Carmina Burana

~ Release by Carl Orff; Philharmonia Orchestra, Philharmonia Chorus, Riccardo Muti (see all versions of this release, 6 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1I. O Fortuna
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
2II. Fortune Plango Vulnera
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:33
3III. Veris Leta
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:06
4IV. Omnia Sol Temperat
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:11
5V. Ecce Gratum
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:30
6VI. Tanz
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:42
7VII. Floret Silva Noblis
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:11
8VIII. Charmer, Gip Die Varwe Mir
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:14
9IX. Reie-Swaz Hie Gat Umbe-Chume, Chum Geselle Min-Swaz ...
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:15
10X. Were Diu Werlt Alle Min
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:52
11XI. Estuans Interius
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:11
12XII. Olim Lacus Colueram
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
tenor vocals:
John van Kesteren (tenor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:21
13XIII. Ego Sum Abbas
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:27
14XIV. In Taberna Quando Sumus
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:07
15III-Cour D' Amours: XV. Amor Volat Undique
producer:
John Mordler (producer)
choir vocals:
Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:21
16III-Cour D' Amours: XVI. Dies, Nox Et Omnia
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:24
17III-Cour D' Amours: XVII. Stetit Puella
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:42
18III-Cour D' Amours: XVIII. Circa Mea Pectora
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:57
19III-Cour D' Amours: XIX. Si Puer Cum Puellula
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:02
20III-Cour D' Amours: XX. Veni, Veni, Venias
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
21III-Cour D' Amours: XXI. In Trutina
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:22
22III-Cour D' Amours: XXII.Tempus Est Iocundum
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:09
23III-Cour D' Amours: XXIII. Dulcissime
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:42
24XXXIV. Ave Formosissima
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:04
25XXV. O Fortuna
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:44

Credits