Knuffelrock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
CD 1
Nr.TitelKünstlerBewertungLänge
1Don't Let the Sun Go Down on Me
Produzent(in):
George Michael
vocals:
Elton John (English singer, songwriter, pianist, and composer) und George Michael
Gast-Interpret(in):
George Michael
Interpret(in):
Elton John (English singer, songwriter, pianist, and composer)
arranger:
George Michael
aufgenommen bei:
Wembley Arena in Wembley, Brent, London (Greater London), England, Vereinigtes Königreich (am 1991-03-23)
Musikvideos:
Don’t Let the Sun Go Down on Me (live, 1991-03-23: Wembley Arena, London, UK) von George Michael & Elton John
live recording of:
Don’t Let the Sun Go Down on Me (am 1991-03-23)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John3.25:48
2Sailing
cover recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Island Music (Island Music Ltd.) und MdW, J. Michel KG
Rod Stewart4:22
3Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1988)
mixed at:
Studio 55 in Los Angeles, California, Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Songs of Universal, Inc., Sony Music Publishing (Japan) Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:56
4Time Stood Still
recording of:
Time Stood Still
Verfasser(in):
Jesse Harms, Ricky Phillips und John Waite
Bad English5:23
5Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
Dirigent(in):
Arif Mardin
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Germany GmbH (2008-today), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (bis 2021-06-30), Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS-affiliated) (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Phil Collins3.83:24
6Time After Time
assistierende(r) Techniker(in):
John Agnello
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
Cyndi Lauper4.353:59
7Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange
Mix:
Mike Shipley
Bass:
Benjamin Orr
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp. und Lido Music, Inc.
Teil von:
50 First Dates
The Cars4.053:54
8Tell It Like It Is
Bassgitarre, Hammond-Orgel und Klavier:
Keith Diamond
Gitarre:
Paul Pesco und Ira Siegel
Posaune:
Michael Davis (US jazz trombonist)
Saxophon und Solo-Horn:
Danny Wilensky
Schlagzeug:
Terry Silverlight (classic fusion artist)
Trompete:
Chris Botti
Hintergrundgesang:
Janice Dempsey, Cindy Mizelle, B.J. Nelson und Audrey Wheeler
Sologesang:
Don Johnson (US actor)
Blechblasinstrumente [horns] arranger:
Danny Wilensky
cover recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Don Johnson4:30
9Mad About the Boy
vocals:
Dinah Washington
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
10Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (vom 2015-01-01 bis heute)
Foreigner4:44
11It's the First Time
recording of:
It's the First Time
Texter:
Evert Abbing, Monique Klemann und Suzanne Klemann
Komponist(in):
Evert Abbing
publisher:
Warner Basart (publisher) (in 1990)
Loïs Lane4:02
12I Won't Hold You Back
recording engineer:
John Kurlander (engineer) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Bassgitarre:
David Hungate
Gitarre und Sologesang:
Steve Lukather
Klavier:
David Paich
Perkussion und Schlagzeug:
Jeff Porcaro
Saiteninstrumente:
The Martyn Ford Orchestra
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Steve Lukather und Timothy B. Schmit
Dirigent(in):
James Newton Howard (American score composer)
Orchestrator(in):
James Newton Howard (American score composer), David Paich und Marty Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Hold You Back
Texter und Komponist(in):
Steve Lukather
publisher:
Rehtakul Veets Music, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Toto3.554:52
13Dust in the Wind
Techniker(in):
Jeff Glixman (vom 1977-06 bis 1977-07)
zusätzliche(r) Techniker(in):
Terry Diane Becker (engineer)
Produzent(in):
Jeff Glixman (in 1977-06)
Akustikgitarre und E-Gitarre:
Kerry Livgren (vom 1977-06 bis 1977-07) und Rich Williams (guitarist of Kansas) (vom 1977-06 bis 1977-07)
Bassgitarre:
Dave Hope (vom 1977-06 bis 1977-07)
Bratsche / Viola, Cello und Geige / Violine [violins]:
Robby Steinhardt (vom 1977-06 bis 1977-07)
Celesta, Orgel, Synthesizer, Vibraphon und Sologesang:
Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Chimes, gong, Pauke und Schlagzeug:
Phil Ehart (vom 1977-06 bis 1977-07)
Clavinet und Synthesizer [synthesizers]:
Kerry Livgren (vom 1977-06 bis 1977-07)
Klavier:
Kerry Livgren (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Perkussion [additional percussion]:
Phil Ehart (vom 1977-06 bis 1977-07), Kerry Livgren (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Hintergrundgesang:
Robby Steinhardt (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (vom 1977-06 bis 1977-07) und Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (vom 1977-06 bis 1977-07)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten (in 1977-08)
recording of:
Dust in the Wind (vom 1977-06 bis 1977-07)
Texter und Komponist(in):
Kerry Livgren
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing und フジパシフィックミュージック SBK事業部
Kansas43:23
14The Living YearsMike + the Mechanics5:28
15Babe
Techniker(in):
Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Interpret(in):
Styx (rock band from Chicago)
recording of:
Babe
sonstige Unterstützung:
T.K. (US hip-hop, worked with Calico Jonez)
Texter und Komponist(in):
Dennis DeYoung
publisher:
Stygian Songs (in 1979)
Styx3.254:25
16Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (Engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker
Bassgitarre:
Francis Buchholz
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs und Rudolf Schenker
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany)
Slide-Gitarre:
Matthias Jabs
Hintergrundgesang:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) und Rudolf Schenker
