Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

CD 1: Bellini: Beatrice di Tenda (I)
CD 2: Bellini: Beatrice di Tenda (II)
CD 3: Donizetti: La fille du régiment (I)
CD 4: Donizetti: La fille du régiment (II)
CD 5: Verdi: Messa da Requiem
CD 6: Mascagni: L'amico Fritz (I)
CD 7: Mascagni: L'amico Fritz (II)
CD 8: R. Strauss: Der Rosenkavalier (I)
CD 9: R. Strauss: Der Rosenkavalier (II)
CD 10: R. Strauss: Der Rosenkavalier (III)
CD 11: Donizetti: L'elisir d'amore (I)
CD 12: Donizetti: L'elisir d'amore (II)
CD 13: Verdi: Un ballo in maschera (I)
CD 14: Verdi: Un ballo in maschera (II)
CD 15: Verdi: Macbeth (I)
CD 16: Verdi: Macbeth (II)
CD 17: Rossini: Stabat Mater
CD 18: Verdi: Rigoletto (I)
CD 19: Verdi: Rigoletto (II)
CD 20: Donizetti: Lucia di Lammermoor (I)
CD 21: Donizetti: Lucia di Lammermoor (II)
CD 22: Puccini: Turandot (I)
CD 23: Puccini: Turandot (II)
CD 24: Puccini: La bohème (I)
CD 25: Puccini: La bohème (II)
CD 26: Bellini: I puritani (I)
CD 27: Bellini: I puritani (II)
CD 28: Bellini: I puritani (III)
CD 29: Puccini: Madama Butterfly (I)
CD 30: Puccini: Madama Butterfly (II)
CD 31: Donizetti: La favorita (I)
CD 32: Donizetti: La favorita (II)
CD 33: Donizetti: Maria Stuarda (I)
CD 34: Donizetti: Maria Stuarda (II)
CD 35: Verdi: Luisa Miller (I)
CD 36: Verdi: Luisa Miller (II)
CD 37: Mascagni: Cavalleria rusticana
CD 38: Leoncavalla: Pagliacci
CD 39: Verdi: Il trovatore (I)
CD 40: Verdi: Il trovatore (II)
CD 41: Puccini: Tosca (I)
CD 42: Puccini: Tosca (II)
CD 43: Rossini: Petite messe solennelle
CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
CD 45: Rossini: Guglielmo Tell (I)
CD 46: Rossini: Guglielmo Tell (II)
CD 47: Rossini: Guglielmo Tell (III)
CD 48: Rossini: Guglielmo Tell (IV)
CD 49: Verdi: La traviata (I)
CD 50: Verdi: La traviata (II)
CD 51: Bellini: La sonnambula (I)
CD 52: Bellini: La sonnambula (II)
CD 53: Ponchielli: La Gioconda (I)
CD 54: Ponchielli: La Gioconda (II)
CD 55: Ponchielli: La Gioconda (III)
CD 56: Boito: Mefistofele (I)
CD 57: Boito: Mefistofele (II)
CD 58: Verdi: Un ballo in maschera (I)
CD 59: Verdi: Un ballo in maschera (II)
CD 60: Giordano: Andrea Chénier (I)
CD 61: Giordano: Andrea Chénier (II)
CD 62: Mozart: Idomeneo (I)
CD 63: Mozart: Idomeneo (II)
CD 64: Mozart: Idomeneo (III)
CD 65: Bellini: Norma (I)
CD 66: Bellini: Norma (II)
CD 67: Bellini: Norma (III)
CD 68: Verdi: Aida (I)
CD 69: Verdi: Aida (II)
CD 70: Verdi: Aida (III)
CD 71: Verdi: Ernani (I)
CD 72: Verdi: Ernani (II)
CD 73: Berlioz: Requiem
CD 74: Verdi: Rigoletto (I)
CD 75: Verdi: Rigoletto (II)
CD 76: Donizetti: L'elisir d'amore (I)
CD 77: Donizetti: L'elisir d'amore (II)
CD 78: Verdi: Il trovatore (I)
CD 79: Verdi: Il trovatore (II)
CD 80: Verdi: Otello (I)
CD 81: Verdi: Otello (II)
CD 82: Verdi: La traviata (I)
CD 83: Verdi: La traviata (II)
CD 84: Leoncavallo: Pagliacci
CD 85: Puccini: Manon Lescaut (I)
CD 86: Puccini: Manon Lescaut (II)
CD 87: Verdi: Don Carlo (I)
CD 88: Verdi: Don Carlo (II)
CD 89: Verdi: Don Carlo (III)
CD 90: Verdi: Rigoletto (I)
CD 91: Verdi: Rigoletto (II)
CD 92: Verdi: I Lombardi (I)
CD 93: Verdi: I Lombardi (II)
Blu-ray 94: Donizetti: L'elisir d'amore
#TitleArtistRatingLength
1L’elisir d’amore: Atto I. Preludio
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Preludio (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:59
2L’elisir d’amore: Atto I. “Bel conforto al mietitori” (Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
3L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara!” (Nemorino, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:21
