The Complete Columbia Studio Recordings

~ Release by Miles Davis & Gil Evans (see all versions of this release, 3 available)

Tracklist

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▼CD 1: Miles Ahead
#TitleArtistRatingLength
1Springsville (master)
remix of:
Springsville by Miles Davis + 19, Gil Evans
recording of:
Springsville
composer:
John Carisi
Miles Davis + 193:28
2The Maids of Cadiz (master)
remix of:
The Maids of Cadiz by Miles Davis + 19, Gil Evans
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
Miles Davis + 194:00
3The Duke (master)
remix of:
The Duke by Miles Davis + 19
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
Miles Davis + 193:29
4My Ship (master)
remix of:
My Ship by Miles Davis + 19, Gil Evans
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
Miles Davis + 194:28
5Miles Ahead (master)
remix of:
Miles Ahead by Miles Davis
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
Miles Davis + 193:30
6Blues for Pablo (master)
remix of:
Blues for Pablo by Miles Davis + 19, Gil Evans
recording of:
Blues for Pablo
composer:
Gil Evans
Miles Davis + 195:20
7New Rhumba (master)
remix of:
New Rhumba by Miles Davis + 19, Gil Evans
cover recording of:
New Rhumba
composer:
Ahmad Jamal
Miles Davis + 194:35
8The Meaning of the Blues (master)
remix of:
The Meaning of the Blues by Miles Davis + 19, Gil Evans
cover recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
Miles Davis + 192:50
9Lament (master)
remaster of:
Lament by Miles Davis + 19, Gil Evans
cover recording of:
Lament
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Miles Davis + 192:16
10I Don’t Wanna Be Kissed (by Anyone but You) (master)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
Miles Davis + 193:08
11Springsville (remake take 7)
recording of:
Springsville
composer:
John Carisi
Miles Davis + 193:16
12The Maids of Cadiz (take 1)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
Miles Davis + 193:57
13The Duke (take 11)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
Miles Davis + 193:33
14My Ship (take 1)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
Miles Davis + 194:23
15Miles Ahead (take 4)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
Miles Davis + 193:32
16Blues for Pablo (take 1)
recording of:
Blues for Pablo
composer:
Gil Evans
Miles Davis + 195:27
17New Rhumba (take 5)
cover recording of:
New Rhumba
composer:
Ahmad Jamal
Miles Davis + 194:45
18The Meaning of the Blues (rehearsal take)
cover recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
Miles Davis + 192:49
19Lament (rehearsal take)
cover recording of:
Lament
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Miles Davis + 192:20
20I Don’t Wanna Be Kissed (by Anyone but You) (take 8)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
Miles Davis + 193:12
21[pause track]
Miles Davis + 190:07
▼CD 2: Porgy and Bess
#TitleArtistRatingLength
1Buzzard Song (master)
remaster of:
The Buzzard Song by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
Miles Davis4:10
2Bess, You Is My Woman Now (master)
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-29)
bass clarinet:
Danny Bank (reeds) (on 1958-07-29)
bass trombone:
Dick Nixon (on 1958-07-29) and Dick Hixson (on 1958-07-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29)
flute:
Phil Bodner (Woodwind player) (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (horn player, conductor, composer) (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (trombonist) (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (trumpetist) (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
Miles Davis5:13
3Gone (master)
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Nixon (from 1958-07-22 until 1958-08-18) and Dick Hixson (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans
Miles Davis3:38
4Gone, Gone, Gone (master)
alto saxophone:
Cannonball Adderley (on 1958-07-22)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-22)
bass clarinet:
Danny Bank (reeds) (on 1958-07-22)
bass trombone:
Dick Nixon (on 1958-07-22) and Dick Hixson (on 1958-07-22)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-22)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22)
flute:
Phil Bodner (Woodwind player) (on 1958-07-22) and Romeo Penque (on 1958-07-22)
French horn:
Willie Ruff (on 1958-07-22), Gunther Schuller (horn player, conductor, composer) (on 1958-07-22) and Julius Watkins (on 1958-07-22)
trombone:
Joe Bennett (trombonist) (on 1958-07-22), Jimmy Cleveland (on 1958-07-22) and Frank Rehak (on 1958-07-22)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-22), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22), Bernie Glow (on 1958-07-22), Louis Mucci (trumpetist) (on 1958-07-22) and Ernie Royal (on 1958-07-22)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-22)
conductor:
Gil Evans (on 1958-07-22)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-22)
instrumental cover recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)” (on 1958-07-22)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
