90s Best Of

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries where available (Spotify + Deezer)

(As of 2020-09-09).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-09-16 13:00 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Zombie
assistant engineer and assistant producer:
Julie Gardiner
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar, electric guitar and background vocals:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
The Cranberries4.45:06
2MMMBop
programming and engineer:
Mac Quale
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.654:28
3Bitch
drum machine [drum/loop] programming:
Geza X
assistant engineer:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
engineer:
Jim Ebert and Geza X
producer:
Geza X
mixer:
Jim Ebert
bass:
Paul Bushnell
drums (drum set) [drums]:
Josh Freese (American drummer)
guitar [guitars] and background vocals:
Meredith Brooks (US singer/songwriter and guitarist)
keyboard [keyboards]:
David Ricketts (of David & David)
recorded at:
City Lab Sound Design in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13
4Lifted (7″ version)
mixer:
Phil Bodger (engineer)
phonographic copyright (℗) by:
The Wild Card Label Ltd (in 1995)
recording of:
Lifted
writer:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Paul Tucker
publisher:
Lots of Hits Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:31
5Say What You Want
recording of:
Say What You Want
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
EMI 10 Music
Texas4:39
6Just a Girl
recording engineer:
Phil Kaffel and George Landress
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
additional keyboard:
Matthew Wilder
bass guitar:
Tony Kanal
drums (drum set) and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
trombone:
Gabrial McNair
trumpet:
Phil Jordan (trumpet player)
lead vocals:
Gwen Stefani
performer:
No Doubt (American rock band)
phonographic copyright (℗) by:
Interscope Records (in 1995)
mixed at:
Cactus Studios in California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 133)
recording of:
Just a Girl
writer:
Gwen Stefani and Thomas Dumont
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.43:26
7Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (1989-07-24–present) (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.54:23
8Weather With YouCrowded House43:42
9All Star
artist & repertoire support:
Tom Whalley
assistant engineer:
Trevor Adkinson (engineer for Smash Mouth)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional editor:
Jacquire King
additional keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar:
Paul De Lisle
drums (drum set):
Kevin Coleman
electronic instruments:
Mark Camp (Smash Mouth collaborator) and Chris Racine
guitar:
Greg Camp
keyboard:
Michael Klooster
background vocals:
Greg Camp and Paul De Lisle
lead vocals:
Steve Harwell
music videos:
All Star by Smash Mouth
recording of:
All Star
lyricist and composer:
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
lyrics quoted on:
Nothin’
Smash Mouth4.653:20
10Together Again
assistant recording engineer:
Xavier Smith
recording engineer and mixer:
Steve Hodge
drum machine programming:
Alex Richbourg
executive producer:
René Elizondo Jr. and Janet Jackson
producer:
Jimmy Jam and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
lead vocals:
Janet Jackson
instruments arranger and vocals arranger:
Janet Jackson, Jimmy Jam and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
arranged for and produced for:
Flyte Tyme Productions
recording of:
Together Again
writer:
René Elizondo Jr., Janet Jackson, James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. and Flyte Tyme Tunes Inc.
Janet Jackson4.55:01
11Bring It All Back
additional producer:
Andy Wright (Simply Red + Remixes)
producer:
Eliot Kennedy (songwriter, producer), Tim Lever and Mike Percy
assistant mixer:
Jan "Stan" Kybert (Producer / Mixer / Engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Mike Percy
drums (drum set), membranophone and tambourine:
Geoff Holroyde
guitar:
Tim Lever
keyboard:
Eliot Kennedy (songwriter, producer) and Andy Wright (Simply Red + Remixes)
saxophone:
Steve Beighton
trumpet:
Nicolas Coombs (trumpeter)
lead vocals and solo lead vocals:
Jo O’Meara
solo vocals:
Tina Barrett, Jo O’Meara, Hannah Spearritt and Rachel Stevens
performer:
S Club 7 (UK pop group)
phonographic copyright (℗) by:
S Club Ltd. (in 1999)
recorded at:
Steelworks Studios (Sheffield based music production studio) in Sheffield, South Yorkshire, England, United Kingdom
music videos:
Bring It All Back by S Club 7
recording of:
Bring It All Back
writer:
Tina Barrett, Paul Cattermole, Eliot Kennedy (songwriter, producer), Jonathan Lee (Former member of S Club 7), Tim Lever, Bradley McIntosh, Jo O’Meara, Mike Percy, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Music Publishing Ltd. and Sony/ATV Music Publishing, LLC (1995–2020)
S Club 73.853:25
12I Love Your SmileShanice3.654:19
13Tom’s Diner
remixer:
DNA (90s UK dance, key tracks "Tom's Diner", "Can You Handle It?")
