Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

▶CD 1: Bellini: Beatrice di Tenda (I)
▶CD 2: Bellini: Beatrice di Tenda (II)
▶CD 3: Donizetti: La fille du régiment (I)
▶CD 4: Donizetti: La fille du régiment (II)
▶CD 5: Verdi: Messa da Requiem
▶CD 6: Mascagni: L'amico Fritz (I)
▶CD 7: Mascagni: L'amico Fritz (II)
▼CD 8: R. Strauss: Der Rosenkavalier (I)
#TitleArtistRatingLength
1Der Rosenkavalier, op. 59: Akt I. Einleitung
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:32
2Der Rosenkavalier, op. 59: Akt I. „Wie du warst! Wie du bist!” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:23
3Der Rosenkavalier, op. 59: Akt I. „Marie Theres'!” „Octavian!” (Octavian, Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Marie Theres'!" - "Octavian!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:11
4Der Rosenkavalier, op. 59: Akt I. „Quinquin, es ist mein Mann!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:25
5Der Rosenkavalier, op. 59: Akt I. „Selbstverständlich empfängt mich Ihro Gnaden” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Vierter Lakai]:
Leo Heppe (Bob Martin - Austrian singer) (in 1968-11)
other vocals [Dritter Lakai]:
Alexander Maly (in 1968-11)
other vocals [Erster Lakai]:
Hans Pipal (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Zweiter Lakai]:
Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:12
6Der Rosenkavalier, op. 59: Akt I. „Hat Sie schon einmal mit einem Kavalier” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:56
7Der Rosenkavalier, op. 59: Akt I. „Nein, Er agiert mir gar zu gut!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Nein, er agiert mir gar zu gut!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
8Der Rosenkavalier, op. 59: Akt I. „I komm' glei” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
contralto vocals [Drei adelige Waisen]:
Rohangiz Yachmi (mezzo-soprano) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Drei adelige Waisen]:
Ingrid Mayr (mezzo-soprano / alto) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Drei adelige Waisen]:
Arleen Augér (soprano) (in 1968-11)
soprano vocals [Eine Modistin]:
Rosl Schwaiger (soprano) (in 1968-11)
tenor vocals [Ein Tierhändler]:
Karl Terkal (Austrian Tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:07
9Der Rosenkavalier, op. 59: Akt I. „Di rigori armato il seno” (Sänger)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:04
10Der Rosenkavalier, op. 59: Akt I. „Als Morgengabe - ganz separatim jedoch” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Notar]:
Alfred Jerger (bass-baritone) (in 1968-11)
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
11Der Rosenkavalier, op. 59: Akt I. „Mein lieber Hippolyte” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:44
12Der Rosenkavalier, op. 59: Akt I. „Da geht er hin” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:02
13Der Rosenkavalier, op. 59: Akt I. „Ach, du bist wieder da!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss6:06
14Der Rosenkavalier, op. 59: Akt I. „Die Zeit, die ist ein sonderbar Ding” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss10:25
15Der Rosenkavalier, op. 59: Akt I. „Ich hab' ihn nicht einmal geküßt” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:03
▶CD 9: R. Strauss: Der Rosenkavalier (II)
▶CD 10: R. Strauss: Der Rosenkavalier (III)
▶CD 11: Donizetti: L'elisir d'amore (I)
▶CD 12: Donizetti: L'elisir d'amore (II)
▶CD 13: Verdi: Un ballo in maschera (I)
▶CD 14: Verdi: Un ballo in maschera (II)
▶CD 15: Verdi: Macbeth (I)
▶CD 16: Verdi: Macbeth (II)
▶CD 17: Rossini: Stabat Mater
▶CD 18: Verdi: Rigoletto (I)
▶CD 19: Verdi: Rigoletto (II)
▶CD 20: Donizetti: Lucia di Lammermoor (I)
▶CD 21: Donizetti: Lucia di Lammermoor (II)
▶CD 22: Puccini: Turandot (I)
▶CD 23: Puccini: Turandot (II)
▶CD 24: Puccini: La bohème (I)
▶CD 25: Puccini: La bohème (II)
▶CD 26: Bellini: I puritani (I)
▶CD 27: Bellini: I puritani (II)
▶CD 28: Bellini: I puritani (III)
▶CD 29: Puccini: Madama Butterfly (I)
▶CD 30: Puccini: Madama Butterfly (II)
▶CD 31: Donizetti: La favorita (I)
▶CD 32: Donizetti: La favorita (II)
▶CD 33: Donizetti: Maria Stuarda (I)
▶CD 34: Donizetti: Maria Stuarda (II)
▶CD 35: Verdi: Luisa Miller (I)
▶CD 36: Verdi: Luisa Miller (II)
▶CD 37: Mascagni: Cavalleria rusticana
▶CD 38: Leoncavalla: Pagliacci
▶CD 39: Verdi: Il trovatore (I)
▶CD 40: Verdi: Il trovatore (II)
▶CD 41: Puccini: Tosca (I)
▶CD 42: Puccini: Tosca (II)
▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▶CD 60: Giordano: Andrea Chénier (I)
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)
▶CD 65: Bellini: Norma (I)
▶CD 66: Bellini: Norma (II)
▶CD 67: Bellini: Norma (III)
▶CD 68: Verdi: Aida (I)
▶CD 69: Verdi: Aida (II)
▶CD 70: Verdi: Aida (III)
▶CD 71: Verdi: Ernani (I)
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)
▶CD 87: Verdi: Don Carlo (I)
▶CD 88: Verdi: Don Carlo (II)
▶CD 89: Verdi: Don Carlo (III)
▶CD 90: Verdi: Rigoletto (I)
▶CD 91: Verdi: Rigoletto (II)
▶CD 92: Verdi: I Lombardi (I)
▶CD 93: Verdi: I Lombardi (II)
▶Blu-ray 94: Donizetti: L'elisir d'amore
▶Blu-ray 95: Verdi: Rigoletto
▶Blu-ray 96: Donizetti: Lucia di Lammermoor
▶Blu-ray 97: Puccini: Turandot
▶Blu-ray 98: Puccini: La bohème
▶Blu-ray 99: Puccini: Madama Butterfly
▶CD 100: Puccini: La bohème (I)
▶CD 101: Puccini: La bohème (II)