4L’elisir d’amore: Atto I. “Benedette queste carte!” (Adina, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!…Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:04
5L’elisir d’amore: Atto I. “Marcia Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:28
6L’elisir d’amore: Atto I. “Or se m'ami, come io t'amo” (Belcore, Adina, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:41
7L’elisir d’amore: Atto I. “Una parola, o Adina” (Nemorino, Adina)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti9:14
8L’elisir d’amore: Atto I. “Che vuol dire cotesta suonata?” (mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:53
9L’elisir d’amore: Atto I. “Udite, udite, o rustici” (Dulcamara, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:59
10L’elisir d’amore: Atto I. “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:48
11L’elisir d’amore: Atto I. “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:37
12L’elisir d’amore: Atto I. “Caro elisir! Sei mio!” (Nemorino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:47
13L’elisir d’amore: Atto I. “Chi è mai quel matto?” (Adina, Nemorino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:01
14L’elisir d’amore: Atto I. “Esulti pur la Barbara” (Nemorino, Adina)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:46
15L’elisir d’amore: Atto I. “Tran tran tran tran... in guerra ed in amor” (Belcore, Adina, Nemorino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:40
16L’elisir d’amore: Atto I. “Signor sargente” (Giannetta, Belcore, Nemorino, Adina, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:51
17L’elisir d’amore: Atto I. “Adina credimi” (Nemorino, Belcore, Adina, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:16
18L’elisir d’amore: Atto II. “Cantiamo, cantiam, cantiam” (Belcore, Dulcamara, Giannetta, Adina, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:38
19L’elisir d’amore: Atto II. “Barcaruola a due voci” (Dulcamara, Adina, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:26
20L’elisir d’amore: Atto II. “Silenzio! È qua il notaro” (Belcore, Dulcamara, Adina, Giannetta, Nemorino, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:34
21L’elisir d’amore: Atto II. “La donna è un animale” (Belcore, Nemorino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:44
22L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino, Belcore)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:16
23L’elisir d’amore: Atto II. “Saria possibile?” (Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:21
24L’elisir d’amore: Atto II. “Dell 'elisir mirabile” (Nemorino, Giannetta, Adina, Dulcamara, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:28
25L’elisir d’amore: Atto II. “Io già m'immagino” (Nemorino, Adina, Dulcamara, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:26
26L’elisir d’amore: Atto II. “Quanto amore! Ed io spietata!” (Adina, Dulcamara)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:54
27L’elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino, Adina)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti56:41
28L’elisir d’amore: Atto II. “Prendi; per me sei libero” (Adina, Nemorino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti11:16
29L’elisir d’amore: Atto II. “Alto! Fronte!” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:44
30L’elisir d’amore: Atto II. “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, mietitori)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:26
Blu-ray 95: Verdi: Rigoletto
Blu-ray 96: Donizetti: Lucia di Lammermoor
Blu-ray 97: Puccini: Turandot
Blu-ray 98: Puccini: La bohème
Blu-ray 99: Puccini: Madama Butterfly
CD 100: Puccini: La bohème (I)
CD 101: Puccini: La bohème (II)