recording of:
Tom’s Diner
lyricist:
Suzanne Vega
composer:
Suzanne Vega (in 1982)
publisher:
Waifer Songs Ltd. and Warner Chappell North America
Suzanne Vega & DNA43:47
14Sexbomb
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
lyricist and composer:
Mousse T. and Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones & Mousse T.2.353:50
15All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert (singer–songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America, Sony/ATV Tunes LLC, WB Music Corp. (1929–2019) and Zen of Iniquity
Sheryl Crow3.854:32
16Stop
engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
recording of:
Stop
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
Spice Girls3.853:25
17U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller and Stanley Kirk Burrell
is based on:
Super Freak
MC Hammer4.154:17
18Man! I Feel Like a Woman!
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming, mixer and editor:
Olle Romo
producer:
Robert John “Mutt” Lange
fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie and Joe Spivey
arranger:
Robert John “Mutt” Lange
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
music videos:
Man! I Feel Like a Woman! by Shania Twain
recording of:
Man! I Feel Like a Woman!
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain4.153:55
19Mr. Jones
recorded in:
Los Angeles, California, United States
recording engineer:
Pat McCarthy
additional engineer:
Robert Hart (engineer), Steve Holroyd and Howard Willing
assistant engineer:
Mark Guilbeault and Brant Scott
executive producer:
Gary Gersh
producer:
T‐Bone Burnett (american musician, songwriter and producer)
mixer:
Scott Litt (producer and engineer) and Pat McCarthy
accordion, chamberlin and Hammond organ:
Charlie Gillingham
additional drums (drum set) and additional percussion:
Denny Fongheiser
additional guitar:
T‐Bone Burnett (american musician, songwriter and producer), Bill Dillon and David Immerglück
additional guitorgan:
Bill Dillon
additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
David Immerglück
bass guitar:
Matt Malley
guitar:
David Bryson and Matt Malley
harmonica and lead vocals:
Adam Duritz
piano:
Adam Duritz and Charlie Gillingham
additional background vocals:
Gary Louris, Maria McKee and Mark Olson (US alt. country musician, Jayhawks etc)
vocals:
Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
additionally recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 474)
recording of:
Mr. Jones
lyricist:
Adam Duritz
composer:
David Bryson and Adam Duritz
Counting Crows4.054:31
20(I Can’t Help) Falling in Love With YouUB403.253:26
21How Bizarre
OMC4:04
22Picture of You
assistant engineer:
Tim Wills
producer:
Absolute (UK house/garage/production/songwriting team)
mixer:
Absolute (UK house/garage/production/songwriting team) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham, Ronan Keating and Shane Lynch
recording of:
Picture of You
writer:
Ronan Keating, Eliot Kennedy (songwriter, producer), Andrew Watkins (writer, musician, producer-Flies on you) and Paul Wilson (member of “Absolute”)
publisher:
19, ATV Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), PolyGram Music Publishing Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Boyzone3:30
23Rotterdam (or Anywhere)
engineer:
John Brough
additional producer:
John Brough
producer:
Jon Kelly (engineer at Air London Studios)
recording of:
Rotterdam (Or Anywhere)
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
The Beautiful South33:36
24Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Andrew Loog Oldham, The Verve and Youth (producer/bassist Martin Glover)
lead vocals:
Richard Ashcroft
orchestra:
The Andrew Oldham Orchestra
additional strings arranger:
Wil Malone
samples:
The Last Time by The Andrew Oldham Orchestra
music videos:
Bitter Sweet Symphony by The Verve
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 18), Indie 88: Top 500 Indie Rock Songs (number: 22) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 382)
recording of:
Bitter Sweet Symphony
lyricist and composer:
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Verve4.355:58
