Pop Music: The Golden Era 1951-1975

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1The Birth of the Blues
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1952-06-03)
arranger:
Heine Beau
recording of:
Birth of the Blues (am 1952-06-03)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Frank Sinatra3:30
2Because of You
vocals:
Tony Bennett (US jazz/standards vocalist)
Dirigent(in):
Percy Faith
cover recording of:
Because of You (am 1951-04-04)
Verfasser(in):
Arthur Hammerstein und Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett42:58
3Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:11
4Come on-a My House
Produzent(in):
Al Ham und Mitch Miller
Cembalo:
Stan Freeman (am 1951-06-06)
Gitarre:
Mundell Lowe (am 1951-06-06)
Kontrabass:
Frank Carroll (US bass player) (am 1951-06-06)
Schlagzeug:
Jimmy Crawford (Jazz drummer) (am 1951-06-06)
vocals:
Rosemary Clooney (am 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (am 1951-06-06)
Verfasser(in):
Ross Bagdasarian (creator of Alvin and the Chipmunks) und William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und シンコーミュージック・エンタテイメント
Rosemary Clooney1:59
5Cry
recording of:
Cry (in 1951)
Texter und Komponist(in):
Churchill Kohlman
Johnnie Ray and the Four Lads3:04
6You Belong to MeJo Stafford3:07
7The Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (am 1955-06-10)
Texter:
[traditional] (special purpose artist) und Don George (US songwriter/composer, 1909–1987)
Komponist(in):
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller3:03
8Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:23
9Standing on the Corner
recording of:
Standing on the Corner (The Most Happy Fella)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
The Four Lads2:53
10Whatever Will Be, Will Be (Que Sera, Sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
Dirigent(in):
Frank De Vol (am 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (US lyricist)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
Academy Award for Best Original Song (Nummer: 29)
Doris Day2:07
11Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:27
12Chances Are
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (in 1957)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
Teil von:
Grammy Hall of Fame
recording of:
Chances Are (in 1957)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:03
13Summertime, Summertime
recording of:
Summertime, Summertime
Verfasser(in):
Sherman Feller und Thomas Earl Jameson
publisher:
Music Sales Shawnee, Templeton Publishing Co., Inc. und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Jamies2:01
14Theme From "A Summer Place"
recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Percy Faith & His Orchestra2:27
15Moon River
Produzent(in):
Robert Mersey
Dirigent(in):
Robert Mersey (am 1962-01-04)
Interpret(in):
Andy Williams (US pop/jazz vocalist)
arranger:
Robert Mersey
cover recording of:
Moon River (am 1962-01-04)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 34)
Andy Williams2:47
16Bless You
recording of:
Bless You
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Dyad Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:09
17(I Left My Heart in) San FranciscoTony Bennett2:51
18Blue VelvetBobby Vinton4.352:49
19People
recording of:
People (Funny Girl)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Funny Girl (Broadway musical)
Barbra Streisand3:42
20Ruby BabyDion2:37
21The Monkey Time
recording of:
The Monkey Time
Texter und Komponist(in):
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Major Lance2:49
22Hey Little Cobra
The Rip Chords2:01
23Before and After
Chad & Jeremy2:43
24For Your Love
Produzent(in):
Giorgio Gomelsky
Bass:
Paul Samwell-Smith (am 1965-02-01)
Bass [bowed bass]:
Ron Prentice (am 1965-02-01)
Bongos:
Denny Piercey (am 1965-02-01)
Cembalo:
Brian Auger (am 1965-02-01)
Gitarre:
Eric Clapton (am 1965-02-01) und Chris Dreja (am 1965-02-01)
Schlagzeug:
Jim McCarty (UK drummer) (am 1965-02-01)
vocals:
Keith Relf (am 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (vom 1965 bis heute)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-02-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 22)
recording of:
For Your Love (am 1965-02-01)
Texter und Komponist(in):
Graham Gouldman
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Screen Gems–EMI Music Ltd.
The Yardbirds4.652:30
25Down in the BoondocksBilly Joe Royal2:35
26Kicks
recording of:
Kicks
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders2:29
27Like a Rolling Stone
recorded in:
New York, New York, Vereinigte Staaten (am 1965-06-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (vom 1965-07-15 bis 1965-07-16)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 4) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 16)
recording of:
Like a Rolling Stone (am 1965-06-15)
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (vom 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan4.456:08
CD 2

Nennungen

Veröffentlichung

liner notes:Stephen Holden
Thomas Mottola
Koproduzent(in):Al Quaglieri
Produzent(in):Mitchell Cohen (A&R)
mastering:Chris Athens (mastering)
Darcy Proper
mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:Sony Music 100 Years: Soundtrack for a Century (Reihenfolge: 2)
Discogs:https://www.discogs.com/release/11313383 [Info]
ASIN:US: B00001SIFA [Info]