶CD 34: Donizetti: Maria Stuarda (II)
▶CD 35: Verdi: Luisa Miller (I)
▶CD 36: Verdi: Luisa Miller (II)
▶CD 37: Mascagni: Cavalleria rusticana
▶CD 38: Leoncavalla: Pagliacci
▶CD 39: Verdi: Il trovatore (I)
▶CD 40: Verdi: Il trovatore (II)
▶CD 41: Puccini: Tosca (I)
▶CD 42: Puccini: Tosca (II)
▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▶CD 60: Giordano: Andrea Chénier (I)
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)
▶CD 65: Bellini: Norma (I)
▶CD 66: Bellini: Norma (II)
▶CD 67: Bellini: Norma (III)
▶CD 68: Verdi: Aida (I)
▶CD 69: Verdi: Aida (II)
▼CD 70: Verdi: Aida (III)
#TitleArtistRatingLength
1Aida: Atto III. “O tu che sei d'Osiride” (Sacerdotesse, Sacerdoti)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:18
2Aida: Atto III. “Qui Radamès verrà! ...Che vorrà dirmi?” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
3Aida: Atto III. “Ciel! mio padre!” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:07
4Aida: Atto III. “Pur ti riveggo, mia dolce Aida...” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:18
5Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:36
6Aida: Atto III. “Tu...Amonasro!...tu!...il Re?” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals and baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:42
7Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia...” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:12
8Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:52
9Aida: Atto IV, scena 1. “Ohimè!...morir mi sento! Oh! chi lo salva?” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:17
10Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès!” (Ramfis)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
Giuseppe Verdi5:28
11Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:11
12Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:49
13Aida: Atto IV, scena 2. “O terra, addio” (Aida, poi con Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:36
▶CD 71: Verdi: Ernani (I)
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)
▶CD 87: Verdi: Don Carlo (I)
▶CD 88: Verdi: Don Carlo (II)
▶CD 89: Verdi: Don Carlo (III)
▶CD 90: Verdi: Rigoletto (I)
▶CD 91: Verdi: Rigoletto (II)
▶CD 92: Verdi: I Lombardi (I)
▶CD 93: Verdi: I Lombardi (II)
▶Blu-ray 94: Donizetti: L'elisir d'amore
▶Blu-ray 95: Verdi: Rigoletto
▶Blu-ray 96: Donizetti: Lucia di Lammermoor
▶Blu-ray 97: Puccini: Turandot
▶Blu-ray 98: Puccini: La bohème
▶Blu-ray 99: Puccini: Madama Butterfly
▶CD 100: Puccini: La bohème (I)
▶CD 101: Puccini: La bohème (II)