Miles Davis2:05
5Summertime (master)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Nixon (on 1958-08-18) and Dick Hixson (on 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-18) and Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis3:21
6Oh Bess, Oh Where’s My Bess (master)
remaster of:
Bess, Oh Where’s My Bess by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
Miles Davis4:31
7Prayer (Oh Doctor Jesus) (master)
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-04)
bass clarinet:
Danny Bank (reeds) (on 1958-08-04)
bass trombone:
Dick Nixon (on 1958-08-04) and Dick Hixson (on 1958-08-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-04) and Philly Joe Jones (US jazz drummer) (on 1958-08-04)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (horn player, conductor, composer) (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (trombonist) (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-04), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (trumpetist) (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (on 1958-08-04)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
Miles Davis4:42
8Fishermen, Strawberry and Devil Crab (master)
remaster of:
Fishermen, Strawberry And Devil Crab by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here come de honey man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
Miles Davis4:07
9My Man’s Gone Now (master)
remaster of:
My Man's Gone Now by Miles Davis
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019)
is based on:
Porgy and Bess: Act I, Scene II. “My man’s gone now”
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019)
is based on:
Porgy and Bess: Act I, Scene II. “My man’s gone now”
Miles Davis6:17
10It Ain’t Necessarily So (master)
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Nixon (from 1958-07-22 until 1958-08-18) and Dick Hixson (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Miles Davis4:25
11Here Come de Honey Man (master)
remaster of:
Here Come De Honey Man by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here come de honey man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
Miles Davis1:21
12I Loves You, Porgy (master)
remaster of:
I Loves You, Porgy by Miles Davis
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Miles Davis3.73:43
13There’s a Boat That’s Leaving Soon for New York (master)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Nixon (on 1958-08-18) and Dick Hixson (on 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-18) and Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
Miles Davis3:29
14Gone (take 3)
recording of:
Gone (Gil Evans composition)
composer:
Gil Evans
Miles Davis3:40
15Summertime (take 2)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis3:20
16Prayer (Oh Doctor Jesus) (take 2)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
Miles Davis4:17
17I Loves You, Porgy (take 1, second version)
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Miles Davis4:17
18There’s a Boat That’s Leaving Soon for New York (take 2)
instrumental cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
Miles Davis3:42
19Oh Bess, Oh Where’s My Bess (take 5)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
Miles Davis4:23
20Gone (take 4)
recording of:
Gone (Gil Evans composition)
composer:
Gil Evans
Miles Davis3:40
21[pause track]
Miles Davis0:07
▼CD 3: Sketches of Spain
#TitleArtistRatingLength
1Concierto de Aranjuez (adagio) (master)
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15) and Janet Putman (on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-15, on 1959-11-20) and Frank Rehak (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Miles Davis16:23
2Will o’ the Wisp (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Miles Davis23:49
3The Pan Piper (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putman (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
Miles Davis3:55
4Saeta (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
Miles Davis5:08
5Solea (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putman (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
Miles Davis3.512:20
6Song of Our Country (issued take)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
Miles Davis3:26
7Saeta (full version of master)
recording of:
Saeta
composer:
Gil Evans
Miles Davis6:03
8The Pan Piper (take 1)
instrumental cover recording of:
The Pan Piper
composer:
Gil Evans
Miles Davis3:14
9Concierto de Aranjuez (adagio) (part one, alternate take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Johnny Coles (US jazz trumpeter), Bernie Glow and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Miles Davis12:06
10Concierto de Aranjuez (adagio) (part two, alternate take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter)
French horn:
John Barrows (American wind instrumentalist), Earl Chapin and Jim Buffington (US jazz, studio and classical hornist)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Taft Jordan and Louis R. Mucci (trumpetist)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
