| # | Title | Artist | Rating | Length |
|---|
| 1 | Every Little Thing She Does Is Magic | The Police | 4.05 | 4:21 |
| 2 | Karma Chameleon- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross-Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- harmonica:
- Judd Lander (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 3.9 | 4:02 |
| 3 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.65 | 4:00 |
| 4 | Don’t Dream It’s Over | Crowded House | 3.9 | 3:58 |
| 5 | The Boys of Summer | Don Henley | 3.85 | 4:49 |
| 6 | Bette Davis Eyes | Kim Carnes | 3.9 | 3:43 |
| 7 | Don’t You Want Me | The Human League | 4 | 3:58 |
| 8 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:12 |
| 9 | Valerie | Steve Winwood | | 4:07 |
| 10 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:54 |
| 11 | I Just Called to Say I Love You (single version) | Stevie Wonder | 4.35 | 4:22 |
| 12 | Free Fallin’- engineer:
- Bill Bottrell, Mike Campbell and Don Smith
- producer:
- Mike Campbell , Jeff Lynne and Tom Petty
- 12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
- Tom Petty (from 1988 until 1989)
- bass, guitar and keyboard:
- Jeff Lynne (from 1988 until 1989)
- drums (drum set) and percussion:
- Phil Jones (from 1988 until 1989)
- guitar and keyboard:
- Mike Campbell (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- mandolin and slide guitar:
- Mike Campbell (from 1988 until 1989)
- background vocals:
- Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1989)
- recorded at:
- M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 177) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 219)
- recording of:
- Free Fallin’ (from 1988 until 1989)
- writer:
- Jeff Lynne and Tom Petty
- publisher:
- EMI April Music Inc. and Gone Gator Music
| Tom Petty | 4 | 4:16 |
| 13 | (I Just) Died in Your Arms | Cutting Crew | 3.85 | 4:40 |
| 14 | Up Where We Belong (from “An Officer and a Gentleman”) | Joe Cocker & Jennifer Warnes | 3.2 | 3:53 |
| 15 | Alone | Heart | 3.5 | 3:39 |
| 16 | Come On Eileen | Dexys Midnight Runners | 4 | 4:34 |
| 17 | I Think We’re Alone Now | Tiffany | 3.85 | 3:49 |
| 18 | Word Up | Cameo | 4 | 4:20 |
| 19 | Angel Eyes (Home and Away) | Wet Wet Wet | | 5:17 |
| 20 | Mary’s Prayer | Danny Wilson | 3 | 3:55 |
| 21 | Alive and Kicking (edit) | Simple Minds | 3.5 | 4:49 |
| 22 | Oh Yeah!- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Roxy Music
- mixer:
- Bob Clearmountain
- bass guitar:
- Neil Jason
- drums (drum set):
- Allan Schwartzberg
- guitar:
- Neil Hubbard and Phil Manzanera
- keyboard and strings:
- Paul Carrack
- piano:
- Bryan Ferry
- saxophone:
- Andy Mackay
- vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (in 1980, in 1999)
- recorded at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Gallery Studio in Chertsey, Surrey, England, United Kingdom
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- Oh Yeah
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Songs Ltd., Careers‐BMG Music Publishing, Inc., E.G. Music Inc. and E.G. Music Ltd. (in 1980)
| Roxy Music | 3 | 4:51 |
| 23 | You’re the Best Thing | The Style Council | 2 | 5:41 |
| 24 | The Lady in Red | Chris de Burgh | 3.65 | 4:14 |
| 25 | Slave to Love- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999)
- recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- Slave to Love
- lyricist and composer:
- Bryan Ferry
- publisher:
- EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
- part of:
- 50 First Dates
| Bryan Ferry | 4 | 4:26 |
| 26 | Heaven- recording engineer:
- Bob Clearmountain (from 1983-06-06 until 1983-06-07)
- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1983-06-16)
- drums (drum set) [drums]:
- Steve Smith (from 1983-06-06 until 1983-06-07)
- electric bass guitar [bass]:
- Dave (from 1983-06-06 until 1983-06-07)
- guitar:
- Keith (from 1983-06-06 until 1983-06-07)
- keyboard [keyboards]:
- Rob Sabino (from 1983-06-06 until 1983-06-07)
- percussion and piano:
- Bryan (from 1983-06-06 until 1983-06-07)
- lead vocals:
- BA (from 1983-06-06 until 1983-06-07)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983, in 1984) and UMG Recordings, Inc. (in 1983)
- recorded at:
- Power Station in Manhattan, New York, New York, United States (from 1983-06-06 until 1983-06-07)
- mixed at:
- Power Station in Manhattan, New York, New York, United States (on 1983-06-16)
- part of:
- The Downloader’s Music Source Book (number: 166)
- recording of:
- Heaven (from 1983-06-06 until 1983-06-07)
- written in:
- West Vancouver, Vancouver, British Columbia, Canada (in 1983)
- writer:
- Bryan Adams (in 1983) and Jim Vallance (in 1983)
- publisher:
- Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
| Bryan Adams | 4.05 | 4:03 |
| 27 | Missing You | John Waite | 3.75 | 4:30 |
| 28 | Endless Love (from “The Endless Love” soundtrack) | Lionel Richie | 3.5 | 4:25 |
| 29 | Song for Whoever (single version) | The Beautiful South | 2.65 | 4:05 |
| 30 | Never Knew Love Like This Before | Stephanie Mills | | 5:29 |
| 31 | I Got You Babe | UB40 feat. Chrissie Hynde | 2.75 | 3:10 |
| 32 | I Don’t Want a Lover | Texas | 3.25 | 5:01 |
| 33 | Stand | R.E.M. | 4 | 3:12 |