25Love Is All Around (from “Four Weddings and a Funeral”)
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:05
26When You’re Gone
recorded in:
Saint Ann, Jamaica (from 1998-06 until 1998-08)
additional recording engineer:
Dean Maher (from 1998-06-06 until 1998-08), Phil Thornalley (from 1998-06-06 until 1998-08) and Phil Western (Canadian electronic musician) (from 1998-06-06 until 1998-08)
recording engineer:
Randy Staub (from 1998-06-06 until 1998-08)
miscellaneous support:
Ron Vermeulen (technical assistance) (task: technical assistance)
engineer:
Eliot Kennedy (songwriter, producer)
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Rock
assistant mixer:
Dean Maher (on 1998-09-03)
mixer:
Bob Clearmountain (on 1998-09-03)
bass:
Dave Taylor (Bass player (Bryan Adams) and engineer) (from 1998-06-06 until 1998-08)
drums (drum set) [drums]:
Mickey Curry (from 1998-06-06 until 1998-08)
guitar [guitars]:
BA (Canadian singer/songwriter) (from 1998-06-06 until 1998-08) and Keith Scott (Canadian guitarist) (from 1998-06-06 until 1998-08)
keyboard [keyboards]:
Phil Western (Canadian electronic musician) (from 1998-06-06 until 1998-08)
guest vocals:
Melanie C (from 1998-06-06 until 1998-08)
vocals:
BA (Canadian singer/songwriter) (from 1998-06-06 until 1998-08)
arranger:
Bryan Adams (Canadian singer/songwriter)
phonographic copyright (℗) by:
A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-06-06), Metropolis Studios (London) in London (Greater London), England, United Kingdom (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
mixed at:
The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-09-03)
part of:
The Downloader’s Music Source Book (number: 185)
recording of:
When You’re Gone (from 1998-06-06 until 1998-08)
writer:
Bryan Adams (Canadian singer/songwriter) and Eliot Kennedy (songwriter, producer)
publisher:
Badams Music Limited (in 1998) and Sony Music Publishing (UK) Ltd. (in 1998)
Bryan Adams & Melanie C4.153:26
27Laid
recording engineer and mixer:
Ben Fenner
assistant engineer:
Ben Findlay
producer:
Brian Eno
vocals:
Tim Booth
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 461)
recording of:
Laid
writer:
Tim Booth, Jim Glennie and Larry Gott
James4.52:37
28What’s Up?
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
part of:
Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK and Stuck in the Throat
4 Non Blondes3.64:52
29Breakfast at Tiffany’s
Deep Blue Something4:30
30Dreams
producer:
Richie Fermie
mixer:
John Brough
guitar family:
Paul Noble (member of "Warm Jets")
phonographic copyright (℗) by:
Go Beat Ltd. (in 1993) and Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
writer:
Tim Laws and Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle2.653:42
31You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:40
32I’ll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
recorded at:
Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:54
33Always
mastering:
George Marino (mastering engineer)
engineer:
Kevin Shirley (producer & mixer)
producer:
Peter Collins (producer)
mixer:
Bob Clearmountain
bass guitar:
Alec John Such
drums (drum set):
Tico Torres
guitar and background vocals:
Richie Sambora
piano:
David Bryan (keyboardist for Bon Jovi)
lead vocals:
Jon Bon Jovi
conductor:
David Campbell (US based Canadian violinist, composer, conductor and arranger)
arranger and orchestrator:
David Campbell (US based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1994)
recording of:
Always
lyricist and composer:
Jon Bon Jovi
publisher:
Bon Jovi Publishing (in 1994) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1994)
Bon Jovi3.755:53
34Everybody Hurts
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 203)
recording of:
Everybody Hurts
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.65:19
35More Than Words
assistant engineer:
Craig Doubet
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Funky Metal Publishing
Extreme3.85:33
36Endless Love (from “The Endless Love” Soundtrack)
Lionel Richie & Diana Ross5:21
37Send Me on My Way
music videos:
Send Me on My Way by Rusted Root
recording of:
Send Me on My Way
Rusted Root3.54:22