Miles Davis3:35
11Song of Our Country (take 14)
recording of:
Song of Our Country
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
Miles Davis3:10
12[silence]
Miles Davis0:07
▼CD 4: Quiet Nights and More
#TitleArtistRatingLength
1Song No. 2
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
Miles Davis1:40
2Once Upon a Summertime
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
instrumental recording of:
Once Upon a Summertime (La Valse des lilas) (in 1962)
lyricist:
Eddy Marnay
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing AB (Sweden)
translated version of:
La Valse des lilas
Miles Davis3:28
3Aos Pes da Cruz
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Aos pés da cruz (in 1962)
composer:
Marino Pinto and Zé da Zilda
Miles Davis4:19
4Song No. 1
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
Miles Davis4:37
5Wait Till You See Her
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
instrumental recording of:
Wait Till You See Her (in 1962)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
Miles Davis4:06
6Corcovado
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) and Frank Rehak
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Corcovado (original Portuguese version) (in 1962)
lyricist:
Chico Buarque (Brazilian singer/lyricist) and Antônio Carlos Jobim
Miles Davis2:45
7Blue Xmas
recording of:
Blue Xmas
lyricist:
Bob Dorough
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bob Dorough
Miles Davis2:43
8Nothing Like You
producer:
Teo Macero
bongos:
Willie Bobo (on 1962-08-21)
double bass:
Paul Chambers (US jazz bassist) (on 1962-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-08-21)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1962-08-21)
trombone:
Frank Rehak (on 1962-08-21)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1962-08-21)
lead vocals:
Bob Dorough (on 1962-08-21)
arranger:
Gil Evans
instrumental recording of:
Nothing Like You
lyricist:
Fran Landesman
composer:
Bob Dorough
Miles Davis2:01
9Devil May Care
Miles Davis3:30
10The Time of the Barracudas
recording of:
Time of the Barracudas
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
Miles Davis12:49
11Falling Water (take 4)
Miles Davis3:46
12Falling Water (take 6)
Miles Davis4:25
13Falling Water (take 8)
Miles Davis4:18
14Falling Water (take 9)
Miles Davis4:24
15Springsville (take 5)
recording of:
Springsville
composer:
John Carisi
Miles Davis3:34
16The Maids of Cadiz (take 11)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
Miles Davis4:06
17The Maids of Cadiz (take 11, insert 1)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
Miles Davis2:39
18Lament (medley: take 2)
partial cover recording of:
Lament
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Miles Davis2:37
19The Duke (take 1)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
Miles Davis3:30
20I Don’t Wanna Be Kissed (by Anyone but You) (53225 issued version)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
Miles Davis3:07
▼CD 5: The Making of Miles Ahead
#TitleRatingLength
1Springsville (rehearsal sequence)
partial recording of:
Springsville
composer:
John Carisi
7:02
2Springsville (rehearsal with piano)
partial recording of:
Springsville
composer:
John Carisi
2:33
3The Maids of Cadiz (take 9)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
0:35
4The Maids of Cadiz (take 10)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:13
5The Maids of Cadiz (rehearsal sequence)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
1:27
6Count Off for the Duke (take 3)
0:37
7The Duke (take 8)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:33
8The Duke (piano take 3)
partial cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
1:55
9My Ship (take 6)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
4:39
10Miles Ahead (rehearsal sequence)
partial recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
1:49
11Miles Ahead (take 12)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
3:34
12Miles Ahead (take 15)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
3:31
13[studio discussion]
0:31
14My Ship (take 7)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
4:41
15Miles Ahead (piano insert—mono)
partial recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans
3:09
16Blues for Pablo (rehearsal sequence)
partial recording of:
Blues for Pablo
composer:
Gil Evans
5:55
17New Rhumba (take 2)
cover recording of:
New Rhumba
composer:
Ahmad Jamal
4:41
18Lament (take 1)
cover recording of:
Lament
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:24
19I Don’t Wanna Be Kissed (by Anyone but You) (rehearsal)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:14
20I Don’t Wanna Be Kissed (by Anyone but You) (take 5)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:59
21[studio discussion]
0:35
22I Don’t Wanna Be Kissed (by Anyone but You) (piano take 4)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:58
23[pause track]
0:07
▶CD 6: Alternate and Rehearsal Takes