Sologesang:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California, Vereinigte Staaten und Wisseloord Studios in Hilversum, Noord-Holland, Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland, Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG (2008–present)) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Scorpions3.75:12
17The Message Is Love
recording of:
The Message Is Love
Verfasser(in):
Arthur Baker (American record producer and DJ) und Richard Scher
Arthur Baker & Al Green4:40
CD 2
Nr.TitelKünstlerBewertungLänge
1Crying in the Rain
recording engineer und Mix:
Nick Davis (producer, engineer)
Produzent(in):
Christopher Neil
Bass:
Jørun Bøgeberg
Schlagzeug:
Per Hillestad
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1990) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 274)
cover recording of:
Crying in the Rain (Everly Brothers song)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
a‐ha3.54:20
2Cuts Both Ways
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in):
Eric Schilling
zusätzliche(r) assistierende(r) Techniker(in):
Carlos Nieto (engineer, mostly for Latin music)
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
Mix:
Phil Ramone und Eric Schilling
Sologesang:
Gloria Estefan
arranger:
Jorge Casas, John Hill DeFaria und Clay Ostwald
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Cuts Both Ways
Texter und Komponist(in):
Gloria Estefan
publisher:
EMI Songs Ltd.
Gloria Estefan33:12
3Heaven
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1991)
recording of:
Heaven
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:09
4Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal‐Songs of PolyGram International, Inc.
Elton John3.653:47
5From a Distance
Produzent(in):
Arif Mardin und Bette Midler
Sologesang:
Bette Midler
arranger:
Arif Mardin und Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Winged Wheel, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
Bette Midler2.54:34
6You're in My Heart
Produzent(in):
Tom Dowd
Akustikgitarre:
Fred Tackett
Bassgitarre:
Phil Chen (Chinese-Jamaican bassist)
Geige / Violine:
Richard Greene (US fiddler)
Gitarre:
Jim Cregan (Producer & member of Family)
Klavier:
John Jarvis
Schlagzeug:
Carmine Appice
Synthesizer:
Nicky Hopkins (pianist and organist)
Hintergrundgesang:
Carmine Appice und Jim Cregan (Producer & member of Family)
recording of:
You’re in My Heart (The Final Acclaim)
Texter und Komponist(in):
Rod Stewart
Rod Stewart3.84:29
7Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.154:27
8Don't Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, MCA Music Ltd. und Snow Music
Linda Ronstadt & Aaron Neville33:31
9Eva
Rick DeVito5:02
10Waiting for a Train
recording of:
Waiting for a Train
Texter und Komponist(in):
Harry Vanda und George Young (Australian musician and producer)
Flash and the Pan3:44
11You
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1991)
recording of:
You (Ten Sharp song)
Texter:
Ton Groen
Komponist(in):
Niels Hermes
Ten Sharp44:26
12Love Is Stronger Than Pride
Techniker(in):
Mike Pela und Ben Rogan
Koproduzent(in):
Mike Pela und Ben Rogan
Produzent(in):
Sade (group w/ singer of same performance name)
Bassgitarre:
Paul S. Denman
Keyboard:
Andrew Hale (keyboardist/composer)
vocals:
Sade Adu und Leroy Osbourne (vocalist guitarist, songwriter.)
arranger:
Sade (group w/ singer of same performance name)
recording of:
Love Is Stronger Than Pride
Texter:
Sade Adu
Komponist(in):
Sade Adu, Andrew Hale (keyboardist/composer) und Stuart Matthewman
Sade3.854:16
13Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
vocals:
Bobby Hatfield und Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC und 日音 Synch事業部
recording of:
Unchained Melody
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC und 日音 Synch事業部
The Righteous Brothers33:34
14Nothing's Gonna Change My Love for YouGlenn Medeiros3.53:48
15Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (vom 1967-03-28 bis 1967-04-07)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (vom 1967-03 bis 1967-11)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
Van Morrison3.33:05
16Breathless
Produzent(in):
Lou Depryck
recording of:
Breathless
Verfasser(in):
Philippe Allaert (Belgian jazz/fusion drummer, producer) und Viktor Lazlo
Viktor Lazlo3:38
17Titles
Barclay James Harvest3:41
18Hotel California
Techniker(in):
Allan Blazek, Bruce Hensal, Ed Mashal und Bill Szymczyk
Produzent(in) und Mix:
Bill Szymczyk
Bassgitarre:
Randy Meisner (in 1976)
E-Gitarre:
Joe Walsh (Eagles/James Gang) (in 1976)
Perkussion, Schlagzeug und Sologesang:
Don Henley (in 1976)
zwölfsaitige Gitarre:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1976)
zwölfsaitige Gitarre und E-Gitarre:
Don Felder (in 1976)
Hintergrundgesang:
Don Felder (in 1976), Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1976), Don Henley (in 1976), Randy Meisner (in 1976) und Joe Walsh (Eagles/James Gang) (in 1976)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976) und Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1976)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (vom 1976-03 bis 1976-10) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten (vom 1976-03 bis 1976-10)
Karaokeversion von:
Hotel California von Our Last Night
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 49), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 94) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 311)
recording of:
Hotel California (in 1976)
Verfasser(in):
Don Felder, Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Cass County Music, Red Cloud Music, Universal Music Publishing Ltd. (Hong Kong), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), Fingers Music (publisher) (in 1976), Long Run Music (publisher) (in 1976) und WB Music Corp. (1929–2019) (in 1976)
Eagles4.556:30

Nennungen

Veröffentlichungsgruppe

Teil von:Knuffelrock (Netherlands) (Nummer: 1) (Reihenfolge: 2)